Here are 100 books that Deeper fans have personally recommended if you like
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I read my first chapter book in Kindergarten, and have been fascinated by literature ever since. From writing a Halloween story in 3rd grade that made my classmates cry and the teacher call my mom, to graduating from DePaul University in Chicago, Illinois, literature has always been a big factor in my life. As a new writer myself and paired with my long list of books stored on my shelves and in my mind, I simply would like to give my two cents on the stories that caused my inspiration to blossom.
While short book aimed at younger readers, there’s so much to learn for anyone regardless of age that wishes to exercise their terror-inducing writing muscles. I read this book so long ago that I would guess it was back in 2005. While the time frame is hazy, the details and lessons in the book are anything but. The way Zindel handles the horror parts is what gets this book on this list. The antagonist monster is horrendous of course, but it’s the mystery behind it that is what’s more chilling because it is vaguely hinted at but never outright explained.
Even on the final page, when you learn that this creature isn’t anything new nor anything going away, there are still so many mysteries that will not (and maybe should not) be solved. That is why this book is recommended. When things are over-explained, they tend to lose their magic.…
A deadly predator is stalking Salisbury Plain, leaving a blood-curdling legacy of terror, murder and destruction in its wake. Dr Sarah Cawley, an eminent anthropologist, together with her spunky 15-year-old nephew and a local girl, set out to track down and eliminate the terrifying beast.
An eviction. A stolen gemstone. a hidden network. Will retrieving her precious obsidian get Tricky killed?
After her cottage is ransacked, new-age witch Tricky knows she’s been targeted by the district. Now she must use her magical ability to discover who stole her prized gemstone—and what they’re plotting.
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
An eviction. A stolen gemstone. a hidden network. Will retrieving her precious obsidian get Tricky killed?
After her cottage is ransacked, new-age witch Tricky knows she’s been targeted by the district. Now she must use her magical ability to discover who stole her prized gemstone—and what they’re plotting.
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.
Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.
Scary Stories to Tell in the Dark is a classic collection of chillingly scary tales, in which Alvin Schwartz offers up some of the most alarming tales of horror, dark revenge, and supernatural events of all time, complemented in this paperback edition by spine-tingling illustrations by renowned artist Brett Helquist. Walking corpses, dancing bones, knife-wielding madmen, and narrow escapes from death-they're all here in this chilling collection of ghost stories. Make sure you read these books with the light ON!
I am passionate about this topic because it dates back to my childhood. I have been interested in this subject for as long as I can remember and, as far as I can tell, gravitated towards it naturally, probably due to those unknown vectors within us all that gear us towards our loves, interests, and passions. I have written many novels in this field, and countless short stories, some published, others lying around my house. For me, this genre defines the best aspects of the imagination and is full of color, fantasy, and the entire broad spectrum of human emotions, including the most potent: fear.
Perhaps my favorite author of all time is Edgar Allan Poe, but HP Lovecraft is certainly within the running of my top five, perhaps three. His fiction is predicated upon the idea that we understand very little about the nature of reality and are ourselves rather insignificant in the grand scheme of things.
This notion in and of itself is rather humbling and petrifying. Not to mention the fact that Lovecraft’s work is downright cool, rife with slime, tentacles, and other unknown and indescribable horrors from beyond the cosmic veil of outer space…and beneath the ocean, which is without a doubt the scariest place on earth.
Another fantastic edition in the Knickerbocker Classic series is The Complete Fiction of H.P. Lovecraft, comprised of the author's fictional stories featuring the world's most bizzarre creatures and supernatural thrills. Written by H.P. Lovecraft between the years 1917 and 1935, the stories in this collection feature many horrific and cautionary science fiction themes that influence today's artists like Stephen King, Alan Moore, Paul Wilson, Guillermo Del Toro, and Neil Gaiman. For Lovecraft fans worldwide, this stunning gift edition has a full cloth binding, foil blocking on the spine, ribbon marker, and is packaged neatly in an elegant slipcase. The Complete…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
In the ongoing debates over artificial general intelligence (AGI), Judea Pearl is taking a firm stand: He argues that an intelligent robot should be able to reason about causality and that the currently fashionable approaches to AI miss this aspect.
A celebrated AI researcher and a Turing Prize laureate, Pearl has developed an amazingly original approach to this problem. This book is a high-end popular exposition of his approach.
