100 Books Like Murder at the Mushaira

It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.

I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature. 

I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.

Segu may begin with a lone white explorer gazing across a river at the Bambara people, but this novel turns away from him to those whose world will be irrevocably changed as colonialism and Christianity, Muslim expansionism, and the horrific trade in human beings irrevocably changes the course of African lives. Condé turns an unblinking eye on the Traore family as they break under the weight of these civilizational pressures. Traditional ways of life turn brutal and desperate—women especially feel the brunt of an unstable world—and sons abandon the family for enemies or are kidnapped and enslaved. Each storyline in this famed epic cuts straight into the political and social complexities of that time and exposes its players to uncompromising account.

The magnificence of the first in the Amalgant series is the immersive reconstruction of Mongol social, political, and religious worlds, as well as the lives of its people. Hammond resistantly reads histories produced by hostile cultures, instead privileging the earliest and most comprehensive Mongol tellings of their own lives, The Secret History of the Mongols. This is no dry historical account of cultural norms, steppe relations, or material artifacts, but an intimate and humane telling of the personal tragedies and struggles that would change the world as the war-orphaned Temujin grows to be the man we know as Chenggiz Khan.

This riveting Young Adult novel sets the action on a stage in which “East” and “West” are not divided as typically imagined, but intertwined economically, politically, and culturally. Moses’ staff has been stolen from Topkapi Place and a team of Ottoman janissaries is sent on a mission through Italy and England to recover it. The team is made of free and formerly enslaved men and women hailing from rising empires and those lost. Their struggles offer a searing account of the Ottoman, West and North African, and European dependence on the trade of enslaved human beings. And while the theft of the staff of Moses may seem fanciful, its possession confers imperial power and thus is the perfect object to ask from who was it truly stolen and to whom should it be returned.

I wonder if anyone ever penned a book weaving together the American Revolution, the East India Company, and the British rule over India. Leena Bhatnagar has done it in this masterful debut thriller.

I was amazed at the incredible facets of the history of the epochal Boston Tea Party Bhatnagar rendered in this story of a staunch, gritty American woman caught in a predicament that might threaten and weaken the revolution itself.

There is no better book for understanding India’s family businesses in a broader social and political context than this sprawling, powerful novel. Preti Taneja retells and reworks Shakespeare’s King Lear as three sisters (and an illegitimate son) fight over the inheritance of a massive company that makes everything from textiles to cars (echoes of the Tatas, Birlas, and Ambanis, but also of the East India Company as the subcontinent’s original corporate sovereign). Taneja touches on all the big issues, including gender, caste, climate, and Kashmir, without ever being preachy. It is a long and sometimes challenging read, but always rewarding. I may be biased given the subject matter, but this is the century’s Great Indian Novel—a worthy successor to the likes of Midnight’s Children, A Suitable Boy, and Sacred Games. 

This omnibus collects eleven short stories about space merchant Nicholas Van Rijn. Van Rijn (no coincidence that he’s Dutch) is literate, clever, eccentric in speech, archaic in dress, and occasionally valiant in battle – but he’d much rather trade than fight, and although he describes trade as “swindling each other,” he characteristically strikes deals that benefit all parties.

Van Rijn’s trade-in spices (he is CEO of the Solar Spice and Liquors Company) is a callout to the history of the Dutch East India Company. The great early modern companies (and specifically, the British East India Company) are one of the inspirations in my book: they founded some fortunes and give to startling adventure stories, but the contradictions inherent in their nature also led to corruption and oppression.

I love a Sherlock and Watson kind of relationship, and this one fit the early days of the British Raj perfectly. Two Brits in the employ of the East India Trading company who could not be more different. Avery is very much part of the system and eager to please. His mysterious guide, Jeremiah Blake, is critical of the Company and gets on far better with the wide cast of locals. I soaked up the historical setting, and the growing intrigue tided me over to the last third, which delivers everything you’d want in a historical thriller.

A wonderful book on how techniques of mapping were central to the construction of both the empire and of an emerging idea of “India” as a coherent space. I love the way it clearly lays out how mapping is never simply an innocent process of measuring or describing something that exists out in the world, but is always a process of constructing that reality. And it is an essential part of the history of India, as well as the British empire. 

During my student days in the early 1970s, I travelled throughout North India by train and country bus, often staying in the countryside in former colonial rest houses from days of British rule in India. I tried to imagine what it was like for the British East India Company officials before 1857, and then for the British colonial officials who replaced the company officers after the Indian Sepoy Mutiny. The Siege of Krishnapur vividly recreates the 1857 mutiny from the perspective of British company officials and their families trapped by the local soldiers they had employed. 

Farrell used a diary and letters from those besieged in the real city of Lucknow to illustrate the horrors of hunger, impending rape, torture, and eventual death that many of the British faced. The scenes are graphic, and the portrayals of the relationships among those trapped have stayed with me for years. The novel… show more.