Here are 97 books that Moon Over Manifest fans have personally recommended if you like
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When I was a kid, I moved from Sri Lanka to the US without any knowledge of English. I first learned the language through the stories I watched and then the ones I read. I spent hours in the library and was most strongly attracted to stories with magic and witches, which allowed me to escape my own life and find refuge in my imagination. These stories are why I became a writer, and many of these stories still hold sway over me today. When life gets hard, I love to escape into these magical worlds.
This book explores family history and heritage, but this time with time travel. The art here is gorgeous, and I love how Kiku discovers more about her family’s legacy of resilience and strength through her time travel.
Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II.
These displacements keep occurring until Kiku finds herself 'stuck' back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
This historical novel has been heralded as a fresh look at the era of the Little House books, and it does a wonderful job of looking at frontier life in Dakota Territory in 1880 from the perspective of Chinese-American Hanna. It’s also an examination of a daughter trying to navigate an often prickly relationship with her white father, made even more difficult after the death of Hanna’s Chinese-Korean mother. I love Hanna’s careful study of everyone around her—observances that are borne from a need to protect herself from racism, but which are also windows to empathy and understanding. Despite her father’s resistance to Hanna following her dream to become a dressmaker, Hanna prevails, using her knowledge of her father’s own nature to win him over.
Prairie Lotus is a powerful, touching, multilayered novel about a girl determined to fit in and realize her dreams: getting an education, becoming a dressmaker in her father’s shop, and making at least one friend.
Acclaimed, award-winning author Linda Sue Park has placed a young half-Asian girl, Hanna, in a small town in America’s heartland, in 1880. Hanna’s adjustment to her new surroundings, which primarily means negotiating the townspeople’s almost unanimous prejudice against Asians, is at the heart of the story.
Narrated by Hanna, the novel has poignant moments yet sparkles with humor, introducing a captivating heroine whose wry, observant…
As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.
It’s hard to believe this classic is celebrating fifty years on television. And, of course, long before that, it was a treasure of a book that delighted generations of young people. The worst-kept secret is: you don’t outgrow this beloved author’s work.
It’s probably her fault that just thinking about covered wagons makes me long for the good old days—ones that came and went long before I was born. It’s not just the kind of book you want to read over and over again; it’s the kind of book you want to read aloud to others.
Classic tales by Laura Ingalls Wilder about life on the frontier and America's best-loved pioneer family.
The sun-kissed prairie stretches out around the Ingalls family, smiling its welcome after their long, hard journey across America. But looks can be deceiving and they soon find that they must share the land with wild bears and Indians. Will there be enough land for all of them?
The timeless stories that inspired a TV series can now be read by a new generation of children. Readers who loved Anne of Green Gables, Little Women, and Heidi will be swept up by this timeless…
The Real Boys of the Civil War
by
J. Arthur Moore,
The Real Boys of the Civil War is a research about the real boys who served during the war, opening with a historiography research paper about their history along with its 7-page source document. It then evolves into a series of collections of their stories by topic, concluding with a…
I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.
Apparently I’m not the only kidlit author who loves both the American prairie and all things British. When her Pa is accused of thieving, young Louisa is taken in by his accusers, the appropriately named Smirch family. Sour, mean-spirited Mrs. Smirch looks forward to seeing Pa hang. Louisa solves the mystery of the stolen items when she meets a gruff but sensitive... well, I won’t say, but he’s one of the Wee Folk from the Auld Country, far from home on the Colorado plains. A cute and lively read with a satisfying conclusion.
I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.
This historical novel in verse brings the Kansas prairie alive in all its beauty and harshness. The story is tense with few light moments as young May B is stranded alone in a sod house as blizzards rage outside. She’s a realistic heroine, tempted to despair but ultimately finding hidden sources of strength. Oh, and she suffers from dyslexia. Sometimes I think novels in verse will be too artsy or literary, but they’re actually easy to read, right? Perfect for a struggling reader, perhaps one with dyslexia.
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"If May is a brave, stubborn fighter, the short, free-verse lines are one-two punches in this Laura Ingalls Wilder-inspired ode to the human spirit." — Kirkus Reviews, Starred
I've known it since last night: It's been too long to expect them to return. Something's happened.
May is helping out on a neighbor's Kansas prairie homestead—just until Christmas, says Pa. She wants to contribute, but it's hard to be separated from her family by 15 long, unfamiliar miles. Then the unthinkable happens: May is abandoned. Trapped in a tiny snow-covered sod house, isolated from family and neighbors, May must prepare for…
I write in the speculative fiction genre where an overwhelming event, seemingly beyond the control of the main characters, underpins what happens to those characters. Exploring scenarios about how society would change as a result of cyber controlled multiple personality overlays, for example, is a great opportunity for considered thought. I believe that a mind without a question is dead. As a writer, I imbue my characters with this philosophy and then set them free to navigate the vast plane of destiny for themselves.
