Here are 100 books that Oil Notes fans have personally recommended if you like
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For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
In this brilliant, evocative, and imaginative novel, Claire Dudman has written a fictionalized autobiography of Alfred Wegener. Best known for his 1912 proposal about continental drift, Wegener was a first-rate meteorologist, polar researcher, and balloonist (he held the record for longest continuous flight). Dudman’s insights into Wegener’s personality, the challenges he faced with his proposal, and his love of science shine through and create a unique and memorable portrait of a brilliant and fascinating life.
A fictional biography of German meteorologist Alfred Wegener follows the groundbreaking scientist from his 1880 birth to his final Arctic exploration in 1930, discussing the offbeat scientific adventures and exploits that marked his life--from a record-breaking long-distance balloon flight in 1906, to his horrific experiences during World War I, to his struggle to defend his controversial theories. A first novel. Reprint.
Lea's second novel chronicles the unlikely friendship of Ivy-educated George Mayes and elderly Maine woodsman Evan Butcher.
It memorializes the all but vanished oral culture from which Evan derives; it also plumbs the depths of addiction and the glories and challenges of recovery. Evocations of the natural world are lyrical…
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
Barry Lopez and his 40 plus contributors dive deep into the language of the land, providing colorful, literary, and sometimes opinionated definitions for more than 850 landscape terms, many of which owe their existence to geology, such as ‘a’a, erg, slickrock, and yardang. The book is an essential and timely contribution to the myriad ways that geology affects not only place but language as well. This is a book for anyone who wants to learn more about America, the nature of its landscape, and its history, and to develop a better connection to place. Or for anyone who wants to use correctly such fine terms as chickenhead, nubble, boondocks, and thank-you ma’am.
Hailed by book reviewers as a "masterpiece," "gorgeous and fascinating," and "sheer pleasure," Home Ground: Language for an American Landscape was published in fall 2006 in hardcover. It was met with outstanding reviews and strong sales, going into three printings. A language-lover's dream, this visionary reference revitalized a descriptive language for the American landscape by combining geography, literature, and folklore in one volume. This is a totally redesigned, near-pocket-sized field guide edition of the best-selling hardcover. Home Ground brings together 45 poets and writers to create more than 850 original definitions for words that describe our lands and waters. The…
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
Not only does geology shape the land, it can also shape the lives of those who quarry the stone. Rarely is this relationship between human and rock better portrayed than in Scott Russell Sanders’ thoughtful essays about the limestone country around Bedford, Indiana. With graceful and respectful prose, he tells the stories of a “piece of earth where the accidents of geology have yielded a special kind of stone, and where landscapes, towns, and the people themselves bear the mark of that stone.” And, if you seek to see this story on film, I can also recommend one of my favorite movies, Breaking Away, a humorous and passionate portrayal of life and biking in limestone country.
From a patch of land in southern Indiana has come the stone for many of the country's most famous buildings, including the Washington Cathedral, the Pentagon, the Empire State Building, and Chicago's Tribune Tower. If you live anywhere within the lower forty-eight states you probably live within walking distance of library, bank, monument, church, house or skyscraper built with Indiana limestone. In Limestone Country is the story of the stone, from its geologic origins through its mining history to the present. Sanders records the folklore, the craft, the distinct culture that has grown up around Indiana limestone. Above all we…
Lea's second novel chronicles the unlikely friendship of Ivy-educated George Mayes and elderly Maine woodsman Evan Butcher.
It memorializes the all but vanished oral culture from which Evan derives; it also plumbs the depths of addiction and the glories and challenges of recovery. Evocations of the natural world are lyrical…
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
A simple, yet profound idea forms the basis for geologist Keith Meldah’s first book: how did geology influence the gold rush pioneers. Weaving pioneer accounts, modern science, and field exploration, he paints a unique and compelling picture of western migration and how the vagaries of the dramatic landscape played out in both small and large ways. Although gold was what drove many of the argonauts, they soon learned that the rocky world would affect them far before they reached their hoped-for destination.
In 1849, news of the discovery of gold in California triggered an enormous wave of emigration toward the Pacific. Lured by the promise of riches, thousands of settlers left behind the forests, rain, and fertile soil of the eastern United States in favor of the rough-hewn lands of the American West. The dramatic terrain they struggled to cross is so familiar to us now that it is hard to imagine how frightening - even godforsaken - its sheer rock faces and barren deserts seemed to our forebears."Hard Road West" brings their perspective vividly to life, weaving together the epic overland…
My final high school year in Tasmania added a new topic, geology. I and my school friends knew little about it but signed up. In the first lesson, the teacher pointed at the adjacent sunlit river gorge saying “There is your laboratory.” We were hooked and most of us became professional geologists. I started off in museums where mineral, rock, and fossil collections were a font of knowledge and generated field collecting, research, and educational activities. This led to MSc and PhD degrees from universities at both ends of Australia. A base at the Australian Museum led to travel around Australia and visits to many overseas institutions and meetings.
Here, a seasoned geologist gathers several themes of his research interests, poses critical questions on apparent anomalies within them, and considers their resolution. He does this by giving free rein to informed lateral thinking on these topics. This produces an unusual book in the annals of geological writing, presenting thought-provoking and rewarding reading.
The thematic chapters are written in a fluent expression of the concepts involved, reinforced through a range of illustrative means. There are superb photographs of gems, minerals, and rocks as specimens and rockyexposures from many sources. Geological diagrams underpin explanations, superimposed maps highlight large-scale geological structures, and even images of paintings, historical scenes, postcards, and stamps reinforce particular points. The closing sections enter the realms of life on Earth, seen as coordinated biological and geological evolution.
