Here are 100 books that One Crowded Hour fans have personally recommended if you like
One Crowded Hour.
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I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
The funniest memoir I’ve ever read about being Australian and growing up in Sydney. It had me in tears throughout, with belly laughs and nostalgia.
Like Robert Hughes, Clive James was a stylish writer with a wonderful facility for words who sadly is no longer with us. He wrote a bunch of sequels (Falling Towards England, May Week Was in June, et al), and his poems are bloody good, too. He’s sadly missed.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
This is a book, but it was also a fabulous TV series. I first read the book when I was trying to make a living as a freelance writer. I couldn’t afford to buy it, so I went to a different bookstore every day and read it through. (I have since bought myself a copy.)
Hughes traces the art of the 20th century following movements like Cubism and Dadaism. I found this book so engrossing because Hughes really takes on the idea that this art was made by people who thought it could change the world, that it could shape the world. Even if we’re not so sure of the function of art in our own time, it is exhilarating to read about the art that was created with such fervour.
This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.
Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.
The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
Full disclosure: This was a book I edited back in 1999 when I was working as an editor at HarperCollins. I'm not sure if it was ever published outside Australia, but it should have been.
Wells, a sports journalist, tells the amazing story of the heavyweight world title boxing fight between African-American Jack Johnson and Canadian Tommy Burns at Rushcutters Bay in Sydney in 1908. It features a cast of incredible characters, including Jack London.
Describes the championship bout between Johnson and Burns in Australia and the impact of Johnson's unexpected victory, including Jack London's call for a "Great White Hope"
After retiring from a career in climate science, I reinvented myself as an English teacher, a yoga instructor, and a writer. I write personal essays about my life experiences, in particular my time teaching in Thailand. Before I traveled to Thailand, while I was there, and when I returned home to the US, I devoured every book I could find that could help me make sense of Thai culture and manage as a farang (foreigner, Westerner) in the Land of Smiles. Here are my five picks for helping other farangs understand Thailand.
Tom Crowley is an American writer who has experienced Thailand from many perspectives over many decades: as a soldier during the Vietnam War, as a corporate executive, as a US foreign service officer, and as a volunteer at Mercy Centre, a Catholic charitable organization.
This poignant memoir is a series of vignettes that focus on Crowley’s traumatic wartime experiences and the healing he found years later working with desperate children in one of Bangkok’s poorest slums. I picked this book because it shows a part of Thailand that most farangs never see.
In Mercy's Heroes, a Vietnam veteran battling with PTSD turns from the business world to life as a volunteer, helping to rescue and protect street kids in Bangkok's biggest slum.
Here Tom Crowley details the children's efforts to survive abuse and the struggle for dignity waged by the poorest of families. Interwoven throughout, the author's combat experiences and pain highlight the question of how to find personal reconciliation amid the struggles of abused children in the slums. In his efforts to help others, he gains a spiritual understanding worth much more than his financial loss. At the same time, he…
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is the first book in Valerie Goldsilk’s extensive ‘Reliable man’ series about former Royal Hong Kong Police inspector-turned assassin Bill Jedburgh, who plies his trade across Asia – and beyond, and who is known to those who use his services only as (you would have guessed it), “the reliable man”.
This thriller is set in Pattaya, Thailand, and involves a high-octane chase between Jedburgh, triad devotees, and European mafiosos, amid the exotic scenery of Southeast Asia. Nothing is missing, including bar girls, massage parlours, and sophisticated shoot outs.
Goldsilk herself has lived in Hong Kong for more than 30 years and is married to a former Hong Kong policeman. The story feels authentic (if not politically correct!) and is well written, as are the other books in the series.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
After retiring from a career in climate science, I reinvented myself as an English teacher, a yoga instructor, and a writer. I write personal essays about my life experiences, in particular my time teaching in Thailand. Before I traveled to Thailand, while I was there, and when I returned home to the US, I devoured every book I could find that could help me make sense of Thai culture and manage as a farang (foreigner, Westerner) in the Land of Smiles. Here are my five picks for helping other farangs understand Thailand.
The “many lives” in this series of linked short stories are those of eleven passengers who perish when a Bangkok-bound boat capsizes in a fierce storm.
I relished each story of each life, both as a literary gem and as an insight into something fundamental about Thai society, such as the importance of social class, the role of urban migration in altering provincial life, the potentially stifling aspects of intergenerational family obligations, and the overriding role of karma in Thai conceptions of life and death.
To me, Many Lives is to Thai culture what Thornton Wilder’s classic Our Town is to American culture.
"That night, the rain poured and wind howled, raindrops crashing like solid objects onto the ground and water. A passenger boat from Ban Phaen to Bangkok, packed with people, pressed on through the current amidst the rising clamor of the rain and storm. . . ." The boat capsizes in the torrent, and washed up on the shore the next morning are the sodden bodies of the many passengers who lost their lives.