In my novels, the quiet depth of character development runs parallel to the action. This is the only way to make fighting for one's life mean anything. Shootings, explosions, high body counts, or a countdown to chaos may hold momentary interest but will not create any lasting memory or take-away useful in real life. This story spends quite a lot of time on backstory and the emotional well from which the main characters spring. Some might desire a quicker path through this. Some might not. And quite a few false paths are developed as you’d expect in a who-done-it type novel. The story reaches a driving and satisfying conclusion but some might leave wondering about the author’s opinion of law enforcement as is spoken through her protagonist.
A young mother has done everything possible to put the past behind her, but it might not be enough in a gripping novel of suspense by the Amazon Charts bestselling author of the Jane Doe novels.
Abandoned by her fugitive ex-husband, Lily Brown is rebuilding her life on the edge of a Kansas town that still feels the sting of his crimes. Lily lies low, managing the isolated storage facility where she lives with her twelve-year-old son, Everett, and planning a better future for them both. That requires keeping secrets. Everett has them too.
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Haitian-born Edwidge Danticat’s linked short-story collections brilliantly balance a focus on detail, gesture, and situation with a cumulative vision of place and fateful circumstance.
In Claire of the Sea Light, the disappearance of a young girl frames a sequence of tales about several members of the small seaside community where the girl lives with her father.
After Claire’s sudden disappearance in the opening narrative, we follow the adults’ betrayals, sacrifices, and missteps to the final story, when the missing girl’s own perceptions provide a moral and imaginative frame for the family and community she must now choose to rejoin or escape permanently.
From the national bestselling author of Brother, I’m Dying and The Dew Breaker: a “fiercely beautiful” novel (Los Angeles Times) that brings us deep into the intertwined lives of a small seaside town where a little girl, the daughter of a fisherman, has gone missing.
Just as her father makes the wrenching decision to send her away for a chance at a better life, Claire Limyè Lanmè—Claire of the Sea Light—suddenly disappears. As the people of the Haitian seaside community of Ville Rose search for her, painful secrets, haunting memories, and startling truths are unearthed. In this stunning novel about…
As a child, I received an electronic typewriter as a gift and immediately got to work on a story about a family living on an island. Even at ten, I recognized the power of islands, with their built-in problems of isolation and rich possibilities for metaphors. So it only made sense I’d one day publish a book set on one. If you’re like me and can’t resist books with island settings, you’ll love these book recommendations. Each island in this collection has its own personality that becomes a character of its own, and none of these books could exist in the same way without their unique settings.
Two words: cursed island. As soon as I saw this YA’s description of a beautiful island that isn’t what it seems, I was hooked.
Addie intrigued me as a protagonist. She’s a free diver who almost died and, as a result, still coughs up blood from the damage to her lungs. That doesn’t stop her wanting to return to the water, a desire I can relate to since I love the ocean. Addie gets dragged along on her mother and new stepdad’s honeymoon, but I like that she isn’t portrayed as a whiny teenager. She’s trying to make the most of what should be a dream island vacation—but in time, it turns into a nightmare. Skirting magical realism and horror, this book was unique and captivating.
A tropical island full of secrets. Two Victorian ghosts, trapped for eternity. And a seventeen-year-old girl determined not to be next.
Eulalie Island should be a paradise, but to Addie Spencer, it’s more like a prison.
Forced to tag along to the remote island on her mother’s honeymoon, Addie isn’t thrilled about being trapped there for two weeks. The island is stunning, with its secluded beaches and forests full of white flowers. But there's something eerie and unsettling about the place.
After Addie meets an enigmatic boy on the beach, all the flowers start turning pink. The island loves you,…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.
Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”
Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.
"So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides!" Aimee Bender
Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of…
Everyone in Angelina's big family has a story to tell.
The Yesterday Dress is a story for seven to nine-year olds about family connections and how learning about the past gives us a stronger sense of where we come from, who we are and how we fit into our world.…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
The author had me at the first line: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.” This road trip story about three generations of women (Boop, her daughter, Justine—who’s not in the car, but her presence is—and Justine’s daughter, Eve) set against a background of family secrets, has a decidedly Southern tone. One imagines a narrator relating the story from a rocker on the front porch, a glass of sweet tea in her hand. Although there are lighthearted moments, this is a serious story, about familial expectations, mental illness, family secrets, estrangement, and three women trying to find their way back to themselves and to each other. Travelling with this unforgettable grandmother/granddaughter duo is a gift.
Eve Prince is done-with college, with her mom, with guys, and with her dream of fashion design. But when her best friend goes MIA, Eve must gather together the broken threads of her life in order to search for her.
When Eve's grandmother, Boop, a retiree dripping with Southern charm, finds out about the trip, she-desperate to see her sister, and also hoping to alleviate Eve's growing depression-hijacks her granddaughter's road trip. Boop knows from experience that healing Eve will require more than flirting lessons and a Garlic Festival makeover. Nevertheless, Boop is frustrated when her feeble efforts yield the…