Here are 93 books that Pictures from Brueghel and Other Poems fans have personally recommended if you like
Pictures from Brueghel and Other Poems.
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I began advocating for the rights of California prisoners and their families while incarcerated. As co-director of Legal Services for Prisoners with Children (LSPC), in 2003, I cofounded All of Us or None (AOUON), a grassroots movement of formerly incarcerated people working on their own behalf to secure their civil and human rights. AOUON is now the policy and advocacy arm of LSPC, which I have led as executive director since 2011. Collective victories include ending indefinite solitary confinement in California, expanding access to housing and employment for formerly incarcerated people, and restoring the vote to those on parole and probation.
This was a book I first read nearly fifty years ago after my childhood friend Nate Harrington taught me to read while we were in prison together at 18 and 19 years old. As part of our commitment to helping each other return to our communities as an asset and not a liability, the men in prison taught each other political education classes, which included reading key texts like Malcolm X’s autobiography.
This book gave me an indication that I could do something different with my life. That moment occurred when it was revealed that Malcolm was known as “Detroit Red” on the streets of New York City–but when he went to prison and found a true education, he also embraced a new identity and new way of life. He died as Malcolm. His journey indicated that I could make a transition, too. It also helped me recognize that If…
ONE OF TIME’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY
In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
When Brooks says “ballade” or “blues” she speaks with the authority of one who can hear—can allude to music without needing to copy it.
Composing the sounds beforethe record-keeping act of merely writing the words. She doesn’t need the added music of actual song: she embodies the music in the sentence-sounds. (And the harmonies and discords and rhythms of speech.)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
An artist—a wonderful horn player—speaks his candid, clear-eyed, eloquent account of his life: self-destructive, immensely creative.
If the horn is broken, if the player is just out of prison, if he’s drug-riddled... all that might be bad for himself or others, but he improviseswith his back to the wall, to get out of it. And in speech as in music, a great improviser.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life , is much more than a jazz book,it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
Like most calm, ordinary, cautious people, I enjoy movies and books by and about reckless, clever criminals.
Myles Connor, rock star and felon, may or may not know all about, or played a role in, the famous art theft from Boston’s Isabella Gardner museum. He talks an extremely good game.
“One of the most beguiling criminal memoirs ever written. . . . A rare gem of a book.” — T. J. English, New York Times bestselling author of Havana Nocturne
How did the son of a decorated policeman grow up to be one of Boston’s most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a…
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
Although it is published as a coffee-table book with beautiful and carefully prepared illustrations, this is the best biography of Pieter Bruegel and a cultural study of his times and works. Magnificently written, exuberantly rich, it will please anybody interested in early modern history, art, Reformation, and colonial wars. This is the book to read slowly, as one drinks vintage wine.
The life and times of Pieter Bruegel the Elder (c. 1526/30-1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were…
As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.
As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare. Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.
Peter Bruegel's paintings - a peasant wedding in a barn, hunters in the snow, a rollicking street festival, and many others - have long defined our idea of everyday life in 16th Century Europe. In sixteen chapters Rucker brings Bruegel's painter's progress and his colourful world to vibrant life doing for Bruegel what GIRL WITH A PEARL EARRING did for Vermeer. We follow the artist from the winding streets of Antwerp and Brussels to the glowing skies and decaying monuments of Rome.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Emily Blejwas directs the Alabama Folklife Association. She is the author of The Story of Alabama in Fourteen Foods (UA Press) and two middle grade novels: Like Nothing Amazing Ever Happened and Once You Know This (Random House). Emily grew up in Minnesota, attended Auburn University, and now lives in Mobile, Alabama with her husband and four children.
The premise is simple but ingenious. Winik catalogs the lives and deaths of people she’s known throughout her life, some well, others hardly at all. Each entry is no longer than a page or two, and her writing is stark and unruffled, creating moments of dark humor. She never glorifies the departed, yet her emotion buzzes below the surface. And you immediately wonder how your own page or two might go.
Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death.
At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.
Featuring twelve additional vignettes along with a brand-new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.
Enchanted by mysteries of the cozy, comic, or traditional sort, I was delighted to realize that they replay the holy grail myth. Here the Waste Land is the community paralyzed by the crime that cannot be undone, murder, the sleuth is the Grail Knight, and the Grail Cup is the restorative magic of the solution. Cozy or comic or traditional sleuths find the murderer by asking the right questions, so re-storying or restoring the fertility of the realm. Comedy is used for rebirth in the face of tragedy. I began to write cozies-with-an-edge, emphasizing women heroes who need each other as they face issues of today’s wasteland in climate change.
