Here are 100 books that Òsun Across the Waters fans have personally recommended if you like
Òsun Across the Waters.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
Wise Women. Ancestral Worship. Charms and rituals: Thank you—to author, performer, and ritual priestess, Luisah Teish—for this reminder that “our foremothers knew things that modern science is still struggling with.”
Originally published in 1985, this eclectic mix of memoir, spiritual teachings, and practices is a delightful and accessible road map to New Orleans Voudou, which, like Jamablaya—“a spicy dish with many fine ingredients cooked together”—blends the practices of African ancestor reverence, Native American earth worship, and European Christian occultism into one tradition.
Reading this book, I find myself pulled into the mysteries of the natural and spiritual worlds, and the centuries-old traditions of the ancestors, whose voices echo through time, guiding us and blending with our own.
A refreshed edition of Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals—updated with a note from the author sharing the changes that have occurred in the 30 years since its original publication.
"A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written."—Alice Walker, author of The Color Purple
Since its original publication in 1985, Jambalaya has become a classic among Women's Spirituality Educators, practitioners of traditional Africana religions, environmental…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
What a delight to cozy up with the fictional island of this novel, an imagined liminal space on the border of Georgia and South Carolina, we are told “got spit out from the mouth of God, and when it fell to the earth it brought along an army of stars.” Even more delightful, we are told that when He tried to reach down and scoop them back up, He found Himself shaking hands with “the greatest conjure woman on earth.”
Thus we meet the “great, great, grand Mother” of Willow Springs, the archetypal first mother who could “grab a bolt of lightning in the palm of her hand; use the heat of the lightning to start the kindling going under her medicine pot,” and heal “the wounds of every creature.” I love how deeply feminist, mystical, and immersive this novel is: a page-turner I return to whenever I want to…
With a new introduction by Robert Jones, Jr, author of The New York Times bestselling novel, The Prophets
'Gloria Naylor is a brilliant word-worker and a breathtaking story-teller. Mama Day is her masterpiece' Tayari Jones
'A sweeping, ambitious, gorgeous novel - takes you by the throat and refuses to let go. Mama Day is a stone-cold masterpiece' Carmen Maria Machado
Between Georgia and South Carolina is an island you won't find on any map. Only a single wooden bridge connects it to the world. In Willow Springs people still honour their ancestors, who arrived as slaves back in the time…
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
I love a biography that is as well-researched as it is immersive, and this book does not disappoint! Marie Laveau―a free woman of color who all but ruled New Orleans in the mid-1800s—may be the most legendary American practitioner of the magical arts, and in this book, Denise Alvarado—a New Orleans born, native Creole who studies African and Indigenous-based healing traditions from a personal and academic perspective—separates the myth from the fact.
Moving seamlessly between historical archives and her personal experience as a practitioner, Alvarado introduces us to the New Orleans Voodoo queen, her reign and legacy, and the spells, charms, prayers, rituals, and recipes that bring her magic to life.
The life and work of the legendary “Pope of Voodoo,” Marie Laveau―a free woman of color who practically ruled New Orleans in the mid-1800s
Marie Laveau may be the most influential American practitioner of the magical arts; certainly, she is among the most famous. She is the subject of songs, films, and legends and the star of New Orleans ghost tours. Her grave in New Orleans ranks among the most popular spiritual pilgrimages in the US. Devotees venerate votive images of Laveau, who proclaimed herself the “Pope of Voodoo.” She is the subject of respected historical biographies and the inspiration…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
As someone who writes about discovering Santería as an adult, I was enchanted to read how Hernández stumbles upon its rituals through the eyes of a child. In her father’s workroom, a gray rock with cowrie shells for eyes and a mouth that sits on a clay plate filled with candies becomes the author’s enticing introduction to Santería’s gatekeeper deity, Eleggua. In the kitchen, women read cups of water that ferry messages between the living and the santos and the dead.
“There’s nothing odd about any of this, because it has always been this way,” Hernández tells us, illuminating the ways her young self navigates her identity among the wisdom and complexities of the aunties and mother who raise her, and the “women who know” they call upon to help them find their way.
The PEN Literary Award–winning author “writes with honesty, intelligence, tenderness, and love” about her Colombian-Cuban heritage and queer identity in this poignant coming-of-age memoir (Sandra Cisneros, author of The House on Mango Street).