But it’s so much more than that. It’s a history of statistics and its conflicted attitude to causality. It’s a story of heroes (or villains?) in this history. And it’s a scientific autobiography that describes Pearl’s journey. Pearl likes picking fights with the AI community, statisticians, or economists. He’s boastful, provocative, extremely intelligent, and knows how to tell a story.
'Wonderful ... illuminating and fun to read' - Daniel Kahneman, winner of the Nobel Prize and author of Thinking, Fast and Slow
'"Pearl's accomplishments over the last 30 years have provided the theoretical basis for progress in artificial intelligence and have redefined the term "thinking machine"' - Vint Cerf, Chief Internet Evangelist, Google, Inc.
The influential book in how causality revolutionized science and the world, by the pioneer of artificial intelligence
'Correlation does not imply causation.' This mantra was invoked by scientists for decades in order to avoid taking positions as to whether one thing caused another, such as smoking…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
As it did to other parents all around the world, the murder of six-year-old JonBenet Ramsey in 1996 chilled me to the bone. What kind of monster could kill an innocent child and leave her violated dead body in the basement of her home? And if it was possible to make it even worse, to do it on Christmas night. Police investigators seem to have made the child’s mother Patsy their number one suspect and completely ruled out JonBenet’s father John. The author rules him straight back in—hence the title of the book. I have read most of the books written about this sad case and in my opinion this one is the best. Doc G backs up everything he says with evidence and facts and you end up finding it difficult to disagree with him.
Because the JonBenet Ramsey case is so very complex, so very mysterious, with such a superabundance of both evidence and suspects, and so many assumptions, opinions, and contradictory and/or questionable testimony, it is especially important to exercise the greatest diligence in tracking down the facts and not allowing oneself get too distracted by all the rest. If we attempt to account for all the many bits and pieces of “evidence,” all the various opinions, both “expert” and inexpert, the many various suspects, no matter how “likely” each one seems to be, and the dubious…
I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
What is creativity, and what makes it possible? If a new idea came from nothing, would it be magic? If a new idea were generated by recombining old ones, would it really be “creative”? In this book, Margaret Boden, a distinguished philosopher of science, thinks through what creativity really is, whether it takes the form of a world-altering advance in science or a novel jazz improvisation. To help understand human creativity, the book compares it to the workings of computer programs—ones capable of generating art or music that at least appears creative. Readers who have followed more recent developments in artificial intelligence will be able to consider for themselves whether machine creativity is, or could be, a reality. The book helped me think about what it means to create an “authentic” poem.
How is it possible to think new thoughts? What is creativity and can science explain it? And just how did Coleridge dream up the creatures of The Ancient Mariner?
When The Creative Mind: Myths and Mechanisms was first published, Margaret A. Boden's bold and provocative exploration of creativity broke new ground. Boden uses examples such as jazz improvisation, chess, story writing, physics, and the music of Mozart, together with computing models from the field of artificial intelligence to uncover the nature of human creativity in the arts.
The second edition of The Creative Mind has been updated to include recent…
I've had a long-time interest in two things: mathematics and social issues. This is why I got degrees in social work (Masters) and sociology (PhD) and eventually focused on the quantitative aspects of these two areas. Social Workers Count gave me the chance to marry these two interests by showing the role mathematics can play in illuminating a number of pressing social issues.
As I write these lines, artificial intelligence (AI) is getting a lot of attention.
This is largely due to ChatGpt recently bursting onto the scene. But even before ChatGpt began making its mark, AI was often in the news. Some have expressed worry that it will take our jobs, others that it will reinforce systemic oppression by making racially or otherwise discriminatory decisions, and some have even voiced concerns that one day a superintelligent AI might pose an existential threat to humanity.
In the midst of all this, what might get lost is what AI is, what it's capable of doing, and what its limitations are. Wenger's book is intended to address all of these questions. It manages to do so in a way which goes into some of the mathematics of AI systems and yet remain accessible to a lay audience.
Artificial intelligence is everywhere―it’s in our houses and phones and cars. AI makes decisions about what we should buy, watch, and read, and it won’t be long before AI’s in our hospitals, combing through our records. Maybe soon it will even be deciding who’s innocent, and who goes to jail . . . But most of us don’t understand how AI works. We hardly know what it is. In "Is the Algorithm Plotting Against Us?", AI expert Kenneth Wenger deftly explains the complexity at AI’s heart, demonstrating its potential and exposing its shortfalls. Wenger empowers readers to answer the question―What…