100 Books Like Ol' Buddy Marty

This book stunned me by becoming something different over and over again.

The characters in Amerikaland are upright role models, but then we dip into their super complicated pasts. When their family pops up, the story begins to weave itself into a wild plot that requires unbelievable fortitude to endure. As the pages kept coming, I no longer had any idea what was going to happen next and felt like anything could happen. These people were driven by inner fires that could burn up the world at any moment.

I had to lay on the couch after this one as I felt completely gutted, but while lying down, I picked it up again and started rereading.

Originally written as a tennis coaching text – the wisdom of this approach transcends the world of tennis and carries an important message about how changing our thinking can release the latent potential in us whatever we are doing.

The focus is on the importance of self-talk – what our outer self is telling the inner self and in doing so chimes beautifully with what we know about our unconscious mind. We know that more than 90% of our behaviour is driven by our unconscious and it hears everything we say to ourselves – so consider the impact of critical self-talk and the potential damage to our confidence and performance.

The book is summarised in the formula: Potential minus Interference = Performance

We achieve at our best when we manage the ‘Interference’ we impose on ourselves!

I had the pleasure of interviewing Charley for our book.

He’s a great storyteller. He was probably the first practitioner to advocate for passive index investing. He’s a tennis enthusiast, and his book was inspired by a book he read aimed at amateur tennis players. Ellis learned that to win at tennis, the best strategy is to simply try to not lose, and to not try to act like professional players.

He realized that the same strategy worked for investors as well. That means that investors shouldn’t try to beat the market.

I would recommend Unstoppable to children (boys and girls) aged about 10 – 14 years old. Roxy and Kaine are twins – she plays tennis, he plays football, and they have a troubled home life. I remember that being a teenager is difficult enough, with all the confusion, uncertainty, and pressure it brings, but in this book you also throw in elite sport, knife crime, ambitious parents, and sibling rivalry. It’s the kind of book you might give to your son or daughter and you wouldn’t see them again until they’ve finished it. Should be called Unputdownable.

There is definitely porn in this book, except it’s tennis porn. How could it not, when we are talking about two of the greatest players to ever play the game? Although lately Novak Djokovic has entered the conversation for a good part of the last two decades, Roger Federer and Rafael Nadal were men’s tennis, and the pinnacle of their rivalry was Wimbledon in 2008, the specific tournament and the specific final that Jon writes about in this book. A classic match deserves a classic retelling, and this work of nonfiction does so much more by threading the many changes that have taken place in modern tennis: advances in racquet and string technology, performance-enhancing drugs, and the impacts of online betting.

If there’s a writer who could have written about tennis and pornography and made it work way better than yours truly, it is David Foster Wallace. But David did not waste his time on this planet (suicide in his 46th year) on idle silliness – no, he wrote essays like “Federer as a Religious Experience” for The New York Times, which is the fifth and final essay in his collection of his tennis nonfiction. Ranked nationally as a junior, David possessed intimate knowledge of the sport, and the first essay, “Derivative Sport in Tornado Alley,” indeed features a tornado that rips through team practice, but believe it or not, that natural disaster is not as frightening as the drudgery of tennis drills that he must master.

This beautiful book is the catalogue of an art exhibition devoted to paintings and photographs that capture the world of tennis, demonstrating the close link between art and the sport. Indeed, many enthusiasts see tennis as an art in its own right and this book should convince any waverers. The gorgeous coloured and black and white illustrations range from late Victorian genre scenes of tennis as a social event including champagne, strawberries, and flirtation, on through the androgynous twenties and thirties and its development into the modern power game. Accompanying essays trace the game’s wider cultural influence. Here you will find above all the languor and elegance of social tennis and especially the centrality of women to it, from ladies playing in bustles and high heels to the Williams sisters in skin-tight miniskirts.

This is my favorite novel by The Queen of Mystery. What I like the most is the originality of the plot, which is the story that leads to time 0, the time of the murder. In her own words: “A murder is the culmination of a lot of different circumstances, all converging at a given point.” That was when apparently unrelated events consolidated into a twist I didn’t see coming. 

From this highly suspenseful novel, I learned that the best way to intensify the mystery is to think outside the box and inject the unexpected and the unusual into the story. I also learned how to create vivid characters by revealing their essence in action. In only 124 pages, she brings to life her characters with 3-dimensional precision. 

I love Yolanda Wallace, and I love tennis, so this one was an easy pick up for me. My son is an avid tennis player, which makes me a tennis mom. I know the ups and downs of tennis players, and I personally find it the most mentally grueling sport of them all since you are out there on your own with no one to help pick you up when you’re down. I think the setting is rife with angst, and Yolanda Wallace is such a beautifully descriptive writer. She never misses an opportunity to paint a real picture with her words. 

Most athlete autobiographies are light on details and heavy on cliches. Not Open. I loved how self-critical Agassi was, how he described hating tennis, how much he resented his father. He poured cold water on iconic memories, from his legendary haircuts to his short-lived marriage to Brooke Shields.

His uncredited ghostwriter on the book, JR Moehringer, who wrote the bestselling memoir The Tender Bar (as well as Prince Harry’s book), pulled so much truth from Agassi, who went along with everything. This book is one of the few must-have autobiographies for any sports fan’s bookshelf.