100 Books Like Moon Over Manifest

Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship. 

As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.

I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.

I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.

I write in the speculative fiction genre where an overwhelming event, seemingly beyond the control of the main characters, underpins what happens to those characters. Exploring scenarios about how society would change as a result of cyber controlled multiple personality overlays, for example, is a great opportunity for considered thought. I believe that a mind without a question is dead. As a writer, I imbue my characters with this philosophy and then set them free to navigate the vast plane of destiny for themselves.

I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side. 

While I appreciate a variety of genres, my love of psychological suspense and thriller novels has only intensified over time. I often devour these books in one sitting—eyes darting across each page as my mind tries to guess the next pivotal twist! As an author, I aspire to create the same electrifying rush for my readers that my favorite stories give me. My debut novel, Swearing Off Stars, was inspired by my travels and received an Independent Press Award, a Benjamin Franklin Award, and an International Book Award. My writing has appeared in Harper’s Bazaar, HuffPost, PopSugar, and Writer’s Digest. I hope you enjoy the recommendations on this list!

I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!

I love studying history and reading books informed by the past because of the ways such study elucidates and complicates my understanding of the present moment. I also think the best stories should entertain as well as teach; that is, books should be enrapturing and never didactic. I’m a professor of English at a liberal arts university in Kentucky, and every time I assign a short story, novel, play, or poem, I always do so with the conviction that reading the assigned text should enthrall my students as much as it teaches them about a particular literary movement or historical moment. 

The two people I love most, my husband and my son, manage obsessive-compulsive disorder. Their struggles constantly inspire me and illustrate the courage it takes to navigate everyday life with an invisible disability. We don’t talk enough about that courage. Instead, society passes judgment and shares OCD jokes. There’s nothing funny about a chronic, potentially fatal illness that demands lifelong management. After all, we don’t laugh at diabetics, and people aren’t defined by their disabilities. (Think of Helen Keller’s achievements!) My passion is to create characters who chip away at the stigma, shame, and stereotypes of mental illness. They also prove the mantra, “You are not your disorder.” Amen.