Here are 100 books that Prayers for the Stolen fans have personally recommended if you like
Prayers for the Stolen.
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Fiction has a way of capturing people, places, and phenomena that often elude source-bound historians. As I say in my book, you feel the weight of all the terrible things Colonel Kurtz has done in central Africa far more by his whispering “the horror, the horror” than I, as a historian, could possibly convey by listing them out and analyzing them. That feel–especially what contingency feels like–is something historians should seek out and try to pull into their craft of writing. Getting used to and using fiction to help historians see and feel the past is a worthwhile endeavor.
The idea to adapt Conrad’s Heart of Darkness came from my teaching of modern world history every semester. Later in that course, I would have students read Achebe’s novel as a foil or answer to Heart of Darkness. The Congolese in Heart are barely people: they have no names, and they are only really described by parts of their bodies.
This book presents the West African world–the communities, the customs, the emotions, the families–that colonialism destroys. While it is easy to be swept away by the story’s momentum in the last two dozen pages, take some time early in the novel to enjoy the world that Achebe lovingly paints. I think it is among the most human expressions of fiction you can read.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
For me Graham Greene is the master of the literary novel of political intrigue, the literary political thriller writer who spans the globe in his narrative reach. It is difficult to focus on only one of his novels, all have influenced, moved, and taught me, but for the purposes of this list I chose The Comedians.
When I discovered Graham Greene decades ago, I started reading his many novels and then rereading them, immersed in his worlds, trying to learn how he did what he did, but of course, what he did was unique to his perspective, experience, and talent.
The Comedians spins out its story in the dangerous landscape of Haiti under the regime of Papa Doc and the Tontons Macoute secret police. I still remember the sinister tone and compelling narrative drive of the book on my first reading as the innocent American, the sophisticated returning hotel…
Three men meet on a ship bound for Haiti, a world in the grip of the corrupt "Papa Doc" and the Tontons Macoute, his sinister secret police. Brown the hotelier, Smith the innocent American and Jones the confidence man are the "Comedians" of Graham Greene's title.
I’m a queer-punk author who’s dreaming and scheming for better days. My award-winning long and short fiction includes my bunker-horror novel (below)and its antidote, Glean Among the Sheaves, which I’m finishing any minute. I’m one of six Canadian authors featured in the writers’ tell-all Off the Record. The self-anointed Can Lit Doula, I teach creative writing and guide stuck manuscripts to their next astounding drafts. I write and practice earth-based witchcraft in Toronto, Canada.
People kept telling me to read it, so I finally did–just in time to include it on this list. Rotating narrators–a White missionary’s wife and four daughters from the American South–represent disparate points of view concerning their family’s move to the Belgian Congo in 1959.
One thing I loved is the attention to historical detail and Kingsolver’s ability to include multiple, complex subplots to better frame the colonial history of this particular time/place and to better demonstrate the insidious ongoing brutality of colonization in terms of inequitable global wealth.
Language and religion play a major role in the plundering resource extraction industries, as do political and military interference, apartheid, and so much more. I loved her exploration of language(s): the power held in naming and misnaming. The youngest daughter sums it up best. “My life: what I stole from history, and how I live with it.” Characters are primarily White…
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An international bestseller and a modern classic, this suspenseful epic of one family's tragic undoing and their remarkable reconstruction has been read, adored and shared by millions around the world.
'Breathtaking.' Sunday Times 'Exquisite.' The Times 'Beautiful.' Independent 'Powerful.' New York Times
This story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959.
They carry with them everything they believe they will…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This story is set in Sudan among rebel leaders in a war-torn country with hardened guerillas, idealistic aid workers, evangelical young women, and a pilot responsible for bringing aid and people in and out of the area. I was quickly drawn into this complex world through the varied voices and life experiences of the characters, especially as an unlikely and tragic romance emerges.
History, politics, and the human heart are all in play. As a reader I struggled along with the characters as the narrative took on fraught moments of international intrigue and probed the hearts and emotions of the characters, suggesting that in the end, politics is an extension of the human heart in conflict, often in conflict with itself.
Philip Caputo’s tragic and epically ambitious new novel is set in Sudan, where war is a permanent condition. Into this desolate theater come aid workers, missionaries, and mercenaries of conscience whose courage and idealism sometimes coexist with treacherous moral blindness. There’s the entrepreneurial American pilot who goes from flying food and medicine to smuggling arms, the Kenyan aid worker who can’t help seeing the tawdry underside of his enterprise, and the evangelical Christian who comes to Sudan to redeem slaves and falls in love with a charismatic rebel commander.
As their fates intersect and our understanding of their characters deepens,…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
In this book, two journalist brothers reveal how young teens can get wrapped up in the world of transnational gangs.
We follow a young man who watches murder and death all around him and ends up joining a squad of the MS-13 in El Salvador, until his own untimely death. The book brings to life the experience – and unavoidability for poor Salvadorans – of life under gang control.
As a boy, Miguel Angel Tobar fled a small town in El Salvador torn apart by warring guerrillas and US-backed death squads. As a teen in Los Angeles, he fought discrimination and beatings by joining a gang, MS-13. By the time the US deported him to San Salvador, the Hollywood Kid joined a wave of US-bred gangsters, whose violence-in concert with corrupt offiicals-have in turn helped propel new waves of refugees.
