100 Books Like Personal Days

I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.

I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.     

I am a recovering trial lawyer (after 35 years of law practice) who took up fiction writing in my late 50s and became so interested in learning what it’s like to be a writer – and how to write better – that I began a podcast designed to encourage authors to open up about their writing lives. After more than 500+ author interviews, I remain fascinated by the many different ways that writers approach their craft and how they turn their “what-ifs” into interesting stories. The writing books that I am recommending are books I used to guide me in my interviews. I hope they will provide insight and inspiration in your writing journey.  

I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss.  Who wants to see what goes on inside the factory? I do. I’m obsessed with stories that showcase the factory. 

I’ve always loved history and historical stories, but like the majority of people, didn’t really know very much about WWI. That changed in early 2017 when I read The Zimmermann Telegram by Barbara W Tuchman. I immediately fell into a vortex of further reading, resulting in my writing The War in Our Hearts at the end of that year--because although there is a lot of great non-fiction out there about WWI, there aren’t nearly as many novels that quite scratched the itch I had for fiction…so I wrote the book I wanted to read!

I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.

I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.

I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.

Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.

I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.