76 Books Like Natural Causes

As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.

It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises. 

The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”

That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.

I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.

So, I might be favorably inclined towards archaeologists (I married one, just like Elly Griffith did). When I read the first of the Ruth Galloway series (local archaeologist in Britain), what I liked most was the authenticity of the archaeological sequences.

I’ve also worked with police as a consultant, and the police procedural parts of this series are solid. A great combination! I’m about to start the Ali Dawson series of Griffiths, and I have high hopes for that too—but read these first. 

Another series. I really enjoy getting to know characters and look forward to watching them develop over the time that I read about them. Bryant and May are so very unusual. Quirky, and a little bit mad, it has to be said, as are the whole of the Peculiar Crime Unit. The back stories are expertly woven into the narrative and the detail and relating of little-known facts about London are absolutely fascinating. Again I have read the whole series, though as these two elderly detectives grow older and more frail I found them harder to read, but this book – the first in the series was a delight. 

For more than three decades Ian Rankin has been the master of “tartan noir” – police procedural fiction set in Scotland. The curmudgeonly, hard-faced, no-nonsense detective Inspector John Rebus has a tendency to bend the rules as investigations take over his life.

A Song For The Dark Times starts with Rebus’ daughter Samantha calling him to say her husband is missing. Rebus fears the worst and from his experience realises that his daughter will be the prime suspect. You’re always on the edge of your seat wondering whether Rebus will have to prevent the truth from coming out and compromising his position as an upholder of the law.

Like myself, Rankin didn’t start writing fiction until he left his native country. His books could only be set in a city like Edinburgh, with its blend of Puritan zeal, parsimony, and violence. His depiction of his hometown is so enthralling that it started a tourist boom, much like Oxford experienced with Colin Dexter.

I adore how he brings back Rebus after retirement as a detective and straight into conflict with former colleagues and criminals. Rankin realizes that a good detective must be closer to the dark side to be effective. I admire Rebus’s imperfections, even how he copes with his health problems. He’s no white hat, but he gets the job done—his way.

Most know VE Schwab for her YA Series, though she's also written some exemplary middle-grade books.

Her City of Ghosts series is one of my favorites, mainly because of the relationship between Cassidy and Jacob. I find there are few books for kids with great boy-girl friendships, and this one is made even better by the fact that poor Jacob is dead—or caught into the veil between life and death—or something.

Readers of the three books will learn why and travel deep into the spooky shadows of the most haunted cities in the world. 

This was the first book I read when I started my English degree at Aberdeen University and I remember reading it on the train home one weekend and being completely gripped by it. The novel is about two brothers, George and Robert, one of whom is murdered. The structure of the novel is interesting in that, although it is a work of fiction, it presents itself as a found and true document, with the first part being narrated by the ‘editor’ and the second part told from the point of view of Robert. Robert is the quintessential unreliable narrator and his fate can be interpreted in a number of different ways from demonic possession to schizophrenia. It’s a dark and gothic novel that leaves you feeling unsettled long after you have finished it and unsure about what is real and what isn’t.

Deliciously Scottish with sparky dialogue that had me laughing out loud.

The characters are all flawed, making mistakes I can identify with. I find relationships difficult at times, and this book was reassuringly familiar—like I wasn't "the only one". I also love the wee boy Bertie and his desperate need not to hurt anyone, a familiar feeling I could relate to, and found myself forgiving the "pushover” in me.

A horrific multiple murder opens this book but to understand the ramifications of it, we jump to the present where we meet DCI Louise Monroe. Her story runs parallel with that of the main protagonist Jackson Brodie, but Louise is a worthy character in her own right; fiercely feminist, brave, loyal, a reluctant but loving mother determined to keep other women safe. We meet her again in future books in the series which are also excellent. An honorable mention must also go to schoolgirl heroine Reggie Chase, another brave, intelligent character who does her best to solve one of the mysteries in the book.