Here are 100 books that No Country for Eight-Spot Butterflies fans have personally recommended if you like
No Country for Eight-Spot Butterflies.
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My first memory is of my father telling me about the cosmos, the Big Bang, and how the sun would burn out one day, expanding so big it would swallow the Earth. This memory haunted my dreams and waking hours, instilling a fascination with the life and death cycles of everything. Now I’m an artist, writer, educator and somatic coach devoted to helping people talk about and honor the things western culture doesn’t create space for–big emotions, messy love and the gifts of dying.
The poetics of this book, mixed with its vital and necessary information about being with death, broke my heart at least once a page, often more. I believe that every time your heart breaks, you build a necessary resilience for staying alive.
By the end of the book, all the pieces of my heart had somehow been mended, leaving me with a new understanding of what being alive is about. In the months leading up to my grandmother’s death, I returned to this book many times, and it helped me give her a beautiful death in her home, just as she longed for. Every person who is going to die and loves someone who will die needs this book.
Award-winning writer and nurse Sallie Tisdale offers a lyrical, thought-provoking yet practical perspective on death and dying in this frank, direct and compassionate meditation on the inevitable. _______________________________________
From the sublime to the ridiculous, Tisdale leads the reader through the peaks and troughs of death with a calm, wise and humorous hand. More than a how-to manual or a spiritual bible, this is a graceful compilation of honest and intimate anecdotes based on the deaths Tisdale has witnessed in her work and life, as well as stories from cultures, traditions and literature around the world.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My first memory is of my father telling me about the cosmos, the Big Bang, and how the sun would burn out one day, expanding so big it would swallow the Earth. This memory haunted my dreams and waking hours, instilling a fascination with the life and death cycles of everything. Now I’m an artist, writer, educator and somatic coach devoted to helping people talk about and honor the things western culture doesn’t create space for–big emotions, messy love and the gifts of dying.
I was raised by a family and culture that taught me nothing about grief, mourning, or honoring the great heartbreaks of aliveness. This book raised me and taught me about the importance of ritual and community tending to our grief.
It taught me that naming the pain of the world is an act of love and that helping others do the same is a responsibility we all carry. I trained with Francis Weller years after reading this book and was so affirmed by sharing space with a person who embodies what he teaches in a deep and embodied way.
"It blew me away. I underlined things on nearly every page." —Anderson Cooper, All There Is
The Wild Edge of Sorrow offers hope and healing for a profoundly fractured world—and a pathway home to the brightness, pains, and gifts of being alive.
Introducing the 5 gates of grief, psychotherapist Francis Weller explores how we move through the waters of grief and loss in a culture so fundamentally detached from the needs of the soul.
• The first gate recognizes—and invites us to accept—the painful truth that everything we love, we will lose. With this acceptance comes beauty and responsibility—and an…
My first memory is of my father telling me about the cosmos, the Big Bang, and how the sun would burn out one day, expanding so big it would swallow the Earth. This memory haunted my dreams and waking hours, instilling a fascination with the life and death cycles of everything. Now I’m an artist, writer, educator and somatic coach devoted to helping people talk about and honor the things western culture doesn’t create space for–big emotions, messy love and the gifts of dying.
This book taught me that I don’t always have to show up “right” or “well.” I can just show up, and that is often enough–to death or any other difficult situation. I walked away from this book with the assurance that there is no way to fully prepare for death because every person is different, every death is different and grief is a bit of a trickster (you never know how it's going to show up).
The mix of personal stories and practical direction has lasted with me over the years and is now a part of how I hold space as a friend, family member, coach, spiritual guide, lover, and partner in life and death.
A hospital chaplain reflects on grief and loss, mindfulness and healing, in this “beautifully written” meditation on the spiritual, emotional, and philosophical implications of end-of-life care (Jan Chozen Bays, author of Mindfulness on the Go)
As a hospital chaplain, Amy Wright Glenn has been present with those suffering from suicide, trauma, disease, and unforeseen accidents and has been witness to the intense grief and powerful insights that so often accompany loss. She weaves together memoir, philosophical inquiry, and cutting-edge research on death/dying to chronicle how we, as individuals and as a culture, handle everything from grief to mortality.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
My first memory is of my father telling me about the cosmos, the Big Bang, and how the sun would burn out one day, expanding so big it would swallow the Earth. This memory haunted my dreams and waking hours, instilling a fascination with the life and death cycles of everything. Now I’m an artist, writer, educator and somatic coach devoted to helping people talk about and honor the things western culture doesn’t create space for–big emotions, messy love and the gifts of dying.
I knew I would love this book and I waited years to read it. I was waiting to savor it at the right time. I finally read it while moving through the painful realization of my mother’s schizoaffective disorder. She is still alive, though our relationship has had many deaths. When I need to remember that the little moments of beautiful mundanity can be as poignant as the big joys and pains of life, I go back to this book.
When I need to remember that queerness is a gift only a few of us are lucky enough to have, I go back to this book. When I need to remember that our greatest griefs come from our greatest loves, I go back to this book—over and over again.
