Here are 100 books that Nietzsches persönliche Bibliothek fans have personally recommended if you like
Nietzsches persönliche Bibliothek.
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I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?
Nietzsche studies are a cottage industry unto themselves. There are thousands of monographs, anthologies, and papers, which are conveniently searchable at the Weimarer Nietzsche-Bibliographie. My “five best books” are not necessarily the interpretations I personally consider by some measure the ‘best’, in the sense of being the most ‘correct’. They are instead the ones I find most helpful for a reader to interpret Nietzsche in a responsible, well-informed way for themselves.
R. J. Hollingdale is a great starting point for a novice. He was that rare combination of translator, biographer, and philosopher—and as such, his work is approachable for any intellectually curious reader. It was first published in 1965, at a time when one really did have to argue for Nietzsche’s place as a canonical philosopher rather than just a brilliant writer, bombastic iconoclast, or politically-dangerous driver of the pre-war German Zeitgeist. Even if somewhat dated, his book…
This classic biography of Nietzsche, first published in the 1960s, was enthusiastically reviewed at the time. The biography is now reissued with its text updated in the light of recent research. Hollingdale's biography remains the single best account of the life and works for the student or non-specialist. The biography chronicles Nietzsche's intellectual evolution and discusses his friendship and breach with Wagner, his attitude towards Schopenhauer, and his indebtedness to Darwin and the Greeks. It follows the years of his maturity and his mental collapse in 1889. The final part of the book considers the development of the Nietzsche legend…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?
When I was a struggling young graduate student, I was fortunate enough to have Volker Gerhardt host me as a Fulbright Scholar at the Humboldt Universität in Berlin. A former vice-president of the Berlin-Brandenburgischen Akademie der Wissenschaften, Gerhardt is one of those remarkably industrious luminaries, who, with even a word of encouragement, can launch an entire area of inquiry. Working within what one might call a Kantian-Humanistic orientation, he has written widely on the most varied aspects of intellectual culture. This introductory book on Nietzsche, which is now in its fourth edition, is masterly in balancing the needs of new readers with the sort of nuances from which seasoned scholars continue to draw. Gerhardt’s Nietzsche is somewhat the cultural pragmatist, concerned above all with living an authentic life in the context of a continually-forming Europe.
I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?
Named “Denker des Vaderlands” in 2021 by the Stichting Maand van de Filosofie in the Netherlands, Paul van Tongeren’s introductory text is among the few that not only advances theses of Nietzsche, but also explicitly outlines a hermeneutics for approaching a range of texts in their idiosyncratic rhetorical style. For me, the second chapter was a sort of watershed moment where I came to realize how many layers there are to Nietzsche’s writing—and how slow and ruminative a reader should be in interpreting his ideas. When one follows van Tongeren’s techniques, a whole kaleidoscope of new meanings emerge in central ideas like ‘Will to Power’ or his critiques of religion and morality, respectively. The Nietzsche that van Tongeren portrays is not the truth-seeking philosopher so much as the physician of culture, someone not after demonstration and proof so much as the diagnosis and therapy for a Europe fractured by the…
Friedrich Nietzsche (1844-1900) presents himself several times as a physician of culture. He considers it his task to make a diagnosis of the culture of his age, to point to the latent or patent diseases, but also to the possibilities to overcome them. His diagnosis, prognosis, and prescriptions implied an overcoming of traditional interpretation of what is going on in the main domains of culture: knowledge, morality, religion, and art. This book presents Nietzsche's thoughts on knowledge and reality, on morality and politics, and on religion. Preceding these main dialogues is an introduction on the art of reading Nietzsche's texts…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?
If the previous text was a trusty aid for readers, then Krummel’s monumental assemblage of ‘Nietzscheana’ is a treasure chest, the single most comprehensive resource for understanding what Nietzsche meant to Germany. Much more than a bibliography, it is a ‘Wirkungsgeschichte’ or ‘history of influence’ of seemingly everything and everybody touched by the person or thought of Nietzsche from 1867-1945. Krummel, who was an American Germanist, offers the reader excerpts of more than five thousand articles, letters, published speeches, and even diary entries on the subject of Nietzsche. In fact, the massive cultural-historical library that Krummel amassed while compiling these volumes became the foundational collection of the Nietzsche-Dokumentationszentrum in Naumburg.