In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become…
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
This study of West African writers who used pseudonyms has prompted me to think about the importance of anonymity for female writers throughout the ages.
Newell looks at Ghanaian authors of the early twentieth century who used a range of pseudonyms, often for quite playful and experimental reasons.
Some of these writers were, of course, women, and they found that a pseudonym gave them increased respectability. But the pseudonym could be a double-edged sword.
A pen name was a useful cloak of anonymity allowing a woman to write.
But it also means that the true identities of these female writers are hard to discern. In other words, women writers’ frequent use of the pseudonym has rendered them both visible andinvisible.
* Finalist for the African Studies Association's 2014 Melville J. Herskovits Award for best book in African Studies Between the 1880s and the 1940s, the region known as British West Africa became a dynamic zone of literary creativity and textual experimentation. African-owned newspapers offered local writers numerous opportunities to contribute material for publication, and editors repeatedly defined the press as a vehicle to host public debates rather than simply as an organ to disseminate news or editorial ideology. Literate locals responded with great zeal, and in increasing numbers as the twentieth century progressed, they sent in letters, articles, fiction, and…
I write nonfiction books for children and teens that focus on current environmental stories. But environmental headlines are usually gloomy and filled with foreboding, so, I prefer to focus on stories that involve individuals identifying an environmental problem and working to develop a solution – hence this list of happy conservation stories. The stories in this list – and many others – are the antidote to the headlines. They are the hope. They show human ingenuity at its most creative, most flexible, and most caring. Happy conservation stories empower kids, teens, and adults to care about the role they play in nature and unite them in action.
I love stories of positive change. They give me hope that humans can see themselves as part of nature rather than apart from it.
One Plastic Bag is special because it focuses on how one person addressed the problem of plastic pollution and instituted change with small steps that created a big impact. If we are to coexist with nature, we must realize each of us have something to contribute.
The inspiring true story of how one African woman began a movement to recycle the plastic bags that were polluting her community.
Plastic bags are cheap and easy to use. But what happens when a bag breaks or is no longer needed? In Njau, Gambia, people simply dropped the bags and went on their way. One plastic bag became two. Then ten. Then a hundred.
The bags accumulated in ugly heaps alongside roads. Water pooled in them, bringing mosquitoes and disease. Some bags were burned, leaving behind a terrible smell. Some were buried, but they strangled gardens. They killed livestock…
I'm a historian of slavery and the Atlantic slave trade who was trained with a PhD in History and a PhD in Art History, and who's interested in how slavery is memorialized in the public space as well as in the visual and material culture of slavery. I was born and raised in Brazil, the country where the largest number of enslaved Africans were introduced in the era of the Atlantic slave trade and that still today is the country with the largest Black population after Nigeria, the most populous African country. I believe that studying the history of the Atlantic slave trade and slavery helps us to remedy the legacies of anti-Black racism today.
Toby Green’s book is a magisterial history of West Africa and West Central Africa during the era of the Atlantic slave trade.
Exploring a large array of sources from three continents the book tells the history of African societies such as the kingdoms of Kongo and Dahomey, by showing how Africa was connected to the rest of the world earlier before Europeans reached the Atlantic coasts of the continent.
With the rise of the Atlantic slave trade Africa exported currencies such as gold, whose great value persisted over time, but kept importing cloth, cowries, iron, and copper, whose value decreased over time.
The book helps us to understand the roots of the inequalities among Africa and the Global North and shows us that these unbalanced economic and diplomatic exchanges were tied to cultural, religious, and artistic dimensions, in which material culture also played a central role.
By the time the "Scramble for Africa" among European colonial powers began in the late nineteenth century, Africa had already been globally connected for centuries. Its gold had fueled the economies of Europe and the Islamic world for nearly a millennium, and the sophisticated kingdoms spanning its west coast had traded with Europeans since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies-most importantly, cowrie shells imported from the Maldives and nzimbu shells imported from Brazil. But, as the slave trade grew, African kingdoms began to lose prominence in the growing…
When offered a plot at the community garden, I thought it would be fun to invite other families to learn to grow food together. As a science teacher, I knew that for toddlers, digging in the dirt and growing plants for food could plant seeds for a life-long love of exploring nature, hands-on science inquiry, environmental stewardship, and joy in healthy eating. As we gardened, I noticed what questions children and their parents had, and how we found the answers together. I wrote the picture book How to Say Hello to A Worm: A First Guide to Outside to inspire more kids and their parents to get their hands dirty.