Thus begins M. R. Kukrit Pramoj's classic novel set in the Thailand of the early 1950s and first published in 1954. The life of each passenger who…
Back in college, I switched from being an astrophysics major to computational neuroscience. The reasons are complicated, but suffice it to say that I found the human brain to be as big of a mystery as black holes. I’ve worked as an engineer for two decades on applications ranging from medical devices, to digital music recognition, to high speed chip design. Writing science fiction is the second act of my life, and I love drawing on my science background to inform my stories. I especially love taking cutting-edge technology and thinking about how it could impact future society, from the global to the individual.
Nexus explores the idea of collective consciousness via technology in a way that has similarities to my own writing and ideas. For one, people use drugs to modify their brains, which I find is the most likely way to get people to accept biotech. Surgery is fraught with perils, but pills are easy to swallow.
The plot features plenty of action, geeks, and technology, all of which I love, and the story incorporates elements of Eastern philosophy that crop up in my own work, as well.
In the near future, the experimental nano-drug Nexus can link human together, mind to mind. There are some who want to improve it. There are some who want to eradicate it. And there are others who just want to exploit it.When a young scientist is caught improving Nexus, he's thrust over his head into a world of danger and international espionage - for there is far more at stake than anyone realizes.
I am the MD of a Hong Kong-based software and AI consulting company, keeping me on top of all the latest AI technological developments. Previously, I worked in Hollywood, writing scripts, adapting novels, and working in production. My scripts have won awards at several prestigious screenwriting festivals throughout the world. However, wanting to expand my creative horizon, I wrote my first novel, The Dead Chip Syndicate, and quickly found a traditional publisher for it in 2022. Release is set for July 2023. It's the first in my Exotics series, which follows the exploits of an ex-pat navigating the Asian gambling world as he gets embroiled in one scandal and scam after another.
Another darkly comic thriller that is stunningly original and filled with cinema-worthy characters.
The book opens when an African American Marine meets a ghastly end inside a bolted-shut Mercedes that is filled with deadly cobras. Two cops arrive at the scene, but only one survives the ordeal. Sonchai Jitpleecheep, a devout Buddhist, watches his partner die from a cobra bite and vows revenge.
He teams up with an American FBI agent brought in to work the case. They chase a killer through the atmospheric streets of Bangkok, navigating through a world of illicit drugs, colorful prostitutes, and infinite corruption. Sonchai is a complex protagonist, filled with wry humor and a dogged determination that the reader will admire all the way to its intriguing end.
In surreal Bangkok, city of temples and brothels, where Buddhist monks in saffron robes walk the same streets as world-class gangsters, a US marine sergeant is killed inside a locked Mercedes by a maddened python and a swarm of cobras. Two policemen - the only two in the city not on the take - arrive too late. Minutes later, only one is alive.
The cop left standing, Sonchai Jitpleecheep, is a devout Buddhist and swears to avenge the death of his partner and soul brother. To do so he must use the forensic techniques of the modern policing and his…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m a writer and journalist with an eye on South and Southeast Asia. I first worked in Thailand in 1999, researching the Thailand chapter for the first edition of the Rough Guides Southeast Asia Guide. Since 2001, I’ve been a Thailand correspondent for German publisher Reise Know How. For the past decade, I have worked as Thailand Destination Expert for The Daily Telegraph. I co-wrote the bestselling Sacred Skin – Thailand’s Spirit Tattoos with photographer Aroon Thaewchatturat, and have written countless articles about Thai culture, politics and tourism. It took 20 years to write a novel set in Thailand – The Monsoon Ghost Image – a testament to the complexities of Thai society.
A brilliant reference book on all aspects (and yes, this book is very thorough) of Thai popular culture. Concise chapters on anything from spirit tattoos to meat on a stick illuminate the far corners of contemporary Thai society, illustrated by hundreds of great photographs. This is a standard work for anyone interested in how Thai society ticks. Cornwel-Smith has served up a second title recently – Very Bangkok – which offers a similarly thorough picture of the Thai capital.
This pioneering insight into contemporary Thai folk culture delves beyond the traditional Thai icons to reveal the casual, everyday expressions of Thainess that so delight and puzzle. From floral truck bolts and taxi altars to buffalo cart furniture and drinks in a bag, the same exquisite care, craft and improvisation resounds through home and street, bar and wardrobe. Never colonised, Thai culture retains nuanced ancient meaning in the most mundane things. The days are colour coded, lucky numbers dictate prices, window grilles become guardian angels, tattoos entrance the wearer. Philip Cornwel-Smith scoured each region to show how indigenous wisdom both…
