Books like Nobody's Princess — picked by fans

I love the way Miller treats mythic figures as sharing reality with humans.

Who can forget blue-green Thetis coming out dripping from the sea to meet her son, the hero Achilles? This is how the ancients wrote about the gods, and it's terrific to see it making a comeback after a hundred years or so when myth was treated as a source for psychoanalysis.

I was not so much inspired by this book (it came late) as encouraged and confirmed in my own treatment of otherworldly figures. They are there, for those with the eyes or imagination to see.

Another perspective of the Trojan War from a minor player’s perspective, Daughter of Yesterday, is the first mythology retelling I read as a child, and it still holds up. A series of unfortunate events puts the protagonist in Helen of Troy’s household as a companion for her young daughter.

I’d never read a version of the myth that views Helen as a mother, an often-forgotten fact in retellings. Myths are so often taught in isolation that this was the first time I realized these mythological characters like Helen and Cassandra knew each other.

The fact that the main character is a completely powerless child trying her best to survive the chaos around her ramps up the tension and highlights the tragedy of the war. 

I was so excited when this book hit the shelves because the back cover copy read like it would be an adult version of Nobody’s Princess. They are very different books, but this one had the magic of interconnecting myths I craved.

Clytemnestra is featured as a dual protagonist, which was a bonus because I have never seen books that strongly feature Helen’s sister. It delves into the sisters' childhood and follows them through their adulthood into the Trojan War.

I loved how the book morphed from an almost fairy tale feel to a tragedy that perfectly captured the sense of frustration, helplessness, and devastation of the women embroiled in the Trojan War. 

I can’t write a list of Helen of Troy's many faces without including the most famous source material. Though it’s marketed for children, it’s one of the most faithful and accessible adaptations of the Iliad that I’ve ever read.

I loved the illustrations and how the scenes stayed faithful to those written many centuries ago while still packing an emotional punch to a modern-day reader. The ancient classics that spread orally are all translated retellings, so while there’s definitely value in reading the more academic versions, those aren’t any more or less valid than an accessible text with modern language that pulls you into the story.

I highly recommend it to anyone who wants to know the ins and outs of the original to better appreciate retellings. 

Hilary Westfield has always dreamed of being a pirate, but the Very Nearly Honorable League of Pirates doesn’t allow girls to join them.

I know a thing or two about being the only girl in the room, so Hilary’s refusal to accept this is both relatable and aspirational. She takes rollicking adventure into her own hands as she sets sail on a journey with magic, pirates, and an endearing talking gargoyle.

Like Ludwig Wittgenstein himself, this book is a work of extremes.

The delusions are grand, the narrative is dense, and the non-sequiturs are out of control. And yet, the more time you spend with it, the more these inhibitors become the very reason for your voracious engagement.

Once you get through that, what stands out about this work is the nuanced approach Markson takes to the female voice. On the one hand, it’s very subtle, with thin, cosmetic references to clothing, aesthetics, and male love interests. But as you immerse yourself in the text, you begin to sense a deeper ambition is possibly at work, inherent in the stream-of-consciousness narrative he employs.

The other thing that’s cool about this book is the series of disparate facts Markson weaves together about a range of cultural figures. It’s easy to take these as throwaway comments until you remember they were accumulated manually,… show more.

The title alone promises violence and passion.

I was immediately drawn into Artemisia's world and imagined myself as her—a young woman artist struggling to create in a man's world. I ached for her and rooted for her and enjoyed every minute of the beautiful language and emotion of this telling.

If you thought competitive wrestling was just for boys, then think again, because this book is bound to suplex that idea into submission for you. There’s so much to love about Takedown. Laura Shovan gives us two stories in one with a dual-POV narration by Mikayla and Lev. Both are packed with tension, humor, and their own unique voice. Combine that with the added bonus of a gender-stereotype-busting story and you’ve got all the makings of an amazing book with a very powerful message. 

Jennifer Morgan’s history of childbearing in the Black Atlantic cracked open an entirely new field, exposing how American society has for centuries relied on Black women’s work as mothers. Her attention to the role of reproduction in the perpetuation of racial slavery in the Americas during the sixteenth and seventeenth centuries exposed how European imperialism had, from its inception, relied upon pushing Black women into dual roles as labourers in the fields of new world plantations and also as labouring mothers. Morgan’s analysis of European travel literature highlights how white men’s perceptions of Black women’s bodies was shaped by these dual roles, as for example in the recurring trope that depicted African women as able to suckle infants over their shoulder whilst attending to other sorts of labour. 

The more I learned about the social structures and constructs that perpetuate violence against women, the more I saw how deeply rooted the ideas are in the stories that we tell—the stories that we’ve been telling for centuries. Why aren’t women believed? Where do the misogynistic tropes come from?

This book shows how our culture’s origin stories have been shaped by men, and as Lesser writes, “embedded in the stories are the values and priorities we live by, and what we believe about women and men, power and war, sex and love.” What I love about this book is that it reimagines if women had been the storytellers, and empowers readers to redefine women and power.