Here are 82 books that One to Watch fans have personally recommended if you like
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I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Dolores Price is one of the most honest, funny, and irresistible narrators I’ve ever encountered, and the story of her coming of age grabbed me by the heart and didn’t let go until the very last page. I found the trauma she suffers to be highly relatable, and her way of plowing through it is both admirable and heartbreaking.
I’ve read this book at least three times over the last several years, and each time, it has made me cry harder than any other book I’ve read. For me, each time I’ve read this book, it’s been an amazing, cathartic experience.
Dolores Price is the wry and overweight, sensitive and pained, cynical heroine of this novel. The story follows her from four to 40, from her shattered family life through the hellish circles of sexual and food abuse to her gradual recovery and her fight to love again.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Being overweight presents an intriguing paradox: being physically large and hard to miss, but also being essentially invisible and easy to ignore. Having struggled with weight for my entire life, I’m very familiar with this juxtaposition of opposites. I wanted to write a novel with a plus-sized protagonist set in a different time, the late 1970s in this case, before the notions of size positivity and body diversity had come to life in society’s collective imagination. For me, this was a way of making fat people more visible in books, especially as main characters. I put together this list of books for the same reason.
This book follows the lives of three friends, Emerson, Georgia, and Marley, who first met at fat camp as teenagers. Back then, they made a list of all the things they would do when they were skinny.
The novel opens with the tragic death of Emerson, who gives her friends a copy of the list and asks that they complete all the items.
As Georgia and Marley work to fulfill their friend’s dying wish, they must confront the loss and emptiness in their own lives, believe in their own worth, and beat back their detractors – quite literally in one empowering physical altercation in a bar. The characters in this book are complex, easy to love, and hard to forget.
A box or two of tissues is definitely recommended for this read.
Emerson, Georgia, and Marley have been best friends ever since they met at a weight-loss camp as teens. When Emerson tragically passes away, she leaves one final wish for her best friends: to conquer the fears they still carry as adults.
Being overweight presents an intriguing paradox: being physically large and hard to miss, but also being essentially invisible and easy to ignore. Having struggled with weight for my entire life, I’m very familiar with this juxtaposition of opposites. I wanted to write a novel with a plus-sized protagonist set in a different time, the late 1970s in this case, before the notions of size positivity and body diversity had come to life in society’s collective imagination. For me, this was a way of making fat people more visible in books, especially as main characters. I put together this list of books for the same reason.
Unlike the other recommendations, the plus-sized protagonist in this book is a man. Arthur Opp is a lonely shut-in who has lost his career, his friend, and his family of origin. His main solace is his correspondence with a former student, who, one day, asks him for help in guiding her son, Kel.
From that point forward, the story is told from the alternating perspectives of Arthur and Kel. Both are plagued by isolation and tragedy. Though Arthur views himself as part of the shared soul of the lonely, he nonetheless begins to welcome people back into his life again and extols the virtues of found family to Kel.
This is a haunting, yet hopeful, book that stays with the reader for a very long time.
Former academic Arthur Opp weighs 550 pounds and hasn't left his rambling Brooklyn home in a decade. Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career-if he can untangle himself from his family drama. The link between this unlikely pair is Kel's mother, Charlene, a former student of Arthur's. After nearly two decades of silence, it is Charlene's unexpected phone call to Arthur-a plea for help-that jostles them into action. Through Arthur and Kel's own quirky and lovable voices,…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Being overweight presents an intriguing paradox: being physically large and hard to miss, but also being essentially invisible and easy to ignore. Having struggled with weight for my entire life, I’m very familiar with this juxtaposition of opposites. I wanted to write a novel with a plus-sized protagonist set in a different time, the late 1970s in this case, before the notions of size positivity and body diversity had come to life in society’s collective imagination. For me, this was a way of making fat people more visible in books, especially as main characters. I put together this list of books for the same reason.
This book is a memoir of the childhood and early adulthood of a woman overshadowed by her own weight.
The writing in this book is beautiful and evocative, particularly the descriptions of food and eating. That being said, this work is, otherwise, a tough read. The author feels unwanted and alone. She never achieves self-love or the sense of belonging she desires. Moore grew up long before size positivity existed and so she focused her energy and strength on changing rather than accepting herself.
Though it is, at times, an excruciating chronicle of pain, this memoir is an important work because it reminds us how destructive anti-fat bias was in the past, highlighting, as well, how it continues today.
A angst-filled memoir of one woman's obsession with food and one's body offers a poignant coming-of-age story that sets the author's love/hate relationship with food against her painful longing for a family, love, and a sense of belonging. By the author of Never Eat Your Heart Out. 35,000 first printing.
I’ve struggled with weight and body issues most of my adult life. When I first wrote Worth The Weight (nearly 20 years ago), I had just lost a lot of weight and was coming to terms with what that meant to my self-image vs my body image. Package deal? Able to be separate the two? The weight loss romances on this list spoke to me. But the “love all those curves” books spoke to me on a different level. And the body-positivity movement has spoken to me on yet another level as I evolve into the imperfect, but hopefully always learning, person I am still becoming.
One of the first books I remember reading that had lots of sex with a plus-size heroine. There are many now (thank goodness – a long time coming!), but when this first came out, it was quite unique.
Grace Jenkins has long wanted Noah Harper. She gets her chance, but her body image makes her hesitate.
I loved Noah’s flat-out desire of Grace and all her curves. This made me come up with a mantra that I use to my friends, on myself, and in my writing: To men; any naked is good naked.
