Here are 87 books that On The Roof fans have personally recommended if you like
On The Roof.
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As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
This graphic novel skews younger than the others on this list. It’s a heart-warming, slice-of-middle-school-life that revolves around the school’s musical theater production, from auditions and rehearsals, set-building and costumes, to opening night, the 3-show run, and even the cast party. It invokes the highs and lows of a production, including the inevitable malfunctioning props and inter-cast issues. I love this story’s emphasis on how fun it is to work on sets, costumes, lights, and sound, and how important stage crew is to the production.
Theatre Quotient: High. The bulk of the plot revolves around the show.
Raina Telgemeier, the author of the award-winning SMILE, brings us her next full-colour graphic novel . . . DRAMA!
Callie loves theatre. And while she would totally try out for her middle school's production of Moon Over Mississippi, she's a terrible singer. Instead she's the set designer for the stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew.
Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.
Cass McKay has been called stubborn, temperamental, difficult, and that word that rhymes with "witch" more times than she cares to count. But that's all about to pay off. She has finally landed the role she was born to play-Kate, in The Taming of the Shrew-in the summer apprentice program of a renowned Vermont Shakespeare theater company.
But Cass can barely lace up her corset before her troubles begin. The leading man, Drew, is a complete troll, and he's going to ruin Cass's summer. Even worse, Cass's bunkmate Amy has somehow fallen head over heels for Drew. Eww! Cass can't…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
I like the grittiness and real-life issues addressed in this story. The pressures and joys of being students at an elite performing arts high school are described through the eyes of five friends: two actors, one writer/director, and two dancers. Aspirations, disintegrating friendships, budding romances, vengeance, and addiction interweave as the students forge ahead to the career-making (or breaking) Senior Showcase. Tragedy enfolds the friends in a dark ending as the dangers of the outside world pierce their high school bubble.
Theatre Quotient: Medium. Plot is split between dance and theater, and the show gets minimal pages.
It's always been you - you know that, right? At a prestigious New York City performing arts school, five friends connect over one dream of stardom. But for Joy, Diego, Liv, Ethan, and Dave, that dream falters under the pressure of second semester, senior year. Ambitions shift and change, new emotions rush to the surface, and a sense of urgency pulses among them: Their time together is running out. Diego hopes to get out of the friend zone. Liv wants to escape, losing herself in fantasies of the new guy. Ethan conspires to turn his muse into his girlfriend. Dave…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I started reading fiction again after realizing I needed to transition and wanted to see myself represented. Teenage stories help me imagine what my life would have been like had I transitioned earlier, and learning about other trans experiences helps me feel closer to the larger community. I didn’t know it at the time, but I was surrounded by other closeted queer teens when it wasn’t safe to be out. Writing essays evolved into memoir and eventually fiction, and reading others’ work was a critical part of learning to write my own. The books on this list laid the foundation for my debut novel.
It’s really hard to find trans girls represented in contemporary YA literature, but when I read Between Perfect and Real, I realized that the plot matters more than the gender.
The closeted trans-masc protagonist, Dean, looks like a lesbian on the surface, and he was a mirror for me, appearing as the closeted trans-femme straight opposite. I couldn’t help but see and love the high school nerds I met in my own high school.
A moving YA debut about a trans boy finding his voice--and himself
Dean Foster knows he's a trans guy. He's watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he's a lesbian--including his girlfriend Zoe, and his theater director, who just cast him as a "nontraditional" Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now--not just on the stage, but everywhere in…
I was an ambitious teen, and as I entered adulthood, my relationship with ambition has continually evolved. Those of us with marginalized genders sometimes have our ambition treated with suspicion or scorn—by peers, family, or would-be mentors. I wanted to share books that don’t necessarily come to the same conclusion about ambition’s role in our lives, but that all grapple with what it means to be ambitious in a culture where that is often seen as threatening or unladylike—or where any sign of ambition gets one automatically labeled as “unlikeable.” I love these books’ narrators, and I hope you will find something to love in them too.
This book is an absolutely to-die-for rivals-to-lovers tale, sparked when Natalie is forced to team up with her long-time enemy on a musical in order to secure funding for the arts at their high school. Natalie’s evolving relationships with her family and friends are complex and brilliant, and I felt allthe feelings about the interplay between art and ambition while reading.
A pair of fierce foes are forced to work together to save the arts at their school in this swoony YA enemies-to-lovers romance that fans of Jenny Han and Morgan Matson are sure to adore.