"Take your time with these poems, and return to them often.” —The Washington Post
The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong
How else do we return to ourselves but to fold The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This is one of the most compelling books written on Africa. The author insightfully and thoughtfully reassesses the predicament and plight of the African continent with regards to socio-cultural development, institution-building, nation-building, and state-building. The book – both challenging and stimulating as it is – proves to be a somewhat difficult read as the author alternately targets scholars of African studies more than students of Africa as his main audience and recipients.
In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy--a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either "direct" (French) or "indirect" (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a "customary" mode of rule, with state-appointed Native Authorities defining…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.
Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer.
Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.
Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
Why I chose to write about cold climates: I spent nearly seven years living in the North of Norway in the Sámi reindeer herding village called Guovdageaidnu, or Kautokeino in Norwegian. I cherish my time in that part of the world.
This is a little off-piste in that this isn’t exactly about cold climates; the main topic of Dodds Pennock’s book is about how Indigenous Americans discovered Europe. I first heard Dodds Pennock talk about her book at a lecture in London just a few months back and had to buy the book, which is a riveting account of the reverse migration of Indigenous Americans to Europe.
Why include this book on the Arctic, you ask? Dodds Pennock also writes about a few Indigenous Inuit that make it to England, and I haven’t stopped thinking about the story she tells about their fraught lives in the UK and (until now) unknown or forgotten history in England. For example, she tells a gripping story of two Inuits who were abducted and brought to London in the 1570s and are buried in the city in unmarked graves at St. Olave’s Church.
We have long been taught to presume that modern global history began when the 'Old World' encountered the 'New', when Christopher Columbus 'discovered' America in 1492. But, as Caroline Dodds Pennock conclusively shows in this groundbreaking book, for tens of thousands of Aztecs, Maya, Totonacs, Inuit and others - enslaved people, diplomats, explorers, servants, traders - the reverse was true: they discovered Europe. For them, Europe comprised savage shores, a land of riches and marvels, yet perplexing for its brutal disparities of wealth and quality of life, and its baffling beliefs. The story of these Indigenous Americans abroad is a…
We are the academic and creative directors at the Stanford d.school. Our students study design, but they really hope to navigate a world of unknowns and make their way to a better future. We believe the best way to do that is not to limit yourself to a single domain or area but to find new possibilities in the overlaps, patterns, and discoveries that linger between ideas. We love books that stretch us beyond the design domain and into new places of inspiration and investigation. The ones on our list have all delighted us with their ability to reframe our thinking about design, even though none are squarely about the topic.
This is foundational work for anyone building, creating, or designing on the planet today.
If you care about the Earth, about other humans, or about other species, you need to read it. This book is about Indigenous thinking. We love that it is grounded in story, connection, and symbiosis with the natural world.
Winner, Small Publishers' Adult Book of the Year, Australian Book Industry Awards 2020
This remarkable book is about everything from echidnas to evolution, cosmology to cooking, sex and science and spirits to Schrödinger’s cat.
Tyson Yunkaporta looks at global systems from an Indigenous perspective. He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?
Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about…
I am an anthropological archaeologist specializing in the Indigenous cultures of the Northeastern United States. My research intersects archaeology, anthropology, history, and Native American and Indigenous Studies to explore settler colonialism, landscape and memory, and Indigenous survivance. I’ve always been interested in cities, maybe because I’m city-born and raised and have spent my academic career at an Ivy League university in Providence. I read these books because I’m fascinated by place-based stories of Indigenous survivance in cities and elsewhere that challenge omissions and misconceptions about their colonial experiences in the popular historical imagination. I hope you enjoy these books as much as I have!
This memoir by Thomas Muller, a product of intergeneration trauma from Canada’s Indian residential schools, a broken home, serial father figures, and alcohol and sexual abuse, is filled with pain, heartbreak, and self-effacing humor.
Growing up, he navigated between Winnipeg and towns in British Columbia and the Pukatawagan Cree Nation’s homeland of his great-grandparents in northern Manitoba. Written with unflinching honesty and a survivor’s instinct, the memoir traces the depths of his frustration and despair and his healing and spirituality, fatherhood, and newly found purpose as a leader at the forefront of the environmental justice movement.
As I turned every page, I found myself rooting for him and his right to the city.
*FINALIST FOR 2022 CANADA READS* *SHORTLISTED FOR THE 2022 J.W. DAFOE BOOK PRIZE* *SHORTLISTED FOR THE 2022 MANITOBA BOOK AWARDS’ MCNALLY ROBINSON BOOK OF THE YEAR AWARD*
NATIONAL BESTSELLER
A gritty and inspiring memoir from renowned Cree environmental activist Clayton Thomas-Muller, who escaped the world of drugs and gang life to take up the warrior’s fight against the assault on Indigenous peoples’ lands—and eventually the warrior’s spirituality.
There have been many Clayton Thomas-Mullers: The child who played with toy planes as an escape from domestic and sexual abuse, enduring the intergenerational trauma of Canada's residential school system; the angry youngster…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
This was the book that convinced me that it is worthwhile exploring the past so as to rediscover and rethink works of art made by indigenous people living under imperial conditions.
I love its movement around the world, the close readings of works that no other scholars had ever considered, and the moral urgency that underpins every one of its lines.
It is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes…
