100 Books Like My Darling, My Hamburger

Although this book has been around for a very long time, I only encountered it earlier this year.

It is a scientific fiction novel based on a supposed treatment given to a mentally handicapped young man (Charlie) that gave him great intelligence. This treatment had been tried earlier on mice (one being Algernon), enabling them to do cognitive tasks impossible for ordinary mice. The basis for much of the book was that the treatment was not permanent, and first, Algernon and then Charlie deteriorated back to where they were cognitively before the treatment.

The book beautifully describes what it was like (in Charlie’s own words) to be cognitively disabled before the treatment and how he was treated by people; then, when the treatment was effective, and finally, as he was deteriorating, which he recognized was happening. Although fictional, the descriptions of the cognitive changes in Charlie are compelling.

I’m sure there’s a lot of research about how people decide what book to read. I picked up this one because the cover was inky black, and the author was only identified as “Anonymous,” a pre-Internet version of clickbait!

However, I wasn’t disappointed as this book starkly chronicled a young woman’s descent into drug use through her diary entries. By reading a book presented in such a personal format, I really felt scared for the writer as she continually put herself in dangerous situations while her life spiraled out of control. I was also fascinated by some of the period details she provided, like detangling her just-shampooed hair with mayonnaise. I even tried that once!

Although “Anonymous” ended up being an adult writer, this book made me understand more about resilience and the power of redemption rather than the dangers of drug addiction, which, frankly, I had already learned in… show more.

I would say this book, which delves into the complexities of mental illness, was way ahead of its time. Even as a teenager, I understood the deftness of using two simple words in the title to clearly illustrate the complexities of extreme moods.

The author sets this story in a suburban high school, which I could relate to, as a group of friends witness the increasingly erratic behavior of one of their classmates, Lisa. In deciding how to help, each friend must confront her own fears and prejudices.

Even though the girls often don’t know what to do, I loved how steadfastly supportive and loyal they remained. As a result, the book ends up being less about mental illness and more about how empathy and compassion can overcome the stigma surrounding it.

Having grown up as one of few Asians in my high school, I didn’t really prioritize defining my identity as a Japanese-American. All I really cared about was blending in. But after reading this wonderful book, I realized being connected to my ethnicity and culture was both important and natural.

Olivia, the Japanese-American protagonist, spends her days with her family, traveling from Oregon to Arkansas in search of work. The “floating world” is one of temporariness and fleeting observations, like listening to a neighbor playing records or noting the color of a waitress’s painted nails. Olivia deals with tensions within her family as well as the racism they encounter on the road.

For me, this book helped me realize that I could honor the specificities of who I am against a general backdrop of the community within which I existed.

She Gets the Girl was such a cute sapphic romance, the kind of romance I wished I had experienced when I was younger.

I enjoyed that it was set freshman year of college, rather than high school like most young adult books, and the very distinct personalities of both main characters. It was a really fun read and I honestly wish it didn’t have to end. I also can totally see this being made into a movie.

This author blows me away with her unflinching approach to sex and sexuality.

This exposes complex and rarely approached relationships in a fresh and startling way. The issue of pain transference isn’t something often dealt with in fiction.

I think I love this book because it’s unsettling and honest. I like a book that upends me and makes me consider life in ways I hadn’t before.

I was drawn to this book by the title and the super-intriguing cover.

Something about the linen’s organic nature mixed with the haphazard cross-stitching spoke to me.

Warga captures the depths of depression with her writing to the point where I could feel the sadness and internal struggle of Aysel, the book’s sixteen-year-old main character.

How vividly wonderful is this line: … feels like my skin is too thin, like everyone can see right inside me, can see my empty and dark insides.

The concept of Aysel creating a suicide pact with Roman really hit home. I’ve experienced multiple deaths by suicide, including two school friends who went through with their pact.

This story helped shed light on what clinical depression looks like from the inside, which can be vastly different and seemingly in conflict with the seemingly “I’m okay” exterior.

Elle’s had a crush on her elusive classmate Madeline for ages, and when she runs into her at the party she and her bestie crash, she’s ecstatic to finally get the chance to chat Madeline up. Unfortunately, she drinks too much and ends up back at her apartment the next morning with a bad hangover and a bag full of stolen expensive trinkets.

Somehow this accidental theft ends up bringing her and Madeline, who has quite a few secrets of her own, closer together. Reverse heist hijinks, going to too many parties, smooching, and self-discovery ensue.

Lucie Bryon’s art is expressive and lively, and the characters feel like real teens—big crushes, bad decisions, and all. 

This historical novel also explores the lives of lesbians in the 1950s, but in a very different way: it is told in dual narratives, from the point of view of two teen girls growing up and coming out six decades apart. In 1955, eighteen-year-old Janet finds a series of books about women who love other women: lesbian pulp novels. Sixty-two years later, Abby is studying classic 1950s lesbian pulp fiction. It’s a cleverly constructed story and I love how the two stories are woven together.

From a queer history perspective, the book is well-researched and illuminates the danger and fear faced by so many queer people during the Lavender Scare, and the important role played by lesbian pulp novels in a time when young queer girls rarely saw others like themselves. 

An Ordinary Age is an antidote. It is for twentysomethings everywhere who are sick and tired of being sick and tired that the lives they wake up to everyday don't match the ones they see on Instagram. It is a book for real twentysomethings, that is, ones who deserve to know that their lives and their efforts aren't just good enough: They are well and truly good.