"Lori Foster delivers everything you are looking for in a romance." —Jayne Ann Krentz
He Made Her Feel Beautiful
Awkward, insecure Grace Jenkins has had little experience with men. But that hasn't stopped her from dreaming hard about Noah Harper. Gorgeous, strong and darkly sexy, Noah has a rough edge beneath his polish that promises no mercy in the bedroom. When Grace learns Noah's engagement has ended in scandal, she shyly offers him her support and her friendship. But Noah's looking for something extra . . .
Noah wants Grace--badly. He wants to possess those curves that go on forever,…
I’ve been making up characters and telling myself stories for as long as I can remember. I’m also a mood reader. I’ll read just about anything, but the stories I always yearn for are the ones that take me far away from this world, make me swoon, and devastate my soul. As a mood reader, I also have phases, and I’m in a fantasy phase right now. Magic, romance, adventure. These are just a few of my favorite things to read and write. As I read, I am inspired by the emotions that flood my senses when I read a good book.
I loved how different this fantasy rom-com was from anything I had read before picking it up. From the meet-cute to the epilogue, I adored all of it. I was shocked at first by the contemporary language and the modern world-building within a traditional fantasy setting.
The MFC was relatable, reacting to the crazy world around her as I’d imagine I would if I were taken on a wild adventure with a dragon shape-shifter. Funny, witty, steamy, and exciting. This book had it all.
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’ve struggled with weight and body issues most of my adult life. When I first wrote Worth The Weight (nearly 20 years ago), I had just lost a lot of weight and was coming to terms with what that meant to my self-image vs my body image. Package deal? Able to be separate the two? The weight loss romances on this list spoke to me. But the “love all those curves” books spoke to me on a different level. And the body-positivity movement has spoken to me on yet another level as I evolve into the imperfect, but hopefully always learning, person I am still becoming.
Rose is dumped by her boyfriend for a thinner woman, throwing her into a body image crisis. But a chef (a chef! How perfect! Or horrific?) makes her appreciate herself just the way she is.
Very, very sexy. It was the first Bella Andre I read (waaaaay back when) and I’ve been a fan since. Much like Too Much Temptation, the fully-realized love scenes with a plus-size heroine (at least, in her mind) are romantic, arousing and so, so satisfying.
In this trio of erotic stories, three friends take a road trip through the Napa Valley wine country and learn to indulge in a world where wine is a sensual delight, food is a decadent feast, and fulfilling pleasure is the only thing that matters. In Tempt Me, Carrie can't explain why she dumped Mr. Perfect...until she meets a gorgeous winemaker who knows as much about female erogenous zones as he does about creating the perfect Pinot Noir. In Taste Me, full-figured Rose isn't surprised when her boyfriend leaves her for a younger, thinner woman, but she's in for the…
I am a plus-sized woman of color, and I feel women like me are woefully underrepresented in romance books. Too many times, I read a book claiming to feature a “curvy heroine”, only to find she’s a size 6, or just wears baggy clothes. Even worse, some novels make plus-sized female leads lose weight before they get their happily ever after! There are great books out there that show love comes at any size and they deserve to be showcased.
I loved the Egyptian mythology featured in this book, and you could tell the author did her research. Detailed descriptions created a vibrant fantasy world where monsters are real and walk among us, sometimes as accountants.
This book was instalove at its finest with a swoonworthy, overprotective male lead. Even so, I loved that the plus-sized heroine was independent and capable throughout.
I’ve been a lifelong horror reader, really since first stumbling onto Stephen King in the 9th grade. There’s something about that genre that has held a particular fascination for me through the years, probably because the best works are some combination of suspenseful, well-written, and cathartic, as they really get your mind racing as to what you might do yourself in a given situation. If you’re lucky, they might even have something to say about the human condition as a whole. But given this prolonged interest and exposure to horror, it’s only natural I would eventually progress to giving it a stab myself.
This is a unique entry in that the cursed place is a framing device, for this collection of mostly disturbing tales. For his first-ever collection of short stories, Palahniuk brings his wretched cast of characters to a haunted house, where each in turn offers his or her own demented tale. They don’t all work, but a number of the stories really stick with you, and this spooky old house at the center of it ratchets the intensity up another level—it’s not a static situation they are in, there, so the plot progresses to its own warped conclusion on this front as well.
"Haunted" is a novel made up of stories: twenty-three of them to be precise. Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter - sometimes all at once. They are told by the people who have all answered the ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
A bracing slap to the face, this book. Or maybe a punch to the gut. The conceit is the series of portraits of hoarders based on the reality show of the same name, and the recipe is to combine their testimonials—“I save old soda cans and turn the tin snips into flowers,” say, or “I want desperately to change”—with lists of objects, described as though in a slow camera pan across a filthy room. But the alchemy is the way Durbin mashes the two together, not quite at random but not correctlyeither. It’s a harrowing litany of fragments, so specific that the unspoken point is all too clear: what’s broken is much bigger than any of these individual people or things.
A Lit Hub Most Anticipated Book of 2021 An NPR Best Book of 2021 An Electric Literature Best Poetry Book of 2021 A Dennis Cooper Best Book of 2021
In Hoarders, Durbin deftly traces the associations between hoarding and collective US traumas rooted in consumerism and the environment. Each poem is a prismatic portrait of a person and the beloved objects they hoard, from Barbies to snow globes to vintage Las Vegas memorabilia to rotting fruit to plants. Using reality television as a medium, Durbin conjures an uncanny space of attachments that reflects a cultural moment back to the reader…