Books like Lost Languages

I read this book while still at school and it was my first introduction to one of the most famous decipherments in history, the cracking of Linear B by the architect and amateur enthusiast Michael Ventris. Unlike most other decipherments, there is no Rosetta Stone to Linear B, which was deciphered by techniques similar to those used in code-breaking. I was later lucky enough to be taught by the author, the great John Chadwick, who writes with beautiful clarity and precision.

I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.

Not all adventures in lost languages involve undeciphered scripts. I know nothing about the native language of Australia, but was immediately hooked by this book’s vivid account of a specialist as he attempts to locate the last speaker or speakers of a language—and then get them to speak to him. It was great for me to see how the techniques I use to reconstruct ancient languages can also reveal the structures of modern languages where there is scarcely any evidence remaining.

Linear A, the script that preceded Linear B in Crete, has long attracted attempts at decipherment. Ester Salgarella, who is a colleague of mine at Cambridge, would not claim to have deciphered Linear A, but her work on the script and its relation to Linear B is brilliant at reframing the question about the relationship between the two. If you read this after Andrew Robinson’s account of Linear A (in his Lost Languages book mentioned above), you might be surprised by how much progress has been made.  

Whatever genre you’re drawn to, this book is well worth investing in. It delivers exactly what its subtitle describes: a hands-on guide to writing picture books from story creation to publication. Although not primarily a picture book writer, I’ve found the book incredibly useful in developing general writing skills. I’ve used the exercises on language to improve the aural and rhythmic qualities of my writing. It’s also given me new ways to think about approaching layout and composition. It has the potential to enhance writing quality almost effortlessly. Although the revised expanded edition published in 2018 contains information specific to the publishing market then, the practical information in the book is unlikely to date as quickly. Who knows? You could end up writing picture books as well!

Shariatmadari writes beautifully, and this book will make you think differently about how we use language and how that language uses and shapes us, both as individual actors and as a society. Our language – those everyday vocabularies and grammars that we deploy without a second thought – is neither original nor value-free; instead, “to speak is ‘to swim in an inherited stream of images and words’”, crafted by generations before us. For small talk, this may not matter so much. But for the bigger, weightier things in life, for the things that really matter, the way we talk can have real consequences on what we are able to understand, and how we are able to respond.

This is a great introduction to what linguists do when they analyze languages to see how they work.

Bolinger spent his life observing how speakers use language, making notes on how and when they hesitate as they plan what to say, common errors they make, and what all this tells us about how language functions as a tool for communication. 

And he drew on his observations to tell the story of what is involved in studying how languages work. I regularly recommend this book to anyone who wants to know what linguistics is. (It is not being a polyglot!)

The important word in the title is "social." The author brings together words that belong to a particular theme, such as journalism, economics, and politics. An example? A 'historical menu' from Anglo-Saxon times (bread, butter, cucumber) through Shakespearean times (tomato, potato, banana) to the present-day (pizza, tacos, hamburger). And not forgetting drinks, from beer to Coca-Cola. It's a fascinating exercise in the linguistic archaeology of social transformation.

In this witty and provocative book, psycholinguistics researcher Steven Pinker explores the role of language in shaping our experience of reality. 

Human-style thinking would not be possible without our capacity for language. Thoughts are basically internal language. Among the basic experiences shaped by linguistics is our experience of time. 

We use language to construct a spatial metaphor for time, thinking in terms of “moving” “forward” or “backward” in time. Pinker takes us for a walk around the metaphorical space of consciousness, examining how language shapes our experience of the world.   

I absolutely love this groundbreaking book because it offers a new interpretation of Wittgenstein’s Tractatus Logico-Philosophicus which cuts across all of the major interpretations to date.

The uniqueness of Tejedor's position lies in her metaphysically neutral and ethically endowed understanding of conceptual elucidation as involving practical understanding and ability.

This is Wittgenstein scholarship at its very best: a reading that draws careful insight from that debate and then moves beyond it. Moreover, it reaches a highly positive conclusion on the ethical transformation that philosophy, done properly, can have.