Lifelong rivals Natalie and Reid have never been on the same team. So when their school's art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She's fighting to direct the school's first ever student-written play, but for her small production to get funding, the school's award-winning band will have to lose it. Reid's band. And he's got no intention…
I’m a Licensed Mental Health Counselor and I currently work as a High School Guidance Counselor for the past 25 years. I love kids and I love helping them to understand and love themselves and helping them to love and accept others as well. These books, even though the target audience is young (0-11 years old), older kids and adults can learn something from them as well. Sometimes a simple message is more powerful than a bunch of words.
This book is about a girl in a wheelchair who is cast in the middle school play. I love this book because it helps us understand the challenges of being in a wheelchair as well as all the challenges that go along with being a middle schooler. It addresses all those identity issues that occur during that age with the added challenge of being in a wheelchair.
A heartfelt middle-grade novel about a theater-loving girl who uses a wheelchair for mobility and her quest to defy expectations-and gravity-from Tony award-winning actress Ali Stroker and Stacy Davidowitz
Thirteen-year-old Nat Beacon loves a lot of things: her dog Warbucks, her best friend Chloe, and competing on her wheelchair racing team, the Zoomers, to name a few. But there's one thing she's absolutely OBSESSED with: MUSICALS! From Hamilton to Les Mis, there's not a cast album she hasn't memorized and belted along to. She's never actually been in a musical though, or even seen an actor who uses a…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
I’d take this book with me if banished to a deserted island.
It’s a comprehensive account of the modern musical from London’s West End to the influence of Show Boat and beyond. Beautifully researched, it’s filled with fantastic timelines and gorgeous art, this is a get-lost-for-days sort of giant tome.
Of course, I didn’t choose it because they feature Legally Blonde and also include my quote: “I’ve also been a blonde… and I’ve also been underestimated.” No, not at all.
Musicals: The Definitive Illustrated Story showcases the complete history of the musical on stage and screen, from its origins in ancient Greece to early twentieth century dance halls and vaudeville to the golden age of cinema productions to the record-breaking Broadway musicals of today.
Packed with historical insights, memorabilia, behind-the-scenes gossip, and artifacts, Musicals: The Definitive Illustrated Story takes you on the ultimate behind-the-scenes tour of the best-loved musicals, such as Chicago, Les Misérables, The Lion King, The Phantom of the Opera, The Sound of Music, and many more.
In all, Musicals: The Definitive Illustrated Story features more than 140…
I am an award-winning author of sex-positive contemporary romance and a citizen of the Cherokee Nation. As a reader, I’ve grown weary of Native American romance characters who are mostly caricatures and stereotypes. Last year, I went on a quest to find romance stories that portrayed contemporary Native characters experiencing love as they navigated real life in the 21st century. And who better to tell those stories than Native authors using their own voice? Now that I’ve found several great Native romance authors, I want to share these recommendations far and wide. Come, come, read Native romance!
This is one of the best Native books I’ve ever read. As a white-passing Native who lived away from the tribe, I really identified with Louise Wolfe’s experience as one of the few Native families in their mostly white, middle-class Kansas town.
Lou’s struggle against racism on a macro and micro scale is relatable, and the story is wonderfully rewarding. It's a must-read.
Winner of an American Indian Youth Literature Award
New York Times best-selling author Cynthia Leitich Smith turns to realistic fiction with the thoughtful story of a Native teen navigating the complicated, confusing waters of high school — and first love.
When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
If you are looking for a highly opinionated and passionate account of the Broadway musical and the changes it has undergone over the decades, this book is for you. Grant does not pull his punches and the general tone is one of despair at the decline in the quality of musicals. But the book is well researched and offers many provocative ideas which the die-hard musical fan will find fascinating. It's the kind of work that you want to read after you have a solid knowledge of American musical theatre and you want to have your traditional ideas challenged.
Winner of the ASCAP–Deems Taylor Award (2005)Many of today’s Broadway shows, from Rent to The Lion King, have become commercial hits, but do they have the cultural importance or the dramatic and musical artistry of such enduring productions as Oklahoma!, Show Boat, or Kiss Me, Kate? Mark N. Grant traces the transformation of singing and melody, libretto and lyric writing, dance rhythms, sound design, and choreography and stage direction through three distinct eras: the formative period (1866–1927), the golden age (1927–1966), and the fall (1967 to the present). He explores how and why the unsophisticated genre of pre-1927 musical comedy…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
The cover of this biography is J-O-S-H spelled out in huge theatrical lights—and Logan really was a Broadway legend as a director/producer/writer. The book chronicles his successes and failures, and he analyzes each show he worked on with an unsentimental and critical eye. He astutely argues for what audiences want to see, and what they reject. Particularly compelling are his personal portraits of Lorenz Hart, Richard Rodgers, and Oscar Hammerstein II.
