Here are 100 books that Nudes and Victims fans have personally recommended if you like
Nudes and Victims.
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I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
This is unlike any poetry collection I’ve read before. The language is accessible, the material is creative, rich, and a little on the dark side. There’s so much unique imagery and beautiful phrasing that it just delighted me to read it. It’s the kind of poetry book that doesn’t try to be verbose and obtuse just for the sake of poetry. Although it explores some gritty themes, it’s a lot of fun.
That’s the sound of the clocks getting ready to fall back. The nights stretch longer as the days shrink shorter. Creatures of the night come out to play; to fill autumn’s twilights and winter’s chills.
And at the edge of this mist infused scene, Derek R King stands and drinks in this dream. Muse by his side (or is she within), her whispered breath caresses his ears, as she drapes him in words: “Let the poetry begin.”
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
This book blew me away. It looks deceptively simple with short poems and regular language, but the emotion of the poems is intense, direct, powerful, and breathtaking. Poem after poem just made me think “Wow!” I don’t usually read poetry for fun, but the pretty pink cover and the title of this book grabbed me at the bookstore and I bought it on a whim. It was definitely one of those cases where the right book gets you at the right time. I love this book!
International best-selling author of Love & Misadventure, Lullabies (Goodreads Readers Choice Award), and Memories, Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us.
Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav. Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found. Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.
* International Bestseller: Over 26K copies sold in the UK of Love…
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
I met this author at a local author fair and picked up a copy of his book because he (as well as me!) is a Beatles fan. He said it included poems about the Beatles so I hoped I’d enjoy the book as much as I enjoyed chatting with Ryan. Turned out, I did. Ryan approaches poetry with a powerful mix of wordplay and rhythm. Every poem has a driving beat and becomes a sort of immersive experience. Although this also deals with themes of mental illness, it’s a book that just made me smile to read because it’s so unique. The illustrations make it visually stunning as well.
Open your heart to a compilation of musical poetry and surreal expression drawn from madness and mania.
Artfully weaving a rhythmic tapestry of touching poetry that flows like music, this deeply personal memoir invites readers on a fascinating deep dive into the author’s raw and heartfelt world of living rhythms and authentic feelings. As a deft amalgamation of spoken word, truth to power, clever wordplay, and thoughtful reflections, Euphoric Wonderland illuminates a mad spark of creativity as it draws uplifting inspiration from even the darkest of times.
Stimulate your imagination and open your mind to a psychedelic and enigmatic assemblage…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
Yes, it’s a book for kids, but this book has remained with me my whole life. I received this book as a gift when I was a child and I didn’t think I’d like it because I wasn’t into poetry. However, I can’t tell you how many hours I spent perusing the pages of this book. There are so many different poems, by different authors, covering a wide range of topics and themes.
I still own this book and look through it from time to time. It’s a treasured book that can be appreciated by adults as well as children.
Amazon.com Review: The Random House Book of Poetry for Children was recognized upon its publication in 1983 as an invaluable collection--a modern classic--and it has not since been surpassed. Five hundred poems, selected by poet and anthologist Jack Prelutsky, are divided into broad subject areas such as nature, seasons, living things, children, and home. The poems of Emily Dickinson, Robert Louis Stevenson, Robert Frost, Langston Hughes, Nikki Giovanni, and Gwendolyn Brooks populate the book's pages, while Lewis Carroll, Edward Lear, Ogden Nash, and Shel Silverstein ensure that the collection delights even the most reluctant readers of rhyme. Playground chants, anonymous…
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
The title of the book and the stylish cover design offer the first taste of its delicious content. I love a proper story, rich with details that conjure a heightened world and allow me to feel immersed within it. The sort of book you can’t wait to get back to.
Extraordinary characters, glamour, danger, and adventure. And such beautiful writing – the language and rhythm sweep you along like a musical score. All that and a charismatic, inspiring heroine who overcomes monumental obstacles during a significant and distinctive period of European history. This book is a delightful, sensory experience. I recommended it to my book group and it did not disappoint.
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle…
I've spent the last three decades thinking about Japanese aesthetics, and in particular if and how they can be meaningfully used beyond Japan. I'm the author of several books on the subject: Frank Lloyd Wright and Japan, Place Time and Being in Japanese Architecture, This Here Now: Japanese Building and the Architecture of the Individual, and most recently, The Constructed Other: Japanese Architecture in the Western Mind. I teach about Asian Pacific architecture at the University of Hawai'i, Mānoa.
