100 Books Like My Life in the Bush of Ghosts

I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!

I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!

The idea to adapt Conrad’s Heart of Darkness came from my teaching of modern world history every semester. Later in that course, I would have students read Achebe’s novel as a foil or answer to Heart of Darkness. The Congolese in Heart are barely people: they have no names, and they are only really described by parts of their bodies.

This book presents the West African world–the communities, the customs, the emotions, the families–that colonialism destroys. While it is easy to be swept away by the story’s momentum in the last two dozen pages, take some time early in the novel to enjoy the world that Achebe lovingly paints. I think it is among the most human expressions of fiction you can read.  

This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.

I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.

The world of The Changeling is strange and exhilarating. At first we are presented with what seems like a mundane NYC, but then the edges start to bleed as a more fantastical, deliciously disturbing world seeps into and disrupts the ordinary.

At the core of the story is a family and the lengths they go to protect each other. There are so many reasons this book resonated with me, but particularly for this reason—the idea that if only you pay close attention, you will see that a more fantastical world dwells at the edge of our own.

This is an idea I tackle in my own book, where myths and legends, and fairytales come to life. I thoroughly enjoyed this book and I highly recommend it. Everyone who reads The Changeling will be… changed.

There’s something deliciously attractive about this book.

The language Bradbury uses draws me in every time I visit it, and it keeps me hooked. This was another book I found as a kid, and it left its hooks in me from when I was young.

Is it morbid? There are definitely morbid parts to it. And it deals with life-and-death situations, but it’s just so good. I never wanted it to end.

The novel is a portrait of the harsh realities of post-colonial life and a reflection on the complexities of African culture and history. I find that I can relate to the book's exploration of identity and the struggle between tradition and modernity.

Okri's protagonist, Azaro, navigates the physical and spiritual realms in a way that lines up with the Nigerian superstitions which shaped my life from a young age. His journey is believable and familiar in a unique blend of the fantastical with the real.

The lyrical prose and vivid imagery take me home, back to a world where the supernatural is a natural part of life and a cornerstone of the spirituality inherent in Nigerian culture.

Released in 2021, God of Mercy satisfied my need for history and fantasy with an authentic portrayal of Igbo traditions, language, and spirituality. This dark tale follows Ijeoma, a girl blessed with the ability to fly, and delves into the complexities of faith, community, and the clash between traditional religions, ancient customs, colonial encroachment, and modern ideas.

Nwoka's beautiful prose and intricate storytelling immersed me in a world where the supernatural smoothly integrates with everyday life. The novel’s depiction of a small village struggling to preserve its cultural heritage in the face of external pressures struck a chord with me as I grew up at a time when traditional religions were still contending with colonial religions in my country’s native villages.

This novel offered me a profoundly enriching reading experience that honored the past while stimulating the imagination. Trigger warning: child abuse and torture.

Set in precolonial Hausaland, this novel tells the gripping tale of a man on a relentless quest for revenge. The story resonated with me for several reasons, not the least of which was its pre-colonial setting that offered a glimpse into the past.

Ekwensi’s straightforward prose weaves a vibrant tapestry that is rich with cultural details. His portrayal of bravery, determination, and an unwavering sense of justice captivated me from the outset. Reflecting the oral traditions characteristic of Ekwensi’s writing style, the novel imparts social commentary and moral lessons in a manner that I found both entertaining and thought-provoking. 

Let’s start from the beginning, why don’t we? Any list of fantasy by authors of African descent would, in my opinion, be incomplete without the inclusion of the original oral tales of fantastic beings and events that sparked our imaginations.

Ògbójú Ọdẹ nínú Igbó Irúnmọlẹ̀, the Yoruba-language novel (published in 1938, and translated by Wole Soyinka in 2013 to become Forest of a Thousand Daemons) features the hallmarks of what we’ve come to love in contemporary fantasy: monsters and battles, spellbinders and royalty, warriors and heroes, all presented like the campfire tale that it is.

I remember reading this and immediately regretting that I couldn’t experience it for the first time again. It’s that exhilarating.

Tobi Ogundiran’s Shirley Jackson Award-winning collection puts new wine into old skins.

Jackal, Jackal is an assured assemblage for the reader prepared to be astonished. The highly-imaginative stories and invented worlds take fairytales that we know and boldly recast them in an African yet universal culture that woos a far-reaching readership.