Why garden at all? Isn't it a lot of work? I can always count on The Talking Vegetables, a retelling of a traditional African story, to delight toddlers and preschoolers. They revel in Spider's laziness as he shirks helping neighbors grow food at the community garden, and are just as delighted when he gets his comeuppance as the insulted vegetables refuse to let him get away without contributing to the team effort.
A wonderful folktale from the award-winning authors of Mrs. Chicken and the Hungry Crocodile The villagers are planting a garden, but Spider refuses to help. He has plenty of rice to eat, so why should he do all that hard work? Then one day Spider gets tired of plain rice and decides to pick some of the delicious produce. Imagine his surprise when the vegetables start talking! The talented team that created the award-winning titles Mrs. Chicken and the Hungry Crocodile and Head, Body, Legs join together once again for a laugh-out-loud funny Liberian story. The Talking Vegetables is a…
I was a child of empire myself, which can have uncomfortable associations. In my case, this came with a sense of guilt as I grew up in apartheid South Africa, and while still a young man, I felt compelled to leave. Thus disconnected, I became a wanderer in Asia and the Far East, developing an enduring love of India. Africa drew me back as a foreign correspondent when the independence of Zimbabwe appeared to herald a new age of hope. I returned to report too from my homeland after Nelson Mandela’s release. At bottom, my interests – and I’m never sure where they will go next – have always been unpredictable.
Even among this indomitable breed of women, Mary stands out for her daring. She came to Africa almost a century after Anne Barnard with a keen interest in natural history and the eye of an early anthropologist while traveling in places synonymous with dangerous disease – from Sierra Leone to Angola, Congo, and Niger.
She was barely less bold as a standard bearer for African culture, challenging perceptions about the colonial mission before dying as nobly as she had lived, nursing Boer prisoners of war at the Cape in 1900.
Upon her sudden freedom from family obligations, a sheltered Victorian spinster traded her stifling middle-class existence for an incredible expedition in the Congo. Mary Kingsley traversed uncharted regions of West Africa alone, on foot, collecting specimens of local fauna and trading with natives--a remarkable feat in any era, but particularly for a woman of the 1890s. After hacking her way through jungles, being fired upon by hostile tribesmen and attacked by wild animals, Kingsley emerged with no complaint more serious than a pair of tired feet. She undertook her exploits in the traditional garb of her era but lived as…
Faith “Zanweah” Sternstein grew up in Tappita, Nimba County, Liberia. Her heritage and cultural background is that of the Dan (Gio) ethnic group, where her lineage comes directly through Chiefs Tarpeh, Snagon, and Vonleh. She met her future husband, Martin Sternstein, when he served as Fulbright Professor at the University of Liberia. While much has been written about Liberia, there has been little serious research into the lives of the early presidents, and we much enjoyed filling in this gap. We subscribe to the African proverb: Until the lion tells his side of the story, the tale of the hunt will always glorify the hunter.
We have divergent views on Greene’s travelog. Before first venturing forth to Liberia, Martin read Greene’s book for some appreciation of the undeveloped regions of the country. Faith, a native Liberian, read the book and found Greene’s naivety somewhat amusing.
In 1935 Greene embarked on a four-week, 350-mile trek through the Liberian hinterland. He had sharp eyes and was a master storyteller. With wit, compassion, and insight, he described a part of Liberia seemingly untouched by Western civilization.
While he overly dwelled on what he perceives as negatives, still an unconquered spirit of the indigenes manages to shine forth.
His mind crowded with vivid images of Africa, Graham Greene set off in 1935 to discover Liberia, a remote and unfamiliar republic founded for released slaves. Now with a new introduction by Paul Theroux, Journey Without Maps is the spellbinding record of Greene's journey. Crossing the red-clay terrain from Sierra Leone to the coast of Grand Bassa with a chain of porters, he came to know one of the few areas of Africa untouched by colonization. Western civilization had not yet impinged on either the human psyche or the social structure, and neither poverty, disease, nor hunger seemed able to…
