53 Books Like Strokes of Genius

Most athlete autobiographies are light on details and heavy on cliches. Not Open. I loved how self-critical Agassi was, how he described hating tennis, how much he resented his father. He poured cold water on iconic memories, from his legendary haircuts to his short-lived marriage to Brooke Shields.

His uncredited ghostwriter on the book, JR Moehringer, who wrote the bestselling memoir The Tender Bar (as well as Prince Harry’s book), pulled so much truth from Agassi, who went along with everything. This book is one of the few must-have autobiographies for any sports fan’s bookshelf.

Dr. Verghese, an African-born Indian internal medicine doctor, is famous for The Covenant of Water, selected by Oprah’s Book Club, but I am pulled back to his harrowing second book, The Tennis Partner. I enjoyed his gripping patient case histories while practicing in a Texas border town, but his focus is on his tennis games with his intern, David Smith, a former Australian tennis pro.

With each spirited rally, Verghese rebounds from life in the hospital and marital fatigue. While there is little talk of his unraveling marriage, I am intrigued by how their friendship deepens when they confide intimate details of their respective romances. I see Verghese’s strength of character as he moves on with his life, but things end badly for Smith, an alcohol and cocaine addict.

If there’s a writer who could have written about tennis and pornography and made it work way better than yours truly, it is David Foster Wallace. But David did not waste his time on this planet (suicide in his 46th year) on idle silliness – no, he wrote essays like “Federer as a Religious Experience” for The New York Times, which is the fifth and final essay in his collection of his tennis nonfiction. Ranked nationally as a junior, David possessed intimate knowledge of the sport, and the first essay, “Derivative Sport in Tornado Alley,” indeed features a tornado that rips through team practice, but believe it or not, that natural disaster is not as frightening as the drudgery of tennis drills that he must master.

Lyricism porn? Wordsmith porn? I don’t know what you call this, but here’s how Lionel starts Double Fault: “'The serve was into the sun, which at its apex the tennis ball perfectly eclipsed. A corona blazed on the ball's circumference, etching a ring on Willy's retina that would blind-spot the rest of the point.” Sigh. If I could write 10% as well as her, I’d die a happy man. This is the only novel in this list of five, and that alone should be reason enough to read it. Tennis novels are few and far in between; savor them when you see them, especially ones that are as beautifully acerbic as this one.

Finally, this is one for the fans, who are so important in sport. The blurb tells us, "For much of the past decade, William Skidelsky has not been able to stop thinking about Roger Federer, the greatest and most graceful player of all time. It’s a devotion that has been all-consuming." An obsession it certainly is and Skidellsky looks at it from all angles: his own emotional problems, the way the game of tennis has developed (not always for the better), and what Federer signifies as a sports and cultural icon. Why fans cared so passionately about Federer and more than about any other player tells us much about our culture of spectacle and consumption and our longing in a secular and cynical world for heroes to capture our imagination and to inspire.

I would recommend Unstoppable to children (boys and girls) aged about 10 – 14 years old. Roxy and Kaine are twins – she plays tennis, he plays football, and they have a troubled home life. I remember that being a teenager is difficult enough, with all the confusion, uncertainty, and pressure it brings, but in this book you also throw in elite sport, knife crime, ambitious parents, and sibling rivalry. It’s the kind of book you might give to your son or daughter and you wouldn’t see them again until they’ve finished it. Should be called Unputdownable.

I had the pleasure of interviewing Charley for our book.

He’s a great storyteller. He was probably the first practitioner to advocate for passive index investing. He’s a tennis enthusiast, and his book was inspired by a book he read aimed at amateur tennis players. Ellis learned that to win at tennis, the best strategy is to simply try to not lose, and to not try to act like professional players.

He realized that the same strategy worked for investors as well. That means that investors shouldn’t try to beat the market.

This beautiful book is the catalogue of an art exhibition devoted to paintings and photographs that capture the world of tennis, demonstrating the close link between art and the sport. Indeed, many enthusiasts see tennis as an art in its own right and this book should convince any waverers. The gorgeous coloured and black and white illustrations range from late Victorian genre scenes of tennis as a social event including champagne, strawberries, and flirtation, on through the androgynous twenties and thirties and its development into the modern power game. Accompanying essays trace the game’s wider cultural influence. Here you will find above all the languor and elegance of social tennis and especially the centrality of women to it, from ladies playing in bustles and high heels to the Williams sisters in skin-tight miniskirts.

Originally written as a tennis coaching text – the wisdom of this approach transcends the world of tennis and carries an important message about how changing our thinking can release the latent potential in us whatever we are doing.

The focus is on the importance of self-talk – what our outer self is telling the inner self and in doing so chimes beautifully with what we know about our unconscious mind. We know that more than 90% of our behaviour is driven by our unconscious and it hears everything we say to ourselves – so consider the impact of critical self-talk and the potential damage to our confidence and performance.

The book is summarised in the formula: Potential minus Interference = Performance

We achieve at our best when we manage the ‘Interference’ we impose on ourselves!

Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of  Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.

Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.