Die Reihe Monographien und Texte zur Nietzsche-Forschung (MTNF) setzt seit mehreren Jahrzehnten die Agenda in der sich stetig verändernden Nietzsche-Forschung. Die Bände sind interdisziplinär und international ausgerichtet und spiegeln das gesamte Spektrum der Nietzsche-Forschung wider, von der Philosophie über die Literaturwissenschaft bis zur politischen Theorie. Die Reihe veröffentlicht Monographien und Sammelbände, die einem strengen Peer-Review-Verfahren unterliegen.
Die Buchreihe wird von einem internationalen Redaktionsteam geleitet.
I am a graduate in Philosophy with a Masters degree in Contemporary Culture so this theme is enormously interesting for me. My passion has been shifting from literature to contemporary society and culture in general. I love to find the connexions between the current state of affairs and the past. I honestly think that if we look at the lives and times of the great thinkers we can get hints about the state of contemporary society. Understanding what makes us behave and think the way we do it is my main motivation.
Probably this is my favourite and by far the saddest.
The life of Friedich Nietzsche is absolutely essential to understanding his work – perhaps to a greater extent than in any other philosopher. Everything is told here, from the time of his friendship with Wagner, his personal and physical crises and his failed attempts at marriage.
Prideaux's book reads like a novel, although Nietzsche's life is itself a tragic novel. Although it is not a detailed analysis of Nietzsche's Philosophy, this book helps to better understand the work of an essential philosopher to understand the current era.
The Times Biography of the Year Longlisted for the Rathbones Folio Prize 2019
'Outstanding.' The Sunday Times
'A revelation.' Guardian
'Wonderful.' The Times
'Riveting.' New Statesman
Friedrich Nietzsche's work rocked the foundation of Western thinking, and continues to permeate our culture, high and low - yet he is one of history's most misunderstood philosophers. Sue Prideaux's myth-shattering book brings readers into the world of a brilliant, eccentric and deeply troubled man, illuminating the events and people that shaped his life and work. I Am Dynamite! is the essential biography for anyone seeking to understand Nietzsche: the philosopher who foresaw -…
I started my career as a historian of historiography and now hold a chair in the history of the humanities at Leiden University. What I like about this field is its comparative agenda. How does art history relate to media studies, and what do Arabists have in common with musicologists? Even more intriguing, as far as I’m concerned, is the question of what holds the humanities together. I think that history can help us understand how the humanities have developed as they have, differently in different parts of the world. As the field called history of the humanities has only recently emerged, there is plenty of work to do!
In a sense, Reitter and Wellmon’s book is an extended answer to Celenza’s question. It convincingly shows that there is nothing new about our perception of the humanities having reached a point of “crisis.” Ever since the nineteenth century, humanities scholars have been taking on defense postures. Moreover, in these defenses, they have often presented humanities education as a remedy to various other crises – be it a crisis of morality in a technological age or a crisis of democracy in a neoliberal era. But should we continue to play this card? Reitter and Wellmon don’t believe that the humanities should teach moral values. Rightly, I think, they prefer to see the humanities as a space for second-order reflection on “possible meaningful forms of life for this world.”
Leads scholars and anyone who cares about the humanities into more effectively analyzing the fate of the humanities and digging into the very idea of the humanities as a way to find meaning and coherence in the world.
The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show, this crisis isn't new-in…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I have always had an interest in military history. I have read biographies of numerous senior officers from different countries from World War II, World War I, and the Korean War. I have read books covering the actions of different military groups during the same periods. I have watched many documentaries covering a wide variety of topics that arose from those periods of time, including the socioeconomic impact they all had. Whenever I see this theme rendered in a story, I feel compelled to view it through a more discerning lens, to ensure the author is presenting an environment that has a consistent internal logic.
I found this book when surfing the Baen public library on their site. It was free to read, and I liked some of the short stories I had read from Eric Flint.
Holy crap, nothing prepared me for the rollercoaster ride that this novel was. I loved the no-nonsense character that he gave to the main character. Add to that the fantastic alt-history spin he put to the story, and I was hooked.
