100 Books Like Occasions of Sin

Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.

It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.    

I quoted Mary Beard in the conclusion of my book, where I spoke of the position of women in the informal power structures of diplomacy.

The call for a redefinition of power in her manifesto Women & Power hit home for me. Beard points out how subjective our perception of power is, urging us to reflect on what power is for and how we measure it. Rather than just lamenting women’s lack of power through history, Beard adds another dimension by suggesting that it is not women we need to change, but rather our skewed definition of power. 

Her analysis of the relationship between women and power in the Western tradition provides a historical background of misogyny that is not only to the point but also a literary delight. Read it.

It is always delightful to read this re-telling of the Odyssey by the esteemed Canadian author Margaret Atwood.

I found the voice of Penelope as the narrator of her own story most effective. The set-up of Penelope as a shade in the underworld who dishes the dirt on what really happened when Odysseus returned home seemed very clever to me. Penelope is witty and humorous in her sceptical, if fond, description of her hero’s antics, but I also appreciated that the queen continues to wrestle with guilt over the murder of several of her handmaids.

The ‘girls’ are the Trojan women, voiceless in Homer’s Iliad except, briefly, Andromache, Cassandra, and Hecuba.

Women drive the plot, from Helen, the Spartan queen abducted by the Trojan prince Paris, who is blamed for starting it, to Briseis, the Trojan captive Agamemnon takes from Achilles, but they say little.

Most of the chapters in Silence of the Girls are first-person in Briseis’ voice, with interspersed third-person chapters focusing on Achilles and Patroclus. We see the war from a broad, realistic perspective, but the tragedy in the center is of the women—as the Greek playwright Euripides recognizes in his play ‘The Trojan Women’ among others.

Pat Barker gives us the full, moving story in this novel and its sequels, The Women of Troy and The Voyage Home.

Why, from the 1990s, did the Irish Catholic consensus so suddenly disappear? And what might be the effect of this sudden-onset secularisation? This brilliant account of the recent revolution in Irish religion describes the effects of the clerical scandals that brought down a government, demoralised a denomination, and drove social change on a massive and structural scale. Ganiel shows how the older religious monopolies that did so much to shape the institutions and culture of Ireland, north and south, have given way to a much more fluid religious market, in which individuals can believe without belonging just as much as they might formerly have belonged without believing.

Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall. 

Some might question my choice of a work of fiction here, but I have always been a great admirer of this fine writer's work. Catholics best displays the transitional period from the economically dreary 1930s-1950s, to the often-painful thrust of Ireland into the modernity of a European Union and growing national prosperity. The plot vehicle Moore uses is the story of a crisis of faith as monks living in virtual medieval isolation on an island off Co. Kerry (and indulging in the now forbidden Latin mass) are dragged into conformity by a Vatican plenipotentiary who is determined to break them. In the process, he destroys the foundations of their entire spiritual lives, shatters their traditions, and shows little remorse in doing so. I don't know if Moore, who died in 1999, meant his book to be a metaphor of the New Ireland, but it succeeds in showing a country turning… show more.

This well-researched story of duty, honour, and love is an exploration of Elizabethan marriage and religious and intolerance highlights how women were a way of advancing the land, wealth, and influence the status of their families. I liked the accomplished storytelling and the use of historical details of the clothing, food, and domestic routine of a Tudor household to bring the period to life.

A friend told me that John Banville is an amazing writer and storyteller; the book Snow didn’t disappoint. It’s a cozy mystery, meaning it’s always good to have a list of the characters handy, and it is set in Ireland.

Although the darker story involves sexual abuse in the Catholic Church and homophobia, I found the book beautifully written and the characters complex and carefully crafted. It might have been a little graphic for me in the beginning, but that didn’t spoil the book.

Gill Paul’s Titanic Love Stories tells the fate of the thirteen honeymoon couples that boarded the doomed ship. It tells stories from society’s elite to third-class passengers from a small country Irish town. Beginning with JJ Astor, Paul tells the story of a man who risked everything for a woman he loved more than anything, showering her with flowers and books to win her favour. In Madeleine, Astor found a future that promised happiness – something he had not had in his previous marriage. Madeleine would love him in a way Astor had never been loved before, who had suffered through a contentious divorce brought by his ex-wife’s extramarital affair. The book finishes with Neal and Eileen McNamee, a newlywed couple that fell in love the moment they met, with Eileen teasing Neal about his moustache and “funny” accent. Eileen converted to Catholicism in order to marry the man she… show more.