Here are 7 books that Nuking Alaska fans have personally recommended if you like
Nuking Alaska.
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As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
How do people react when a dictatorship forces them to make choices? To learn more, read this brilliant memoir by a journalist looking back on his life in 1930s Berlin. Happily focused on his legal training and circle of friends, Sebastian Haffner at first showed little interest in politics and rejected the Nazis out of instinct rather than principle. Disgusted but powerless, he was content to keep a low profile under the new regime. To his own lasting shame, however, he one day answered “yes” when an SA stormtrooper demanded to know if he was “Aryan.” But Haffner’s friendships and liaisons with Jews, and his belief in the rule of law, ultimately made him realize that he couldn’t live in Nazi Germany. His final choice? Exile in Britain.
An absolute classic of autobiography and history - one of the few books to explore how and why the Germans were seduced by Hitler and Nazism.
'If you have never read a book about Nazi Germany before, or if you have already read a thousand, I would urge you to read DEFYING HITLER. It sings with wisdom and understanding' DAILY MAIL
Sebastian Haffner was a non-Jewish German who emigrated to England in 1938. This memoir (written in 1939 but only published now for the first time) begins in 1914 when the family summer holiday is cut short by the outbreak…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
I loved how Marjane Satrapi tells such a complex story in such a simple, honest way. The illustrations pull you in, but it's the humanity of the story that stays with you. Even with everything the book explores, there are moments of humor that make it feel even more real.
What I appreciated most was how it explores identity. It made me think about how often people decide who we are before they really know us, and how confusing it can be trying to figure out your own voice while balancing culture, family, and expectations.
The book reminded me that identity is never just one thing. It's shaped by where we come from, the people around us, and the experiences we carry—but it's also something we're constantly questioning and redefining. I finished the book with a lot to think about, and those are usually the books that stay…
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Joe Saccos’ work has had such an impression on me.
In 1991-1992, Sacco spent two months in the occupied territories, collecting stories for this masterpiece of journalism and comics. He was breaking new ground; Comics Journalism as a form did not really exist before this book.
On the ground, Sacco found that as a cartoonist, he could delve deeper into the experiences of the Palestinians he interviewed; all knew their identities were safe as the book would be drawn, with no identifying photos, no names. Their stories and pain pour forth.
Looking back on this publication thirty years later, the situation has become far, far worse for Palestinians. This book is an excellent primer to understand the atrocities of the present and the context of their past.
In late l991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. Upon returning to the United States he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour.
The nine-issue comics series won a l996 American Book Award. It is now published for the first…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
I am not recommending a particular volume or compilation. In general I love the work of Harvey Pekar. He has brought me closer to Documentary Comics than any other author. He worked with reflections and anecdotes and was one of those authors that from the writing was able to defy the common places in comics making. Yes, he was a scriptwriter, but he pulled out so many amazing comics from the graphic formula and made them work. I remember seeing gigantic balloons with blocks of text. Pages and pages of close-ups, and they weren’t boring. A comic about him reflecting on his masculinity by unclogging the toilet. Amazing.
Meet Harvey Pekar, a true American original. For over 25 years he's been writing comic books about his life, chronicling the ordinary and mundane in stories both funny and touching. Working as a hospital file clerk in Cleveland, his dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Illustrating his stories are the cream of the underground comics world, including the legendary Robert Crumb. Pekar has been called 'the blue collar Mark Twain', and compared to Dreiser, Dostoevsky and Lenny Bruce. With American Splendor now an award-winning…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
This is not a best-seller graphic novel, you don’t see this book on every bookstore shelf. I discovered it because of Nina Mickwitz’s Documentary Comics. I ordered it from the library network that we had at my grad school. My degeneration is a Jewel of a book in many senses, it is a sincere book, a dialogue that goes through many channels: the images drawn, the text typed, and the way the book was made. The shifting in the line makes you think about the process and the author not just as a character but as a person experiencing the world from certain conditions and telling you about that experience.
How does one deal with a diagnosis of Parkinson's disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author's attempt to come to grips with the "malicious whimsy" of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl's journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady.
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean, what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best or he’ll…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
Virus Tropical is a Latin American Book, a Colombian book, an Argentinian Book, an Ecuadorian Book. Virus tropical talks about the nineties, if you are from Colombia you recognize the towns, the T-shirts, the music, the buses. So many peripheries mixed up and telling you about the coming of age of the main character. So many important things touched while touching on the most vapid-everyday things. The accents, the way the characters interact, I was able to identify with all of this while reading this graphic novel. Virus Tropical is a great book, I’m glad it was translated into English.
Vírus Tropical é uma saga familiar divertida e descolada, repleta de personagens cômicas e alopradas: um pai sacerdote que dá missas clandestinas em casa, uma mãe que lê o futuro nos dominós, uma irmã mais velha depravada, outra totalmente beata…
No meio dessa trupe, a caçula Paola tenta encontrar seu espaço e sua identidade. Com um traço fino, expressivo e cheio de detalhes, Power Paola nos mergulha no âmago dessa singular família colombiana.
Dividido em capítulos curtos e temáticos, e escrito num estilo ritmado e com muitos diálogos, Vírus Tropical consegue emocionar e entreter associando o melodrama ao humor.
