100 Books Like Mother Is a Verb

This book is one of the reasons why I became a historian.

Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?

And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.

Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it. 

This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.

It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.

This book astonishes me every time I open its pages, and I return to these stories again and again. Taking the 18th-century urban city of Bridgetown, Barbados, as its canvas, Fuentes uncovers, often using fragmentary sources, the lives of Black enslaved and free women of color, narrating their violent stories of survival in ways that broke my heart.

Equally important, the power of Fuentes’ writing forces me to interrogate how histories of vulnerable women are produced while they are alive and how to reckon with how archives produce and reinscribe violence on their disfigured bodies after death. It is impossible not to feel the full weight of my responsibility as a scholar after reading this book.

It is the first book I hand to students who want to write about Black women, regardless of their geographic interests.

I love an epic family novel, and this fits the bill. It’s set in 1875 in the Cherokee Nation and centers largely on a Cherokee matriarch as she cares for her dying husband, who is white while raising her sons and managing a substantial farm.

It’s also about her neighbors and employees, and there’s a bit of a mystery, too. I’m recommending this book because it shows just how complex family can be and how kinship can be a powerful force for protection, but also, in U.S. legal contexts, it can be used against Native American people. 

I love the way Sarah Menkedick draws from her experience as a first-time mom and researcher of mothers suffering from perinatal conditions and institutional racism to illustrate the ways living a fear-based life has become normalized in American motherhood. I was encouraged to read her candid discussion about the paralyzing anxieties new moms face while trying to meet unrealistic societal expectations. 

I appreciated her keep-it-real speak regarding mothers’ feelings of anguish that go beyond the category of “postpartum depression” in the years that follow childbirth. This book really helped me feel less alone, especially as a mom from a historically marginalized background. I regained some hope that one day I too can reclaim my identities (those that are outside of motherhood) without fears cramping my flow.

If you're looking for a good laugh and naked honesty about pregnancy, this book is for you. Jenny lets it all hang out, sometimes off the side of her bed. It is refreshing to get a "behind the scenes" glimpse at how another woman experiences the "not often talked about" issues of pregnancy and how she handles those issues. Famous or no, pregnancy does not discriminate among women. Jenny's message resonates. The decision of how to handle your issues is up to you, but exposure to Jenny's experiences will make your journey that much easier. Belly Laughs is a great gift for any pregnant girlfriend or for yourself. My favorite parts of the book are when Jenny visits the proctologist (the people at the community pool were staring at me as I laughed out loud) and her tips for husbands, they are truly inspired.

Any "New Mom" book that is written with humor and honesty is OK is my book! Ms. Wilder's book is refreshing, honest, and funny on many topics "new mom" related. She discusses many issues a "new mom" will encounter. She starts with the issue of "instant bonding"—what a relief to know that I was not only one to take a few weeks to fall in love. From there she discusses other biggie "new mom" topics - the realities of breastfeeding, bottle feeding, baby-blues, feeding solid foods, babysitters, venturing out with your newborn, other new mothers, handling friends without children, sex after baby, A-type mommies, and different parenting styles, and much more. This is a book you can read in one sitting or one topic at a time. The author's honest, witty style is engaging and entertaining, and I suspect will give many "New Moms" a peaceful night's sleep.

I loved the way Karen Maezen Miller drew from her practices as a Zen Buddhist priest and a first-time mom to illustrate how ordinary maternal tasks can turn into enriching bits of spiritual wisdom. I felt so seen as a mom via her acknowledgements of the nitty gritty personal trials that new moms go through. 

I was pleasantly surprised to learn that difficult mom moments can actually be opportunities for moments of peace—ingredients for getting some comfort and encouragement on days when it can feel so hard. I loved the reminder that there’s no linear path in motherhood and felt inspired to address my mama-related discouragements in real time.

I loved this book. The second nine months is the true story of Vicki Glembocki's journey into those first few months after childbirth. Although the story is a memoir, Glembocki writes it so well that it reads like a novel—a novel you won't put down until you are finished. From beginning to end, Glembocki bravely bares her soul for the new mom's benefit and cleverly manages to hit all the "new mom" topics through her personal experience. From breastfeeding, to newborn crying, to changes in relationships, to new mom bonding, to finding other new mom friends, to back to work issues, Glembocki manages to cover them all with wit and candor. I found her new mom tale "spot on accurate." It is so exciting that truth is finally coming out. Take advantage of the gift this author has created, New Moms, and read about her experience. Moms will find that… show more.

Kenison wrote this book when she was in her forties, after she nudged her husband to sell their long-time family house and move to rural New Hampshire with their two teenage sons. The book gives voice to being uprooted, letting go of the familiar, and the profound transitions of mid-life. Kenison writes beautifully of the stirrings and longings that prompt us to see our lives from a new vantage point, ultimately allowing us to move on with grace and grit.