For sheer delight, I give you mysteries featuring not-very-competent bounty hunter, Stephanie Plum, because they use comedyto portray as well as endurea world of endemic violence. Serious stuff like organized crime is made visible and bearable to the reader by foregrounding Stephanie’s chaos-strewn friendships with walking disasters like ex ‘ho Lula. The great comic creation, Grandma Mazur (aged 70, looks 90) also drags our beloved sleuth into peril that is hilarious as well as life-threatening. This time Grandma becomes a holy terror in online gaming, a change from geriatric sex-crazed boyfriends, falling into coffin caskets, or shooting the dinner chicken. Evanovich collides the crime caper with darker textures of urban suffering. Read for comedy as a survival skill with plenty of sex, death, and doughnuts.
Personal vendettas. Hidden treasure. A monkey named Carl. Stephanie Plum is as fearless as ever in the fourteenth hilarious novel in Janet Evanovich's bestselling Stephanie Plum series. Fearless Fourteen is not to be missed by fans of Harlan Coben and JD Robb.
Raves for Evanovich's bestselling series: 'A laugh a minute against a background of dastardly crime with a ditzy heroine and two - yes TWO - of the hottest heroes ever created' (Woman's Weekly); 'A laugh-out-loud page-turner' (Heat).
Stephanie's desperate enough for a bit of extra cash that she's agreed to help run security…
We grew up, brothers, in Cleveland’s Ohio antipode – Cincinnati – and so we knew Cleveland mostly in contrast to our home. Despite the many differences, both cities experienced the urban crisis. Richard, a journalist, was drawn to the story of Cleveland’s frequently burning river. How did the Cuyahoga become a poster child for the environmental movement? And David, an environmental historian, was drawn to Carl Stokes, a Black man with the skills to become mayor of a predominantly white city in 1968. How did he propose to solve the many problems running through the urban environment? We both wanted to know what Cleveland’s changing relationship with its river could tell us about environmental politics.
The subtitle to Robert Sullivan’s The Meadowlands is Wilderness Adventures on the Edge of a City, and it’s Sullivan’s adventures exploring the vast New Jersey wetlands that make the book so entertaining. But Sullivan is right to use the word “wilderness” to describe the 32 square miles of swamp, landfills, and rusting industrial debris along the Hackensack River where it flows into Newark Bay just five miles from the Empire State Building in New York City. Like the Cuyahoga River in Cleveland, the Meadowlands have been abused and degraded for centuries but also show the resilience of nature and how people’s attitudes toward it have changed. “Now it is a good place to see a black-crowned night heron or a pied-bill grebe or eighteen species of ladybugs,” Sullivan writes, “even if some of the waters these creatures fly over can oftentimes be the color of antifreeze.” Sullivan’s loving description…
Imagine a grungy north Jersey version of John McPhee's classic The Pine Barrens and you'll get some idea of the idiosyncratic, fact-filled, and highly original work that is Robert Sullivan's The Meadowlands. Just five miles west of New York City, this vilified, half-developed, half-untamed, much dumped-on, and sometimes odiferous tract of swampland is home to rare birds and missing bodies, tranquil marshes and a major sports arena, burning garbage dumps and corporate headquarters, the remains of the original Penn Station--and maybe, just ,maybe, of the late Jimmy Hoffa. Robert Sullivan proves himself to be this fragile yet amazingly resilient region's…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
To be a successful humorous cozy mystery author, character development is the key. Prior to writing cozy mysteries, like the protagonist in my Holly Swimsuit Mystery Series, I enjoyed a career as a ladies’ apparel sales exec. Fortunately for my writing gig, salespeople are also students of human nature. I've been fascinated by what makes people tick all my life and have taken all I have learned and applied it to my writing. The relationship between the protagonist and her sidekick is one that makes the characters in my stories imperfect, but believable, accents their individuality, and lets their personalities come alive so that readers can’t help but invest in them.
Ironically, as a wordsmith, I absolutely adore the universal hilarity of physical comedy, an art form that transcends the need for words. So, I was immediately drawn to the slapstick antics of calamitous Trenton, NJ rookie bounty hunter Stephanie Plum. In this book, Stephanie is hot on the trail of bail jumper Kenny Mancuso. Low on expertise but learning fast, high on resilience, and despite the help she gets from friends and relatives, Stephanie is targeted by a loathsome adversary. Lula, Stephanie’s soon-to-be-sidekick, was first introduced as a minor character in the debut of the series, One for the Money.
Lula is a zaftig black ex-hooker who somehow squeezes her size 16 body into a size 10 spandex bodysuit. Lula’s wisecracking, street-smart philosophy is to always shoot first and ask questions later. In this second book of the series, Lula becomes a continuing character with her role as a file…
Kenny Mancuso shot his childhood buddy Moogey Bues and then jumped bail. Now bounty hunter Stephanie Plum is on the case to track Kenny down. Then someone finished Moogey off, Kenny can't be found, twenty-four coffins are missing, and there's some ex-army heavy artillery roaming the streets. And Joe Morelli - the cop with more than a professional interest in her every move - is tailing Stephanie. With a healthy disregard for the law, and an unhealthy dependence on marshmallow hot chocolate, Stephanie's a match for anyone - even Morelli. That is, until her eccentric grandmother goes AWOL and little…
