Will I love Dispossessed Lives?

This book astonishes me every time I open its pages, and I return to these stories again and again. Taking the 18th-century urban city of Bridgetown, Barbados, as its canvas, Fuentes uncovers, often using fragmentary sources, the lives of Black enslaved and free women of color, narrating their violent stories of survival in ways that broke my heart.

Equally important, the power of Fuentes’ writing forces me to interrogate how histories of vulnerable women are produced while they are alive and how to reckon with how archives produce and reinscribe violence on their disfigured bodies after death. It is impossible… show more.

When researching my book, I often had access to letters, diaries, and even houses of affluent women whose papers archives were preserved. But recreating their intimate home music-making proved difficult. This book contrasts starkly–it's about enslaved colonial Barbadian women. Yet Marisa Fuentes' masterful stitching of archival scraps accessing their lives is moving.

She inventively reads maps, architecture, and ephemera alongside traditional sources to glimpse past existences. Reading this helped me recognize my sources' abundance, but also that sources demand continual re-reading and re-understanding. You can't take their meaning for granted. As Fuentes portrays enslaved lives, I realized my… show more.