100 Books Like Of Time and the River

Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.

Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.

As a child, I was captivated by Christmas's traditions, rituals, meaning, and magic, which always signaled a time for introspection and hope. These books capture all of that. For me, the holiday is a time to pause and reflect, and revisiting these works helps remind me of what is important in life and where we should be pointed, where our humanity lies.

Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.

Figuring out who we are, figuring out our identity and where we fit in the scheme of things is one of the great themes in our lives, and in literature. In my life, I’ve gone through many identity crises, some recounted in my memoirs. These are five books that had a profound effect on me—sometimes emotionally, sometimes psychologically, and sometimes led me to think differently about my own life. In all of these books, characters have to make decisions, face struggles, and figure out who they are and how to find themselves and their authentic identity. 

Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating. 

I’ve been drawn to thought-provoking novels from my early days as a reader, and especially later when my own work took shape. My books tend to deal with life’s big topics––love, loss, creativity, self-discovery, aging, forgiveness, what it means to be a good man, and the climate crisis––so I tend to gravitate to ambitious novels focused on how we humans might evolve in a healthy way. My characters do have flaws, many of them, but in the end, they are resilient and figure out a way to take a step forward. All of the books I mentioned are similar in scope and approach.

Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.

I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.

I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.