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I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This book also falls into the mystery subgenre of Jane Austen variations. The story takes place as a sequel to Pride and Prejudice, with Elizabeth and Darcy at the center of it. I found this story to be completely chilling, with a surprise twist at the end that I did not see coming. Ms. Jeffers delivered a page-turner that I couldnât put down!
HAPPILY MARRIEDÂ for over a year and more in love than ever, Darcy and Elizabeth canât imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phantomâa Shadow Man who is haunting the Darcy familyâs grand estate.
Darcy and Elizabeth believe the truth is much more menacing and that someone is attempting to murder them. But Pemberley is filled with family guests as well as the unexpected travelersâany one of whom couldâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being âJanitesâ ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her charactersâ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
Doody offers a comprehensive study of the names of people and places â real and imaginary â in Austenâs fiction.Â
Illustrating how Austenâs creative choices reveal her virtuosic talent for riddles and puns, Doody also picks up deep stories from English history.Â
Showing how Austen names signal class tensions and regional, ethnic, and religious differences, readers gain understandings of Austenâs literary techniques and cultural commentary.Â
In Jane Austen's works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a "big cheese" - the moon's reflection on the water's surface. It worked. In Jane Austen's Names, Margaret Doody offersâŚ
Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, âShe does not need yet another class.â But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
I relish the intimacy of reading Austenâs private letters, and this is the best and most complete edition. Although her sister Cassandra notoriously burned many of her letters, the 160-or-so that survive offer plenty of unguarded moments to satisfy curiosity about her daily life.
In fact, I think Austenâs best lines are not from her novels but from her letters to Cassandra. For example, on the fashion for decorating bonnets, she quips âI cannot help thinking that it is more natural to have flowers grow out of the head than fruit.â And in a note about their garden: âI will not say that your Mulberry trees are dead, but I am afraid they are not alive.â Â
Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative, they bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in biography. Above all we recognize the unmistakable voice of the author of Pride and Prejudice, witty and amusing as she describes the social life of town and country, thoughtful and constructive when writing about the business of literary composition.
R. W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. A third edition,âŚ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennetâsheâs witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lostâor have experienced great loss. They band together in an attempt to save Jane Austenâs home from destruction. I loved getting to experience the story from each of the characterâs perspectives, and the authorâs prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.
'A wonderful book, a wonderful read' Karen Joy Fowler, bestselling author of The Jane Austen Book Club
Only a few months after the end of the Second World War, a new battle is beginning in the little village of Chawton. Once the final home of Jane Austen, the Chawton estate is dwindling, and the last piece of Austen's heritage is at risk of being sold to the highest bidder...
Drawn together by their love of her novels, eight very different people - from a local farmer to a glamorous film star - must unite to attempt somethingâŚ
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Nowadays, Jane Austenâs novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrityâŚ
All my life I loved her novels and often reread them, but in secret. My friendsâin the 1960sâscoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
A best-selling novelist explains to a fictional niece why, under the shadow of the nuclear bomb we should bother with stuff written before the twentieth century, particularly with the romances of an old maid who never went anywhere. A skilled novelist herself, Weldon vividly depicts the horrors of Austenâs world that equal those of our ageâfamine, war, childbirth, and medical ignorance. Because she is a novelist, she is good at describing Austenâs mastery of turning social household irritations into art. As a special bonus, she recommends other novelists for readers to enjoy and aspiring novelists to learn from.
Alice is an eighteen-year-old student and aspiring novelist with green spiky hair, a child of the modern age who recoils at the idea of reading Jane Austen. In a sequence of letters reminiscent of Jane Austen's to her own neice, 'aunt' Fay examines the rewards of such study. Not only is her correspondence a revealing tribute to a great writer - it is also an original and rewarding exploration of the craft of fiction itself.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŚ
Iâve loved the Regency era since first reading Jane Austenâs novels, but in writing my series of 19th-century adventure fantasies, I discovered there was so much more to the period than Iâd ever dreamed. Though their culture and traditions arenât like ours, Iâm fascinated by how much about the lives of those men and women is familiarâthe same desires, the same dreams for the future. I hope the books on this list inspire in you the same excitement they did in me!
