72 Books Like Stanley Will Probably Be Fine

Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.

He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.

The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.

A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park. 

Combining rich, imaginative Bengali folklore, pulse-elevating action, laugh-out-loud humor, and an amazing narrative voice, this book had me hooked, literally, from the first line. (“The day my parents got swallowed by a rakkhosh and whisked away to another galactic dimension was a pretty craptastic day.”) The twists and turns in this lovely novel were utterly unpredictable and kept me guessing page after page. 

This was my first experience with Jonathan Auxier and it made me into an instant and always fan of his books. Its fairytale-like feel and enthralling story of Peter Nimble, a blind orphan and master thief, was so wonderful to read, I experienced some serious book withdrawal when I reached the end. (Luckily, we get to spend more time in Peter’s world in Sophie Quire and the Last Storyguard!) This book’s story and characters are so beautifully crafted, you’ll probably want to read this one more than once—like I did!

First of all, I love that this is a super accessible graphic novel and that it directly addresses anxiety. Sometimes, it can be hard to convey anxiety in words alone, so I loved that this book provides visual elements to help portray how it feels, as well. I also loved that it showcases how anxiety can manifest itself physically—in this case, through stomachaches—which is one of the most common symptoms kids experience.

The book is autobiographical, so I also loved the insightful author/illustrator note at the end of the story that helps normalize (and encourage!) therapy, even for young kids. (Even better—she also illustrated some of The Babysitter’s Club graphic novels, so her illustrations are simple and vibrant in a familiar style that I enjoyed!)

Ellie endeared herself to me as I read the ridiculous lengths to which she would go to avoid—no, sabotage—her own bat mitzvah simply to escape her extreme anxiety (and selective mutism).

But while the food fight and faking her own death were entertaining, what was most compelling was how the author pulled back the curtain not only on her Jewish faith and heritage but also on her panic attacks. As well as the coping techniques that she learned throughout the story to tame them in a way that made the little girl in me—also horrified at the thought of speaking, let alone singing, in front of a crowd—feel empowered not only to recognize my own anxiety but to also realize that I can do something about it. 

I love the premise of this heavily illustrated, diary-style chapter book: It not only teaches kids that even monsters can get anxiety—but also that they can do something about it through the author’s method of breathing and mindfulness.

I loved how thorough it was, taking time to really lead kids through the process (what he calls Stop, Take Time To Think) as she considers her fears about giving a speech in school and whether those fears will actually happen—a pretty mature technique that I wish I had known how to tackle when I was growing up! I also loved the sweet relationship she had with her grandma (Bobbe) and how her whole family rallied around her to conquer her anxiety and reframe what it means to be brave. 

I like that this book showcases what not to do when you encounter someone struggling with anxiety—as the book’s overzealous protagonist (prone to messes of all sorts!) discovers when she wants to help a classmate who’s so afraid of bugs that she won’t even play at recess.

When Veronica’s first instincts don’t work (humor, distraction, etc.), I loved that the book spotlighted a different mental-health tactic: exposure therapy or systemic desensitization, a technique that I haven’t seen other books introduce to children.

I also loved that the book specified that you can’t force someone to get over their fears; it has to be something they want for themselves. Instead, Veronica acts as an invaluable (and endearing!) support network for her friend when she decides to face her fears for herself.

One thing I will never get tired of are books about girl power!

What I love so much about this book is its focus on a young girl chasing her dreams of being a Luchadora, which traditionally has been a male-dominated sport. I have a soft spot in my heart for books that encourage young women to go after their dreams despite whatever preconceived gender notions they may have. End then you set it in the world of Lucha Libre–forget about it!  

I’m a huge fan of the rivalry between Superman and Lex Luthor, so I was excited to check out this new story set during their middle school years–possibly the most dramatic time in a kid’s life.

This Clark is a little spicy, which I enjoyed. I like that he doesn’t always make good choices. In Lex, he finds a brainy outsider searching for a confidant. Brendan Reichs gives us a friendship between boys that feels honest, and Jerry Gaylord’s delightfully expressive art captures their emotions nicely.

There were laughs but also a simmering tension that kept my attention, especially as it related to a little lie that became a big problem. This story is a nice reminder that heroes and villains aren’t born; they’re made.