Books like One Freeman's War — picked by fans

Besides having one of the best book titles ever, this novel immediately draws readers in and is hard to put down; the action is matched by its intelligence. In it, freedom-seekers create a fast-growing, virtual society on the Internet that grows so fast it terrifies governments and their “security.” With no possibility of oversight and control, the System fights to co-opt this cyber-society before it undermines and overwhelms the dominance of corruptocrat governing elites. The free souls in this novel lead us through a clever plot wherein principles of economic freedom, individuality, and justice lead to a free market uncontrolled by tax-hungry government lackeys. Profiled here are a group of individuals determined to transcend paradigms that the human psyche often forms for us, almost autonomically, as a reaction to fear.

Mass formation psychosis causes people to lose contact with reality. Case-in-point: the apotheosis of Abraham Lincoln. The author presents a cogent case against the 16th president’s policies of “internal improvements,” high tariffs, and a national central bank (the failed and rejected Hamiltonian policies of the Whig party and Henry Clay). Lincoln insisted upon instituting mercantilism—a strong central government that dispenses special privileges to wealthy and influential corporations, who then support the central government, contravening the Constitution. In a reality stranger than fiction, he killed an estimated 620,000-750,000 Americans in a war upon the Southern states and their right to secede against tariff tyranny; disabled the sovereignty of the states; and did away with habeas corpus by arresting any who objected to his policies, setting precedents that have gutted an intimidated America ever since.

Based on a true story, here we have an epic masterpiece detailing the so-called Secret Space Program. It is a tour de force of “the black arcane world of super-science—beyond media and beyond the government.” It is essentially a memoir “spanning forty years in the life of Dr. Ted Humphrey and his involvement with Area 51, the Development of Time Travel, the Dulce Mesa Wars, the Montauk Project, Black Ops, the Shadow Government, and his meteoric rise to become head of an all-powerful global organization engaged in a desperate and Above Top Secret race against time to save our world.” All hype aside, this tale provides a possible counter-narrative to the debilitating System and reason to be optimistic; a twisted magic realism going way above and beyond the normative.

An open mind and creative imagination are needed to explore reality. In making sense of the most significant science fiction writer of the 20th century, Philip K. Dick, we might refer to the dying words of his Berkeley buddy, Jack Spicer: “My vocabulary did this to me.” Like a Zen stone mason in a hall of mirrors, Dick often seems to depart from the most inscrutable of semantic pebbles. Exegesis offers us a lexical labyrinth infused with the most profound heuristic paranoia, to yield a vast shifting matrix of uncountable speculative origins. Anyone who reads this book and does not write at least one of their own, even as a prophylactic, is indeed “duller than the fattest weed on the wharf of Lethe.” (Paraphrased from Shakespeare’s Hamlet, Act I, Scene 5)

The watercolor illustrations in this book are absolutely gorgeous, and the story itself mixes magical realism with an insightful truth. In providing us with opportunities, our parents have to sacrifice a little bit of themselves. Throughout the book, this abstract sacrifice is portrayed by the parent’s shrinking scale. The parents offer a few inches of their height in exchange to give their child a birthday cake, education, and books. Throughout time, the reader sees the parents shrink smaller and smaller as they give more and more of themselves to the young boy. This is a book that made us want to tear up, and a book that we wish we could have written.

Natsuki is an outsider to polite Japanese society. She is content with an asexual-by-design marriage and comfortable questioning the norms and expectations of marriage and babies. She also has an alien called Piyyut living in her backpack, which happens to be a talking plush hedgehog.

Wherever you think this bizarre, bonkers novel is going, it goes even further–I read the final pages with my jaw basically detached.

In my book I frequently draw upon monsters in fiction to understand our complicated relationship with both our own messy, unpredictable embodied minds and the uncertain, often-terrifying world that we operate these embodied minds within.

This haunting book of short stories is a great example of grappling with the complexities of our lives through a monstrous lens in order to better understand the human condition. 

This is a highly propulsive and emotionally engaging novel with a sympathetic protagonist at its core.

It could be considered a portal fantasy, but I'd categorize it, along with the other books on this list, as “speculative,” because it doesn’t fit neatly into either the fantasy or science fiction genres and is anchored in contemporary or near-future realism.

Piranesi’s beautifully executed theme, about how a dramatic change in perspective can lead to a deeper appreciation for the beauty and nobility abiding beneath the ugliness of humanity and our one and only world, is one for the ages.

This highly original and beautiful book is destined to endure as one of the classics of early twenty-first century literature.

Tyger grabbed me with its opening lines: "It happened in the 21st century, when London was still the capital of an Empire, and the Empire still ruled the world…"

Adam, our young hero is running from a thief when he comes across a magical creature, a wounded Tyger. Powerful enemies are hunting the Tyger, to save her, Adam and his friend Zadie must develop the power to open their own ‘doors of perception’ and overcome the forces of evil.

Tyger is a vivid, beautifully written adventure that feels timeless, with philosophical echoes of William Blake and stunning illustrations by Dave McKean.

It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.