This beautifully illustrated book is difficult to find now. The images effectively speak for themselves, however, and make up for the inevitable shortcomings of even the most informed attempts to sum up these concepts verbally.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I began my career in 1988 as an English language teacher in Japan. I originally went for a one-year adventure, but soon found myself fascinated by language, and how it is learned and used. This eventually led to a professorship at the University of Nottingham, where I have the good fortune to consult on language issues worldwide. I have researched language extensively, but all of my previous publications were meant for an academic/educational audience. I wanted to produce a book for general readership which outlines all that I have learned in 35 years of language research, and Language Power is the result. I hope you find it useful in your language-based life.
This is the ideal coffee table book on language. It contains an astonishing amount of information on virtually every aspect of language, ranging from interesting tidbits that might be useful in a trivia game (How many languages are there in the world?) to more extended discussions of weightier issues (What is dyslexia?).
It is the perfect book for dipping in and out of, because every page you might open up to contains something intriguing about the way language is described, used, learned, or lost. It is meant for a general audience, but when I read it, I found many new ideas that led me to advance my own academic research.
The fact that it is now in its 3rd edition shows just how useful and popular this wide-ranging gem is.
This new, thoroughly revised edition of the acclaimed Cambridge Encyclopedia of Language incorporates the major developments in language study which have taken place since the mid 1990s. Two main new areas have been added: the rise of electronic communication in all its current forms from email to texting, and the crisis affecting the world's languages, of which half are thought to be so seriously endangered that they will die out this century. * All language statistics have been updated, and additional information provided about their linguistic affiliation * All topics involving technology have been revised to take account of recent…
I’ve been fascinated by languages since my teenage years, when, in addition to my native Russian, I learned English, French, Spanish, Latin, Hebrew, and Esperanto to varying degrees of fluency. But it was in college that I decided to pursue linguistics as a profession, in part influenced by one of the books on my list! After 20 years of doing scientific research and teaching linguistics at different universities, I switched gears and now focus on bringing linguistic science to the general audience of lifelong learners. Even if you don’t change your career, like I did, I hope you enjoy reading the books on my list as much as I have!
I must admit that I’m somewhat biased here, as Mark Baker was one of my professors in graduate school, but I love this book on its merits!
It’s very easy to think of languages as endlessly dissimilar from each other: what do English and Edo (one of the many languages in Nigeria) have in common? Or Navajo and Japanese? Or Tsotsil (spoken in Mexico) and Malagasy (spoken in Madagascar)?
It blew my mind how Baker takes a seemingly far-fetched parallel between language and chemistry and manages to show that the state-of-the-art linguistic theory allows us to find order and logic in the ostensibly chaotic variety of human languages, much like Mendeleev’s Periodic Table provides a structured way to see the tangible world around us.
Whether all human languages are fundamentally the same or different has been a subject of debate for ages. This problem has deep philosophical implications: If languages are all the same, it implies a fundamental commonality- and thus mutual intelligibility- of human thought.We are now on the verge of solving this problem. Using a twenty-year-old theory proposed by the world's greatest living linguist, Noam Chomsky, researchers have found that the similarities among languages are more profound than the differences. Languages whose grammars seem completely incompatible may in fact be structurally almost identical, except for a difference in one simple rule. The…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Andrew Robinson has written an excellent biography of Michael Ventris and also of Champollion, the man who deciphered Egyptian hieroglyphs. In this book he gives overviews of three decipherments and surveys of as undeciphered languages and languages that we can read but not necessarily understand (one of my favourite languages, Etruscan, falls into this category). This book is a great jumping-off point if you want to plunge into the waters of decipherment, and has excellent illustrations.
Beginning with the stories of three great decipherments - Egyptian hieroglyphs, Minoan Linear B and Mayan glyphs - Lost Languages moves on to dissect the most well-known and enigmatic undeciphered scripts from around the world.
These include the Etruscan alphabet of Italy, the Indus Valley seal script, Rongorongo from remote Easter Island, the Zapotec script of Mexico (probably the first writing system in the Americas), and the unique Phaistos disc of Crete. Lost Languages reports from the front lines of scholarship where obsessions, genius, occasional delusion and sometimes bitter rivalry are de rigueur among those currently competing for the rare…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
I found this book's scientific rigor, systematicity, depth, and wisdom unmatchable. I liked "the passion for desert landscapes" together with the wit.
It’s not easy, at first, to see the philosophical significance of the discussion until you do, and you’re attracted to the idea that philosophy is too often a mere verbal tangle. Quine agrees, and he tries to explain why.
Willard Van Orman Quine begins this influential work by declaring, "Language is a social art. In acquiring it we have to depend entirely on intersubjectively available cues as to what to say and when." As Patricia Smith Churchland notes in her foreword to this new edition, with Word and Object Quine challenged the tradition of conceptual analysis as a way of advancing knowledge. The book signaled twentieth-century philosophy's turn away from metaphysics and what Churchland calls the "phony precision" of conceptual analysis.
In the course of his discussion of meaning and the…
