100 Books Like Mysteries of the Middle Ages

As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience. 

This lesser-known psychological thriller by the celebrated crime writer takes us into the claustrophobic world of a dangerously dysfunctional mother and daughter relationship.

There’s nothing slight about this dark and twisty page-turner, which explores how parental obsession can be passed down so disastrously to the next generation.

McEwan has always numbered among my favorite fiction writers, not only because he knows how to spin a tale, but I enjoy his immaculate prose. I was amazed by the way McEwan creates an exciting and brilliant story all in a one-day narrative. Unusual happenings occur in a famous neurosurgeon’s free Saturday following an exhausting week of intricate surgery. His mundane routine explodes into an unusual, complex situation when a minor car accident leads to a scene of violence and confrontation with a gang of youths. I was so drawn in to this story that I found myself almost being there and sweating in a state of anxiety. 

Every second book I read must be a history book. As history is not only my vocation it is also my passion. As a historian I always enjoy reading and rereading Cantor’s works on the Middle Ages. This particular book is one of my favorites; it is a really engrossing history and his knowledge is presented in such a clear, informative, and interesting style that makes it very readable for the general public. This book has been extensively revised and gone through numerous editions.  

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.

This was the first book to open my eyes to the strangeness and sophistication of medieval life. To an English reader, its focus on the European Middle Ages is revelatory, as is its concentration on writers and travellers rather than kings and knights. At the time he wrote the book, the brilliant Richard Southern was hospitalized with tuberculosis. The book seems to be a distillation of a lifelong passion, which, fortunately, he was able to pursue for another four decades.

Another synthesis of the ‘Dark Ages’ Europe, this one from the Penguin History series. An easy, but thorough read, painting a broad canvas from Ireland to Byzantium, and from the last days of Rome to the last days of Anglo-Saxon England, shines the light on the centuries that, while still seen as shrouded in the darkness of violence and barbarism, are in fact the true cradle of the European civilization as we know it today.

In this book, Chris Wickham surveys the passage from Antiquity to the Middle Ages in a lucid and engaging manner that challenges past scholarship on the matter. Unlike Edward Gibbon (d. 1794) and his followers, who argue that the fall of Rome initiated a new age–the Middle Ages–marked by the triumph of barbarism and religion, Wickhams stresses the transformations that swept Europe and the Mediterranean World from the fifth century onwards and consequently re-shaped it.

I particularly like Wickham’s account because it gives Gibbon’s thesis on the decline and fall of the Roman empire the proper burial it deserves. Wickham is extremely revealing how profoundly effective and dynamic were the shifts that marked the transformation of the Roman world–shifts that laid the foundations for modern society and civilization. 

Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?

This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color… show more.

Everything that Mary Carruthers has written is terrific — but this is the book that first showed me how unusual, and how sophisticated, medieval approaches to the mind could be.

The arts of memory that flourished in the high Middle Ages were designed for much more than rote memorization: they helped people internalize what they perceived, then transform that material into something new.

Carruthers presents these techniques so infectiously that you’ll want to try them yourself. It’s not just the practices themselves that are riveting, though. Carruthers also shows how they shaped medieval media culture and how they contributed to the ethical development of the people who practiced them.

The arts of memory weren’t parlor tricks; they were modes of understanding and evaluating the world. Amazing!