The incomparable Salvadoran journalist Oscar Martinez got to know the Hollywood Kid and met with him as he first turned on MS-13, killing gang members, and then in turn…
People experiencing intimate partner and other forms of violence have been taught that police, prosecutors, and courts are there to respond when they are harmed and to keep them safe. But in my practice representing survivors of gender-based violence, I have both heard about and witnessed first-hand the many ways that the criminal system punishes the survivors that it promised to protect. Survivors are harassed, harmed, and arrested by police. Their experiences of trauma are minimized and denied by prosecutors and judges. They are held criminally responsible for acting in self-defense and for the actions of the people who abuse them.
Until I read this book, I didn’t realize that my work with criminalized survivors had a rich historical context. One example: I didn’t know about Joan Little, who stabbed the correctional officer who sexually assaulted her with an ice pick, or about the grassroots survivor defense campaign that sprang up around her.
I could not have situated that specific campaign in the broader context of a non-carceral anti-violence movement that opposed the build-up of the criminal response to intimate partner violence (a battle they ultimately lost). Emily Thuma gave me that historical context—and a lot more to be angry about.
During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation.
All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations. This activism confronted a "tough on crime" political agenda and clashed with the mainstream women's movement's strategy of resorting to the criminal legal system as…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
This book is bonkers, and I mean that in the best possible way. I loved it when I first read it, and my love for it has only grown throughout the years. I re-read it every few years, trying to pick apart why it works so well for me.
I love Hendrick’s prose, the sharp, noir rhythm of it, and the protagonist, Sherri, is my favorite type of noir heroine to read: crooked but with her own moral code. But mostly, I’m obsessed with how fearless this book is: there’s no taboo left uncrossed. I re-read this book when I need to be braver as a writer.
Sherri Parlay gives up her life of depravity, and with best intentions, finds a respectable job as a dry cleaner in hopes for a decent future. But nature and nurture plot against her when she meets the beautiful, tortured, and rich young Payne, who tempts her with the love and life she never thought possible. Even Brenda, Payne's domineering mother, can't keep the lovers apart when Sherri's animal passions take control. Unfortunately, Payne is not only a different kind of man from those in Sherri's past, he's worse than any on her list of sordid affairs. Twisted psychology and a…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
We live in a time when personal convenience seems to trump everything else. So how is it that virtually the entire Black community of Montgomery, Alabama, stayed off the city buses for over a year in the mid-1950s?
The first three chapters of this book answer that question in a completely new way that made the realities of the Jim Crow South and the dangers of the struggle for racial justice snap into focus for me. The boycott was tangentially about segregation on buses, but really, argues McGuire, it was a fight for bodily integrity, safety, and self-respect.
Because it deals with rape and sexual assault, this can be a hard book to read, but it literally gave me a different understanding of what “equality” means.
Here is the courageous, groundbreaking story of Rosa Parks and Recy Taylor—a story that reinterprets the history of America's civil rights movement in terms of the sexual violence committed against Black women by white men.
"An important step to finally facing the terrible legacies of race and gender in this country.” —The Washington Post
Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement. The truth of…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Florida-based historian David Courtwright is best known for his analyses of the history of drug addiction and the drug business in the United States, but this volume is a fact-filled page-turner on America's lethal violence problem. Courtwright describes a frontier culture in which a reputation for violent capability was an essential social asset and persuasively explicates its similarities with the situation that faces single young men in America's underserved inner cities to this day. The interdisciplinary scope of Courtwright's scholarship guarantees that any reader will learn a great deal from his book. I found it unputdownable.
This book offers a look at violence in America - why it is so prevalent, and what and who are responsible. David Cartwright takes the long view of his subject, developing the historical patterns of violence and disorder in this country. Where there is violent and disorderly behaviour, he shows, there are plenty of men, largely young and single. What began in the mining camp and bunkhouse has simply continued in the urban world of today, where many young, armed, intoxicated, honour-conscious bachelors have reverted to frontier conditions. "Violent Land" combines social science with a narrative that spans and reinterprets…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
On May 8, 1970, just days after the killing of four college students at Kent State University, construction workers in New York City violently attacked a group that had gathered to protest the Vietnam War.
Kuhn offers a riveting account of the events (dubbed the “Hardhat Riot” by some and “Workers’ Woodstock” by others), but he also situates them into a broader story of how the war and other developments of the 1960s exacerbated divisions within the Democratic Party between white, heavily unionized blue-collar workers in the urban North and an emerging class of college-educated professionals.
Nixon successfully courted many of the blue-collar workers on the way to his landslide victory in 1972. Kuhn is no apologist for the workers, but he also avoids facile stereotypes about the white working class, some of which persist to this day.
In May 1970, four days after Kent State, construction workers chased students through downtown Manhattan, beating scores of protestors bloody. As hardhats clashed with hippies, it soon became clear that something larger was happening; Democrats were at war with themselves. In The Hardhat Riot, David Paul Kuhn tells the fateful story-how chaotic it was, when it began, when the white working class first turned against liberalism, when Richard Nixon seized the breach, and America was forever changed. It was unthinkable one generation before: FDR's "forgotten man" siding with the party of Big Business and, ultimately, paving the way for presidencies…