Here are 12 books that One of Them fans have personally recommended if you like
One of Them.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Size discrimination leads to getting paid inequitably, receiving inferior health care, and being classified by teachers as unintelligent. These facts alone should convince you that fatphobia is a form of oppression. Moreover, philosopher Manne’s personal struggles with dieting punctuate that fatphobia seeps into all our souls. The solution, she advocates in this engagingly written book, is for fat people to stop thinking of themselves as thin people trapped in large bodies and to stand in solidarity with other fat people—and for everyone to challenge this insidious injustice.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Rejecting the popular belief that bigotry is an extension of ignorance, University of Kansas professor Mitchell begins with the premise that bigotry is a moral code of hatred, and that the only way to overcome it is to gain literacy in its language. It’s a message he learned as a Black millennial from New Orleans in the wake of the racist government and media response to Hurricane Katrina, when Black people facing life-and-death decision-making were derided as “looters,” while their White counterparts were not. In addition to 20 useful lessons, Mitchell reminds us that no one is immune to bigotry and that victims of bigotry can themselves be bigots.
We like to believe that bigotry is a product of ignorance and that if we educate people enough, they will become immune to bigotry. But what if bigotry isn't a lack of education, but rather a moral code that people live by? What if bigotry is a common code of hate to which no community is immune?
On Bigotry is a field guide for understanding how bigots think and teach others to think, how bigotry disguises itself, how bigotry teaches people to act politically, and, most importantly, what individuals and communities can do about it. This is an essential read…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
I love character rich, slow-burn reads and Waters always delivers.
The Paying Guests is set in 1922 London and eloquently (with psychological twists) reveals the effects of post-WWI. During the war, the protagonist, 27-year-old Francis, had found her independence in many liberating ways, and Mrs. Wray, her mother, clung to her genteel social status. Now that her husband and sons are dead, they’re forced to scrub their own floors and take in boarders, i.e., “paying guests,” Leonard and Lillian, a modern lower-class couple, in order to keep their home.
I never suspected what would ensue—from clandestine lovers to empowered women, to murder. Waters paints the changing times, social constraints, and class distinctions with a fine-tipped pen.
This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
Each time I read this American classic, it changes in meaning and relevance.
Told from Francie’s point of view, it’s a family’s coming-of-age story about overcoming personal and societal choices in order to persevere and grow, just like the tree in the title. Smith is one of the first authors to write about the real, human struggles of working-class Americans at the start of the 20th century.
A Tree Grows in Brooklyn is not a light, whimsical read but it’s one that sticks with me. I relate to Francie, a vulnerable, observant young woman who uses her writing as a way to process, explore, and eventually propel her into a different life, away from the trauma and poverty of her beloved Brooklyn.
This book is one that everyone needs to read and that I find myself going back to again and again.
A special 75th anniversary edition of the beloved American classic about a young girl's coming-of-age at the turn of the twentieth century.
From the moment she entered the world, Francie Nolan needed to be made of stern stuff, for growing up in the Williamsburg slums of Brooklyn, New York demanded fortitude, precocity, and strength of spirit. Often scorned by neighbors for her family’s erratic and eccentric behavior―such as her father Johnny’s taste for alcohol and Aunt Sissy’s habit of marrying serially without the formality of divorce―no one, least of all Francie, could…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
Set in Brooklyn in 1924 with backstories from New Orleans and Russia, Zeldis masterfully intertwines the stories of three women through dressmaking, friendship, and secrets.
While Bea recreates herself in a new city with her teenage ward, Alice, she befriends a customer, Catherine, a socialite newlywed who yearns for a child. As Bea and Catherine’s friendship grows, Alice feels estranged and runs away. What happens next is a gritty account of how each has to confront their past secrets, bond together to forgive, and become their own chosen family.
The Dressmakers of Prospect Heights taught me about antisemitism, reinvention, tragedy, hope, and fashionable dressmaking experienced as only could be in the ever-evolving world of the 1920s. I eagerly turned and savored each page!
“A haunting meditation on the bonds between mothers and daughters. Zeldis offers a fascinating look into historic New York City and New Orleans, and her skill as a storyteller is matched by her compassion for her characters. What a beautiful read.”—Fiona Davis, New York Times bestselling author of The Magnolia Palace
“By turns heartbreaking and heartwarming, Kitty Zeldis’s The Dressmakers of Prospect Heights, set against the backdrop of the not-always-so-roaring Twenties, is an only-in-America story of reinvention, rising above tragedy, and finding family.”—Lauren Willig, New York Times bestselling author of Band of Sisters
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Set in 17th-century Spain, this one follows the lives of two very different women: one the daughter of a poor silk grower in love with a priest, and the other a pampered princess married to a king who just happens to be impotent.
Although the two barely connect, Harrison plays them off against each other; both are exploited and misused not only by the men around them but by the entire system that’s been stacked against them from the start.
Harrison’s writing is vivid, dense, and flat-out gorgeous; she skews dark but believe me, it’s worth the ride.