Any tour of Regency England needs to start with the familiar, and Jane Austenâs Englandprovides an excellent overview of the geography, traditions, and politics of the period. Though the title says Jane Austen, I love how much detail it has on things Austen never wrote about, like childrearing and crime (especially counterfeiting, which youâll have to read to believe!). Whether you read it cover to cover or search out interesting facts, this book has everything you need to start your journey.
An authoritative account of everyday life in Regency England, the backdrop of Austen's beloved novels, from the authors of the forthcoming Gibraltar: The Greatest Siege in British History (March 2018)
Nearly two centuries after her death, Jane Austen remains the most cherished of all novelists in the English language, incomparable in the wit, warmth, and insight with which she depicts her characters and life. Yet the milieu Austen presents is only one aspect of the England in which she lived, a time of war, unrest, and dramatic changes in the country's physical and social landscape. Jane Austen's England offers aâŚ
All my life I loved her novels and often reread them, but in secret. My friendsâin the 1960sâscoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Gilbert and Gubar take the reader on an exhilarating ride through womenâs literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by menâangels and monsters, dull virgins, and evil temptressesâto become friends, or people I would choose for friends if only they were real. The bookâs title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.
"A feminist classic."-Judith Shulevitz, New York Times Book Review
"A pivotal book, one of those after which we will never think the same again."-Carolyn G. Heilbrun, Washington Post Book World
A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
I love a little humor from romantic trysts or tales of woe of that one love that got away. Divulged conversations and gossip on the therapy couch can be fascinating (massage work relaxes the body and mind). Clients worldwide find choosing their ideal partner a lottery. Inspiration struck me to look more closely at how marriage choices are made through the heart or the mind. We all search for the perfect soul mate. Learning how others met was intriguing by chance or manipulated. Clearly showing, fate did seem to be at play in most cases. I love creating escapism to let your wild romantic dreams be a possibility.
Adored this novel. Set in Dorset within the film industry, this is one story that, if you like a romantic genre, it's endearing. Highlighting every situation in life comes down to stereotypical characters. The drama queen, the hopeless romantic, the dashing hero. It looks at how our self-esteem and parenting affect us so much in terms of communication skills later in life.
When romance is involved, we always think we know best for ourselves and others. The obvious is never on our radar. This demonstrates the ethos of friendships: how the hero we aspire to and fall for can come in many disguises.Â
For Jane Austen fans, this will intrigue you as you step into the creation of some of her characters within the storyline. It is a relaxing and enjoyable read for romancers amongst us. Lyme Regis may well be deluged with visitors.Â
'Have not been able to put this novel down! A lovely story brought to life with characters you want to meet. Loved every page.' Reader review
The sparkling follow-up to A Weekend with Mr Darcy from Victoria Connelly - set to become the Richard Curtis of the chick-lit world!
Die-hard romantic, Kay Ashton, uses her inheritance to open a B&B in the seaside town of Lyme Regis and is dumbstruck when the cast and crew of a new production of Persuasion descend, needing a place to stay. Kay can't believe her luck - especially when she realises that heart throbâŚ
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŚ
I am a science journalist and magazine editor. I feel really lucky to be a bioscience specialist â it really is at the forefront of solving some of the great challenges of our time, from making sustainable fuels and materials, to climate change mitigation, age-related disease, pandemics, food security, habitat restorationâŚplus thereâs an incredible diversity of life on our planet still to be discovered. I always try to relate scientific progress to our everyday lives: itâs not just about creating new knowledge, it is about how that knowledge might improve our health, change our outlook, transform society, or protect the planet.
Iâve dipped into books about writing, storytelling, and scriptwriting before, and Iâve always found them to be utterly uninspiring, and in fact quite depressing â little more than a set of formulas to ensure your storyâs structure is like other stories.
But Will Storrâs excellent book uses insights from evolutionary biology and psychology to help you get to understand why human minds love stories, and what it is about great stories that keeps readers turning the pages. His advice is powerful, simple â primal, even.
Iâve used this excellent book to help improve my writing and ensure my first book was a real page-turner. But The Science of Storytelling has also left a huge mark on me in terms of thinking about how and why we communicate. Itâs for our own survival, after all.Â
'If you want to write a novel or a script, read this book' Sunday Times
'The best book on the craft of storytelling I've ever read' Matt Haig
'Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam Rutherford
Who would we be without stories?
Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships, to keep order in ourâŚ
