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I am an Assistant Professor in the Department of Foreign Language Teaching Methodologies at Vyatka State University in Kirov, Russia. My book Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution was published in November 2017. Most recently I have published an article-length study entitled Peasant Communal Traditions in the Expulsion of Collective Farm Members in the Vyatka–Kirov Region 1932–1939 in Europe Asia Studies in July 2012. I am currently conducting research for a future book manuscript on daily life on the collective farms and the day-to-day relationships between collective farmers and local officials.
Julia Mickenberg’s American Girls in Red Russia touches on a wide array of topics: American women’s participation in pre-1917 revolutionary movements, famine relief in during the Civil War period, the creation of an American colony in Siberia, the establishment of an American-run English language newspaper in Moscow, modern dance, African-American theater and film performances, and the creation of pro-Russian World War II propaganda. But she masterfully weaves these topics together using a central theme: American women, from various cultural spheres, seeking the equality and freedom they thought redefined gender roles in the Soviet Union would give them.
Mickenberg’s book captures the real depth of interest, hope, and fascination that the Soviet Union held for many well-educated, left-leaning American women, and how these feelings were colored by the gap between Soviet ideals and realities. She provides a fascinating account of these women’s willingness to uproot their lives in search of careers,…
If you were an independent, adventurous, liberated American woman in the 1920s or '30s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always loved history and historical stories, but like the majority of people, didn’t really know very much about WWI. That changed in early 2017 when I read The Zimmermann Telegram by Barbara W Tuchman. I immediately fell into a vortex of further reading, resulting in my writing The War in Our Hearts at the end of that year--because although there is a lot of great non-fiction out there about WWI, there aren’t nearly as many novels that quite scratched the itch I had for fiction…so I wrote the book I wanted to read!
This is a fantastic novel about a girl soldier in Russia who joins the Women’s Battalion of Death, during the time that the Russian Revolution was beginning and morale among male soldiers was flagging. The Russian army thought the men’s morale might be boosted if girls came along and gave the men a little competition. I love the camaraderie and amazing determination of these women to do their bit for their country.
A dramatic page-turner that captures the devastating toll of war and the impact of women's struggles and solidarity, through the lens of a little-known slice of history.
In 1917, Russia is losing the war with Germany, soldiers are deserting in droves, and food shortages on the home front are pushing people to the brink of revolution. Seventeen-year-old Katya is politically conflicted, but she wants Russia to win the war. Working at a munitions factory seems like the most she can do to serve her country―until the government begins recruiting an all-female army battalion. Inspired, Katya enlists. Training with other brave…
I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I…
One terrible lie, a desperate measure to save her past, just might destroy her future…
Magnolia Merryweather, a horse breeder, is eager to celebrate Christmas for the first time after the Civil War ended, even as she grows her business. She envisions a calm, prosperous life ahead after the terror…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
There are many excellent histories of the Russian Revolution that chronicle the main events, but none convey the complexity of experiences in Tsarist Russia during its final years and the Soviet regime in its initial phase as Mark Steinberg’s short but powerful and original work. This book gives us the bird’s-eye view of developments as they unfold, but also places them under the microscope to give us personal stories and experiences from different wakes of life. Using contemporary journalism and diaries, Steinberg recovers the voices of a range of ethnic groups in various regions of the empire—Jews, Ukrainians, and Central Asians--as well as workers, peasants, women, and members of the intelligentsia. As we witness their lives being thrown into upheaval by rapid political and economic transformation in the first years of the 20th century, followed by World War I, the two revolutions of 1917, and civil war, we gain…
The Russian Revolution, 1905-1921 is a new history of Russia's revolutionary era as a story of experience-of people making sense of history as it unfolded in their own lives and as they took part in making history themselves. The major events, trends, and explanations, reaching from Bloody Sunday in 1905 to the final shots of the civil war in 1921, are viewed through the doubled perspective of the professional historian looking backward and the contemporary journalist reporting and interpreting history as it happened. The volume then turns toward particular places and people: city streets, peasant villages, the margins of empire…
I’m a professional explainer of Russia. For over 20 years I’ve been studying the country and trying to understand what makes it (and its leaders and people) so intent on attacking those around it and perceived adversaries further afield. That’s never been more important to understand than today when Ukraine and its soldiers are the only thing preventing Russia from once again rampaging across Europe. These books are ones that have helped me understand one part or several parts of the Russia problem, and I think they’ll be helpful for anybody else who wants to, too.