Written in gorgeous prose that has the sheen of silk, Kathryn Harrison's POISON vividly reminds us of the persistence of desire and the sorcery of dreams.
Francisca de Luarac, the daughter of a poor Spanish silk grower, is a dreamer of fabulous dreams. Marie Louise de Bourbon, the niece of Louis XIV, dances in slippers of fine Spanish silk in the French Court of the Sun King and imagines her own enchanted future. Born on the same day—in an age when superstition, repression, and the Inquisition reign—the lives of these two young women unfold in tandem, barely touching. Each hoards…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
A novel about a young woman who worked on the atomic bomb and fell in love with one of the other scientists on the project who breaks her heart into a million pieces so she abandons her career and takes up as a shop-girl? Add in an FBI agent who is on the tail of the cad and wants her help in finding him? Count me in!
Fields is terrific at creating mood and the 1950s milieu. And the unexpected romance between Rosalind, the one-time scientist, and Charlie, the FBI agent, is both moving and immensely satisfying—these are two wounded souls who manage to find each other and by the end, you’re out of your chair and cheering.
The stunning novel about our fiercest loyalties, deepest desires and the power of forgiveness
'A highly-charged love story' DELIA OWENS, bestselling author of WHERE THE CRAWDADS SING
'This story has everything. Just thinking about it makes me feel that lovely feeling where your heart seems to skip a beat' 5***** Reader Review ________
Chicago, 1950: Rosalind Porter is unfulfilled, heartbroken and angry.
Five years ago her career as a scientist was sabotaged by the man who also broke her heart: former Manhattan Project colleague Thomas Weaver.
Now, out of the blue, Thomas gets back in touch: he urgently needs to…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Did you know that during Hitler’s time in power, unmarried pregnant women who could prove their babies were racially pure were lavishly housed, fed, and supported in something called the Lebensborn program, which then gave their babies to Arayan families? Neither did I!
Coburn researched this little-known part of the Nazi story and creates three complex female characters who all were ensnared in this despicable breeding program. Read it and weep. Or vomit.
"Every historical fiction novel should strive to be this compelling, well-researched and just flat-out good." - Associated Press
For fans of The Nightingale and The Handmaid's Tale, Cradles of the Reich uncovers a topic rarely explored in fiction: the Lebensborn project, a Nazi breeding program to create a so-called master race. Through thorough research and with deep empathy, this chilling historical novel goes inside one of the Lebensborn Society maternity homes that existed in several countries during World War II, where thousands of "racially fit" babies were bred and taken from their mothers to be raised as part of the…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
I love a novel that probes the lives and habits of the rich and reticent.
In this one, set mostly in the summer of 1951, young Miranda Schuyler arrives on elite, exclusive Winthrop Island. She’s from a fancy family that’s lost their money and the man of the house, as her father was killed in the war, so she’s a bit of a wannabe. But her mother marries super-wealthy Hugh Fisher, and so things are looking up, at least financially. Then Miranda falls in love with the wrong boy—the son of a local fisherman, and things get complicated.
There are secrets and surprises, jealousy and threats and finally, there is a murder. But who did it? That’s just one of the things that’s revealed in this nuanced and richly detailed story of young love that manages, against all odds, to survive.
“The Summer Wives is an exquisitely rendered novel that tackles two of my favorite topics: love and money. The glorious setting and drama are enriched by Williams’s signature vintage touch. It’s at the top of my picks for the beach this summer.”
—Elin Hilderbrand, author of The Perfect Couple
New York Times bestselling author Beatriz Williams brings us the blockbuster novel of the season—an electrifying postwar fable of love, class, power, and redemption set among the inhabitants of an island off the New England coast . . .
In the summer of 1951, Miranda Schuyler arrives on elite, secretive Winthrop…
As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
Here’s another one about tony people leading their tony lives, this time in the hills of West Virginia which is home to the Greenbrier Resort, a real place that catered to the rich and famous. This novel follows the story of four members of the Zelner family—Jews in a decidedly inhospitable environment.
It’s the women who really stand out. First, there is scrappy, defiant Sylvia, unhappy in her marriage and seeking consolation in another man’s bed, and then later, her daughter Doree, who, like her mother, chafes against the restrictions imposed by class and religion. But Doree is more adept at navigating a hostile world and finds happiness in a way her mother never did.
The mother-daughter relationship, by turns fraught, contentious, and tender is at the heart of this story, and it won my heart too.
Four generations. One remarkable hotel. Countless secrets.
Nestled in the hills of West Virginia lies White Sulphur Springs, home to the Greenbrier Resort. Long a playground for presidents and film stars, the Greenbrier has its own gravitational pull. Over ten decades, four generations of the Zelner family must grapple with their place in its shadow . . . and within their own family.
In 1942, young mother Sylvia is desperate to escape her stifling marriage, especially when it means co-running Zelner’s general store with her husband. When the Greenbrier is commandeered for use as a luxury prison, Sylvia finds her…