How did the Earth get its gemstones? · How did the Earth get its oil and gas? · What happened to the Earth's moonlike impact craters? · Why did it take 80% of the Earth's history for complex animals to emerge? · Do Darwinian principles apply to absolutely all creatures?
I knew nothing about wine and drank it only rarely until I went to Paris as a graduate student in the 1970s. Even then, I couldn’t afford more than basic plonk. It was not until I started doing research in Dijon every summer in the 1980s, making great friends in the process, eating and drinking at their dining tables, and visiting their favorite vignerons with them for dégustations, that I began to appreciate wine, not just as a fantastic beverage, but as a social and cultural creator. And as a historian, Iappreciatethat drinking wine thatcomesfrom vineyards planted in the Middle Ages connects us withour ancestors inthe past.
The most misunderstood word in any discussion about French wine, terroir is not only the French word for soil, but it refers to place, the specific place where grapes are grown to make wine. Thus, terroir does mean the soil in the vineyard, but also the ground beneath the soil, climate, weather, indeed, everything at any particular place that affects the grapes grown in that specific place. This book written by a geologist is no boring technical and scientific study of taste, but a clear and convincing explanation of why wines grown in different places, and wines even grown in the same place but in different harvest years, taste so differently. Frankel demystifies the notion of terroir, and at the same time, he helps us understand why we should want to preserve and protect these different tastes from the homogenization of the global wine market.
A tour of the French winemaking regions to illustrate how the soil, underlying bedrock, relief, and microclimate shape the personality of a wine.
For centuries, France has long been the world's greatest wine-producing country. Its wines are the global gold standard, prized by collectors, and its winemaking regions each offer unique tasting experiences, from the spice of Bordeaux to the berry notes of the Loire Valley. Although grape variety, climate, and the skill of the winemaker are essential in making good wine, the foundation of a wine's character is the soil in which its grapes are grown. Who could better…
For most of my career as an oil explorationist I have worked with geologists, an exceptional group of men and women who, from observing earth’s surface as it is configured today, can decipher earth’s history. By understanding how rocks were originally formed and how in subsequent millennia rocks have been buried, transported warped, eroded, re-deposited, and altered by high pressures, high temperatures, hot water, and all the tectonic forces of nature that have formed the surface as we see it today, they believe, really believe, that they can visualize the subsurface. It’s a fascinating four-dimensional detective story.
Winchester’s book is a biography of William Smith, the orphaned son of a village blacksmith. It is the story of one man’s passion, triumph, and tragedy. In his youth Smith was engaged in digging canals in England. Through careful observation of the fossils, he was the first to document the sequential layers of earth’s history. His geologic map, completed in 1815, heralded the beginning of a new science, the science of geology.
THE EXTRAORDINARY TALE OF THE FATHER OF MODERN GEOLOGY
Hidden behind velvet curtains above a stairway in a house in London's Piccadilly is an enormous and beautiful hand-coloured map - the first geological map of anywhere in the world. Its maker was a farmer's son named William Smith. Born in 1769 his life was troubled: he was imprisoned for debt, turned out of his home, his work was plagiarised, his wife went insane and the scientific establishment shunned him.
It was not until 1829, when a Yorkshire aristocrat recognised his genius, that he was returned to London in triumph: The…
I am an astronomer and astrobiologist, and my field of work leads me to wonder about the origin of life in the universe and how scientific discoveries (and especially those related to space) affect culture, people's lives, or even civilization itself. All of the books listed here focus precisely on answering some of these concerns, which is why I find them extremely interesting.
This book tries to answer one of those vital questions that we have asked ourselves since we were children and that, at least in my case, continues to be part of my interest as an adult: Why don't we have any real proof of the existence of other civilizations beyond Earth?
This question has its own name: the Fermi Paradox, the apparent contradiction between the high probability of extraterrestrial life and the lack of evidence for alien civilizations. I enjoyed how the author, Stephen Webb, goes over all the possible solutions to this paradox that science has been able to imagine. In the end, Webb gives his own solution (which does not match mine).
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials?
In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
My sole non-fiction choice. I love the scope of this book: the early engineers and industrialists who were involved, the palaeogeological conditions that made coal deposits possible, the legacy of burning carbon, and, chapter by chapter, a description of most of the coalfields of Britain and the landscapes that resulted. Add poems and songs and paintings and you have a wonderful book. My sole gripe: the illustrations are too tiny. The breadth of content deserves something better.
Measures for Measure features once greatly-disturbed landscapes - now largely reclaimed, physically at least, by post-industrial activity. Yet the surviving machines, buildings and housing of the original Industrial Revolution, founded mostly upon Coal Measures strata, still loom large over many parts of Britain. They do so nowadays in the family-friendly and informative context of industrial museums, reconstructed industrial settlements, preserved landscapes and historic townscapes. Our society and its creative core of literature, visual arts and architecture were profoundly affected by the whole process. The British Carboniferous legacy for wider humankind was profound and permanent, more so with the realisation over…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
In this story, we’re in Georgia, deep in its geology, which for me wouldn’t be a draw for a novel, but Eager presents this landscape through the unforgettable character of Doreen, who struggles with poverty, her role as a woman in Southern culture, her inadequacies as a parent yet emerges as a real hero in her own life and others.
What I took away was a new view on female pride, a woman’s honor, and what limits an aware person puts on her self-sacrifice. The characters are not all that likable, with the exception of Doreen, yet I was completely engaged in the story. The way the author weaves in the geology, what remains in the earth’s memory, and what remains in human memory was brilliant.