I found it hard to choose between several of Edward Crankshaw’s books explaining Russia. Each, in its own way, uncovers a particular aspect of history or society that makes the country what it is. In the end, I settled on this, his first: published in 1947, not long after Crankshaw had been posted to Moscow during WWII, and while he was still reeling from the vast gulf between what he experienced there and the image of the USSR that was being sold abroad.
Crankshaw was sometimes accused of being too sympathetic to Russia, but while he does his best to explain why the country behaves as it does, he doesn’t seek to excuse it. For that reason I find this one of the most clear-headed appraisals of Russia. And given the continuities that run through all of Russian history, his rationalising of how Russia works and what it does is…
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I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history and intelligence. My father worked for the CIA, and I was born in Berlin when he was stationed there as a case officer. Later I was based in Germany as a foreign correspondent when the Berlin Wall came down. So it’s not too surprising that I am interested in Cold War espionage and history. As a reporter, author, and reader, I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about.
Hoffman tells the previously little-known story of Soviet military engineer Adolf Tolkachev, whose disgust with the communist regime inspired him to turn over enormously valuable secrets to the CIA station in Moscow beginning in the late 1970s. Hoffman’s careful reporting allows him to describe in meticulous and fascinating detail the remarkable techniques and great risks involved in running an agent in Moscow late in the Cold War.
WATERSTONES NON-FICTION BOOK OF THE MONTH AUGUST 2018 AND A SUNDAY TIMES BESTSELLER
'An astonishingly detailed picture of espionage in the 1980s, written with pacey journalistic verve and an eerily contemporary feel.' Ben Macintyre, The Times
'A gripping story of courage, professionalism, and betrayal in the secret world.' Rodric Braithwaite, British Ambassador in Moscow, 1988-1992
'One of the best spy stories to come out of the Cold War and all the more riveting for being true.' Washington Post
January, 1977. While the chief of the CIA's Moscow station fills his gas tank, a stranger drops a note into the car.
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Club’s strategy to form a world federation.
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The collapse of the Russian Empire into revolution took place across a vast landscape, and amid the chaos, countless individuals who might be charitably (naively) described as “colorful” percolated to the surface to become consequential figures in the civil war. One of the most notorious was Baron von Ungern-Sternberg, who fought against the Red Army in East Siberia until his capture and execution.
This book by Willard Sutherland is a biography of Ungern-Sternberg that is also an immensely insightful history of the Russian Empire and a study of the imperial man—the kind of person who was the product of a multiethnic empire, who moved comfortably in a world of many cultures, and who ultimately fought desperately, brutally, and delusionally for a restoration of that lost imperial world.
Baron Roman Fedorovich von Ungern-Sternberg (1885-1921) was a Baltic German aristocrat and tsarist military officer who fought against the Bolsheviks in Eastern Siberia during the Russian Civil War. From there he established himself as the de facto warlord of Outer Mongolia, the base for a fantastical plan to restore the Russian and Chinese empires, which then ended with his capture and execution by the Red Army as the war drew to a close.
In The Baron's Cloak, Willard Sunderland tells the epic story of the Russian Empire's final decades through the arc of the Baron's life, which spanned the vast…
History has always been my passion. Since I was 16, I tried to understand the world around me and the forces that shaped it. I thought that history as a discipline provided the best answers. In the 1970s, because of the official anti-Semitism, it was impossible to get into the history department programs at the Soviet universities. Nonetheless, I resolved to study history after my emigration to the US in 1979 and joined a graduate program at the University of Chicago. For four decades I have been writing about Russian history, although I also read, teach, and write on global history.