I can completely understand why so many other authors added their own stories to the universe that Eric Flint created.
I first went to Berlin after college, determined to write a novel about the German Resistance; I stayed a quarter of a century. Initially, the Berlin Airlift, something remembered with pride and affection, helped create common ground between me as an American and the Berliners. Later, I was commissioned to write a book about the Airlift and studied the topic in depth. My research included interviews with many participants including Gail Halvorsen. These encounters with eyewitnesses inspired me to write my current three-part fiction project, Bridge to Tomorrow. With Russian aggression again threatening Europe, the story of the airlift that defeated Soviet state terrorism has never been more topical.
Nothing epitomizes the striking success of the Berlin Airlift more than the true story of the so-called “candy bomber.”
This was a USAF pilot who on his own initiative started dropping candy tied to handcrafted mini-parachutes out of his transport plane to give the children of Berlin a little sweetness in their otherwise bleak lives. His gesture more than any transformed the “terror bombers”—responsible for so much of Berlin’s destruction—into friends in the eyes of the Berliners.
This book is an autobiographical account by the candy bomber himself, Lt. Gail Halvorsen. It is written with candid clarity and heartwarming charm. A gem!
The Berlin Candy Bomber is a love story-how two sticks of gum and one man's kindness to the children of a vanquished enemy grew into an epic of goodwill spanning the globe-touching the hearts of millions in both Germany and America.
In June 1948, Russia laid siege to Berlin, cutting off the flow of food and supplies over highways into the city. More than two million people faced economic collapse and starvation. The Americans, English, and French began a massive airlift to bring sustenance to the city and to thwart the Russian siege.
As the fourth “oldest daughter” in my motherline, and my interest in genealogy and family history, my trajectory was set decades ago to become the keeper of the family letters, telegrams, photos, pilot logbooks, and stories. After researching
what happened to the three brothers lost during WWII, I also have casualty, missions reports, and more. Before publishing the first book, I had bylines in newspapers and magazines, and I’ve blogged regularly for several years. Because of the wealth of historic photos and stories, I began history Facebook pages for three Iowa counties, as well as one for cousins to share memories and photos. If you enjoy family stories, you’ll enjoy the books on this list.
I'm drawn to family stories and saw the author interviewed on a local TV station, so I knew I'd enjoy reading her book. It's a story that needed sharing, about sisters who immigrated from Germany. The much younger one (Bernadine) was so ambivalent about leaving Germany, about being left behind in Iowa when the older sister (Elizabeth) married and moved away. Even after marrying and having so many children of her own, then was widowed, Bernadine struggled.
Bernadine's life became even more fascinating after she married a man who wasn't really as she'd thought. And there were unpleasant surprises with two adult daughters. By then, I'd forgotten about the original secret, so when it was revealed, it came as a surprise.
From author, Diane Holmes, comes a story inspired by the life of her grandmother, Bernadine. In this work of historical fiction, the relationship between Bernadine and her older sister Elizabeth is complicated. Bitterness between them develops when Elizabeth asks Bernadine to keep a deep dark secret about her past. The author shows throughout the novel how the impact of keeping that secret is far greater for the one sister than it is for the other. The bitterness is intensified when the younger sister must leave her home in Germany and say goodbye to her best friend, Judith.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Scobie presents a concise exposition of the Nazis’ inferiority complex vis-à-vis imperial Rome.
Hitler, ever a fan of grotesque gigantomania, found a soulmate in Albert Speer. Their designs for rebuilding major cities on Roman principles became reality only to a small degree.
The apex was to have been Berlin, renamed Germania, as world capital. Its most stupendous building, modeled on but dwarfing the Pantheon in Rome, was the Great Hall (also People’s Hall, Hall of Glory). It was to accommodate 180,000 standing people. Above it a copper-plated dome sixteen times the size of St. Peter’s in Rome was to have risen.
Inside, the balcony from which Hitler was to deliver his addresses would have made him appear tiny. The contrast exemplifies the essence of Kitsch: unrestrained grandiosity turns ridiculous.
Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion.
This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows…