Here are 100 books that Bolivar fans have personally recommended if you like
Bolivar.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I especially love books for children that capture city life in a way that feels both unique and child scaled. I have set most of my books in cities because I love the story possibilities that exist in what are almost entirely human-made environments. Paradoxically, city settings make any kind of connection to the natural world or animals even more important. On this list are all books I feel show a particularly special aspect of city life for children.
I cannot stop loving this book, which graphically depicts a city growing up around a small farm country cottage. While the storyline concerns the fate of the tiny house, the thrill is watching the steady mushrooming growth of vehicles, electric lines, street cars, street lamps, apartment buildings, elevated and subway trains, and finally skyscrapers as they surround the home before it is able to make its satisfying escape back to the country. The art is warm and cozy, befitting a book that has a gutsy cottage as the main character.
Seventy-five years ago, Virginia Lee Burton created the Little House, and since then generations of readers have been enchanted by the story of this happy home and her journey from the pleasures of nature to the bustling city, and back again. In celebration of this beloved classic's seventy-fifth anniversary, this special edition features a beautiful set of window cling stickers - perfect for decorating your own "Little House" - and free downloadable audio (access code printed inside the book). AGES: 4 to 7 AUTHOR: Virginia Lee Burton (1909-1968) was the talented author and illustrator of some of the most enduringâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
I especially love books for children that capture city life in a way that feels both unique and child scaled. I have set most of my books in cities because I love the story possibilities that exist in what are almost entirely human-made environments. Paradoxically, city settings make any kind of connection to the natural world or animals even more important. On this list are all books I feel show a particularly special aspect of city life for children.
This picture book is a maximalist masterpiece of hyper-detailed observation of 1970s New York City, but as seen through the wild kaleidoscope of the authorâs singular visionary brain. I understand why it was brought back into print by popular demand: there is just simply nothing like it. Plus, donuts!
Samâs love of donuts takes him to the Big City where he makes friends with Mr. Bikferd, a world class collector of donuts. But when Mr. Bikferd falls in love with Pretzel Annie, the prophecy of an old homeless woman comes true: âWho needs donuts when youâve got love?â Mr. Bikferd bequeaths his donut collection to Sam, who uses it to save the old homeless woman from drowning in a basement flooded with coffee.
This is a reissue of Mark Alan Stamatyâs masterpiece of the absurd, first published 30 years ago and out of print nearly as long. With anâŚ
I especially love books for children that capture city life in a way that feels both unique and child scaled. I have set most of my books in cities because I love the story possibilities that exist in what are almost entirely human-made environments. Paradoxically, city settings make any kind of connection to the natural world or animals even more important. On this list are all books I feel show a particularly special aspect of city life for children.
I love how this book captures a childâs perspective of city life and landscape, by using the childâs view of what they imagine would be the experience of a lost cat. The illustrations here are nothing short of beautiful, using a loose appearing style that captures an evocatively accurate impression of the colors and atmosphere of city life on a snowy winter day. The child narrator is captivating and the story is quietly poignant.
I know what it's like to be small in the city... Being small can be overwhelming in a city. People don't see you. The loud sounds of the sirens and cyclists can be scary. And the streets are so busy it can make your brain feel like there's too much stuff in it. But if you know where to find good hiding places, warm dryer vents that blow out hot steam that smells like summer, music to listen to or friends to say hi to, there can be comfort in the city, too. We follow our little protagonist, who knowsâŚ
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicitâŚ
I especially love books for children that capture city life in a way that feels both unique and child scaled. I have set most of my books in cities because I love the story possibilities that exist in what are almost entirely human-made environments. Paradoxically, city settings make any kind of connection to the natural world or animals even more important. On this list are all books I feel show a particularly special aspect of city life for children.
This is an endearing book with soothingly simple charm. It is a tale of a shy cat celebrating her birthday with a gang of cat friends set in 1950s Greenwich Village. In this quiet book, the sublime high point of action is a double page spread of the cat celebrants earnestly dancing âThe Sailorâs Hornpipeâ in a moonlit Washington Square Park.
It's a big day for Jenny Linsky, the shy little black cat of Greenwich Village, when her brothers, Checkers and Edward, take her out for her birthday. They pick up her notorious friends along the way, including the twins Romulus and Remus, who have brought a special present, and Pickles, the Fire Cat, who gathers everyone into his red fire truck to take them to the park. There they will invite friends and strangers to share a picnic supper and dance the night away. Join Jenny and her friends in their romp around town in this beautiful birthday story!
âYou spend your first 18 years as a sponge and the rest of your life using those early years as material.â Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the childrenâs-TV revolution defined bySesame Streetand Mister Rogersâ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like heroâs journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. Iâve spent the last 40 years revisiting this compendium of Stamatyâs strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffeeâŚ
Iâm an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best childrenâs books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
In 1997, Peter Kuper knocked my socks off with The System, a wordless book that exposes the underbelly of New York City as an airbrushed wonderland of strippers, druggies, the homeless, dirty cops, killers, taggers, sleaze-balls, muggers, andâoh, yesâthereâs a terrorist with a bomb who wants to blow things up. Never was anything so bright and colorful so decadently revealing.
It has been said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast, and such a premise lies at the core of The System, a wordless graphic novel created and painted by award-winning illustrator Peter Kuper. A sleazy stockbroker is lining his pockets, a corrupt cop is shaking down drug dealers, a mercenary bomber is setting the timer, a serial killer is stalking strippers, a political scandal is about to explode, the planet is burning, and nobodyâs talking. Told without captions or dialogue, this piece of artâŚ
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.Â
I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if theyâd started their business in sixth grade. Iâve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreamsâno matter how wacky the idea may seem.
Who doesnât love Kristy, Claudia, Mary Anne, and Stacey and their babysitting adventures? I was also an in-demand suburban babysitter when I was their age and I only wish Iâd thought to join forces with my friends when I was scrambling for a new way to stop a kid from crying or fresh ideas to make bedtime fun. This is the ultimate best-friends-who-start-a-business book! And as a full-color graphic novel, the drama and the humor soar to new heights.
Kristy, Mary Anne, Claudia, and Stacey are best friends and founding members of THE BABYSITTERS CLUB. Whatever comes up - cranky toddlers, huge dogs, scary neighbors, prank calls - you can count on them to save the day.
Babysitting isn't always easy though, and neither is dealing with strict parents, new families, fashion emergencies, and mysterious secrets. But no matter what, the BSC have what they need most: friendship.
Raina Telgemeier, using the signature style featured in her acclaimed graphic novels Smile and Sisters, perfectly captures all the drama and humor of the original novel!
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, Iâve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Unlike the other books on this list, this isnât primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Mauswas the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York Cityâs awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.
For the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11th were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day.
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S.âŚ
Iâm an American-born cartoonist whoâs been living and working in Montreal since 2015. My mother is from Quebec, and when I immigrated here I was looking to reconnect with my cultural roots. Reading graphic novels from here was a huge part of how I got to know my adopted community. I might be a bit biased, but I have to say Quebec has one of the worldâs most vibrant comic arts scenes; a blend of American comic books mixed with Franco-Belgian bande dessinĂŠe. With more and more graphic novels from Quebec getting translated into English youâre sure to find something youâll dig, whether youâre looking for slice-of-life or science fiction.
This slim but dense book chronicles the ups and (mostly) downs of a young womanâs life in MontrĂŠal and New York in the 80s and early 90s, a scuzzy time capsule full of sex, drugs, and rock & roll. Doucetâs maximalist, punk-inflected art packs each and every claustrophobic panel to bursting, a perfect fit for this tale of a suffocating, toxic relationship playing out in the shadow of the Cold War. Itâs no exaggeration to say that Doucet, who recently won the AngoulĂŠme Festival's Grand Prix, is one of the most important figures in modern comics, she was one of the first women to break into the boysâ club of the alt comix scene and rewrote the rules of the medium. She remains not only a giant in the history of Quebec comics but of the entire graphic novel art form.
'My New York Diary' documents the events in Doucet's life during a six-month period in 1991. At that time, she packed her bags and moved to New York and waiting for her was her new boyfriend, an aspiring cartoonist himself who took Julie to his apartment.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, heâs lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, aâŚ
I grew up in rural Southern Maryland, watching the bats wheel overhead at night. There were bugs under every rock, snakes winding their way through the small creek at the bottom of our backyard, and frogs that would suddenly jump up onto the glass window in the laundry room and scare the ever-living daylights out of you. I kept pet rats and caught jars full of fireflies. I live in a city now, on the opposite end of the continent, but my heart lives back home in the woods. This list is for the kids & kids at heart who love the creepy critters, the creechies who get a bad rap.
Alexovitchâs earlier work was a huge influence on my development as an artistâreading Serenity Rose at just the right time knocked my world sidewaysâso I would be remiss not to include this new book aimed at the 8-12 set. There arenât any regular animals in this book, but that doesnât mean it isnât chock full of creepy creatures; sweet little Sunny Von Shock is one of the creepies herself. Sunnyâs enthusiasm for scary things is infectious for the reader but not for her rightfully freaked-out friend, Milo.
Their budding friendship is sweet, their world is extremely cool, and the scares are actually scaryâAlexovich used to work on Invader Zim, and it shows. This is the most âmatureâ book on my list, but I think a particularly brave little reader would still get a big kick out of it.
âEqual parts nightmarish and outrageously funny, this graphic novel adventure is a thrilling joyride through an electrifying world!ââMax Brallier, #1 New York Times bestselling author of The Last Kids on Earth
When shy, anxious Milo rings the doorbell of the forbidden Shock City castle on a dare, he gets more than he bargained for when peppy young monster Sunny answers the door and labels herself Milo's new BFF. But when Milo returns to tell Sunny heâand the rest of the town's residentsâare moving out of the crumbling Shock City, his monster pal refuses to accept it. She soon convinces MiloâŚ