A brilliant novel set in 1990s Russia. The plot involves Stalin and one of his deep secrets. The author seamlessly moves the story from the 1930s to 1990s and back. One rarely sees a historical novel so accurate in capturing the historical events and so utterly captivating. It is on par with some of the best thrillers.
_______________________________________ 'With Archangel, Robert Harris confirms his position as Britain's pre-eminent literary thriller writer' The Times
'He has a talent for heart-poundingly tense story-telling, and an ability to conjure up atmospheres almost palpable with menace' Sunday Times _______________________________________ Deadly secrets lurk beneath the Russian ice.
Historian Fluke Kelso is in Moscow, attending a conference on recently unclassified Soviet papers, when an old veteran of the Soviet secret police visits his hotel room in the dead of night. He tells Kelso about a secret notebook belonging to Josef Stalin, stolen on the night of his death.
Since adolescence, I have been fascinated by Slavonic languages, literature, cultures, and history, and by what can be retrieved from archives all over Eastern Europe. And because so much has been suppressed or distorted in everything from biographies of writers to atrocities by totalitarian governments, there has been much to expose and write about. Studying at Cambridge in the 1960s gave me an opportunity to learn everything from Lithuanian to Slovak: I have been able to write histories of Stalin and of Georgia, biographies of Russians such as Chekhov, Suvorin, and Przhevalsky, and the field is still fresh and open for future work.
Like Felix Krull, or Jonathan Wild, this is the story of a con-man, murderer, traitor, somehow redeemed by his charm and incidents of bravery The novel is at its best when Javakhishvili starts to describe Kvachi’s experiences with the Russians during the Revolution, the civil war and the early years of the Soviet state; it becomes clear that what has seemed a send-up of morality and a celebration of the picaresque is in fact equally valid as a cold assessment of revolutionary realpolitik. This is a wonderful novel, subtle and extravagant at the same time, seeming to fly by the seat of its pants but in fact consistently aware of exactly how to tread the line between structure and improvisation. It is extremely generous, bursting out of what appear to be its narrow confines to give us far more than we initially expected.
This is, in brief, the story of a swindler, a Georgian Felix Krull, or perhaps a cynical Don Quixote, named Kvachi Kvachantiradze: womanizer, cheat, perpetrator of insurance fraud, bank-robber, associate of Rasputin, filmmaker, revolutionary, and pimp. Though originally denounced as pornographic, Kvachi's tale is one of the great classics of twentieth-century Georgian literature--and a hilarious romp to boot.
After spending many years as a historian, I could be really negative about humanity. We have done many bad things to each other and the planet, but I don’t think there is a downward trajectory. I don’t believe in fate. My last published works have been about using fear and conspiracy to gain certain ends, but 99% of those were imagined connections, not some sophisticated plans of evil geniuses. The imagined conspiracy came after the actions. So, the books I have listed that I think are excellent are ways out of terrible situations, some of our own making, but often not. I hope you enjoy the books.
This book was absolutely amazing. The author interviewed many Soviet citizens in the 1990s after the Soviet Union’s collapse. I loved this book because it showed how people dealt with the massive change of the fall of the Soviet Union.
I also happened to be doing research in the Soviet Union in 1990 and then in 1995. So, I had an idea or two about before and after, but what about the people themselves? It shocked me to learn how many people believed in Stalin and how they thought they were changing the world even as it went far astray.
I also learned in the wonderful stories how they struggled to survive, some more, some less. The stories were heartbreaking but also illuminating and even encouraging.
NEW YORK TIMES BESTSELLER • A symphonic oral history about the disintegration of the Soviet Union and the emergence of a new Russia, from Svetlana Alexievich, winner of the Nobel Prize in Literature
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY • LOS ANGELES TIMES BOOK PRIZE WINNER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • The Boston Globe • The Wall Street Journal • NPR • Financial Times • Kirkus Reviews
When the Swedish Academy awarded Svetlana Alexievich the…