Here are 100 books that Menaechmi; Or, The Twin-Brothers fans have personally recommended if you like
Menaechmi; Or, The Twin-Brothers.
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The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Not necessarily the world’s first novel (the world’s first novel is probably lost) nor even the world’s first great novel (that would be Petronius’ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the world’s first great novel that has survived through the centuries intact.
It’s the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.
That doesn’t sound so bad, but no one’s ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! There’s nothing filthy about it! But no one will believe you!
Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
A self-contained description of a war fought in Africa against an ambitious monarch, in which the Roman superpower struggles with an elusive enemy. Roman efforts are badly hampered by corrupt generals and Sallust, writing a generation later makes no attempt to conceal his contempt for the aristocratic establishment which happily pocketed Jugurtha's bribes. A book that reads well and is relevant today. Get the Oxford University Press edition, and get the Catiline conspiracy thrown in for free.
Sallust (86-c. 35 bc) is the earliest Roman historian of whom complete works survive, a senator of the Roman Republic and younger contemporary of Cicero, Pompey and Julius Caesar. His Catiline's War tells of the conspiracy in 63 bc led by L. Sergius Catilina, who plotted to assassinate numerous senators and take control of the government, but was thwarted by Cicero. Sallust's vivid account of Roman public life shows a Republic in decline, prey to moral corruption and internal strife. In The Jugurthine War he describes Rome's fight in Africa against the king of the Numidians from 111 to 105…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
With this one I'm not going to recommend an edition, because while Martial is witty, bitingly sarcastic and a keen commentator on his society he can also be breathtakingly obscene. Imagine teenage scrawls on toilet walls - if those scrawls were written by Shakespeare - and you'll be close enough. So pick your edition with care – however broad you imagine your mind to be, an unexpurgated Martial will stretch it a bit more and have you chuckling and nodding the rest of the time.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Anybody who studies travel in ancient Rome knows the name of Lionel Casson, and after reading his magnum opus, you will understand why. Reading his book makes me feel that I am taking a tour of the Roman world in all its glory: its diversity, its impressive infrastructure, its cultural highlights, and its religious pilgrimage sites. Travel could be exciting or dangerous, luxurious or barebones, for business or for pleasure. In Casson’s engaging and accessible prose, however, it is always a revelatory window into Roman culture and history. Casson’s book helped me understand the personal, emotional aspects of travel in ancient Rome and, consequently, made me feel closer to ancient Romans themselves.
The only book of its kind in any language, Travel in the Ancient World offers a lively, comprehensive history of ancient travel, from the first Egyptian voyages recorded in Old Kingdom inscriptions through Greek and Roman times to the Christian pilgrimages of the fourth and sixth centuries. Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.
I have read adventure, crime, and thriller books all my life. Reading is a huge relaxation for me and a good novel will transport me from the stresses and strains of daily life into another place in my head. A place where I feel involved with the characters and the environment, a place where I can imagine I could be. A good storyteller is different from a crime writer. They take the reader on a journey that might be through history or different continents. A journey that the reader wants to travel as well. I try to emulate this in my writing.
This trilogy by Robert Harris includes his bestselling novels Imperium, Lustrum, and Dictator and takes the reader through the life and times of Rome and the Roman statesman, lawyer, and scholar—Marcus Cicero.
I found these books to give a fascinating view into the period of the history of late BC. I think they provide a spellbinding insight into a history that most have only read about in textbooks—brought alive in Richard Harris’s inimitable style.
Cicero is shown as the brilliant politician that modern-day imitators would be proud of.
When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history.
The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.
This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Ever since I spent a day wandering the Roman forum, imagining Caesar’s funeral at the site of his pyre, standing on the Palatine imagining living in palatial Palatine splendor, and looking down on Senators, plebeians, public baths, the Colisseum, temples, statues, basilicae, patricians, slaves, street vendors, centurions, courtesans, ladies, gladiators, urchins, schoolboys, pickpockets, and priests, I knew I wanted to write about it. I have done intensive research, with skills honed earning a Ph.D. in English from Lehigh University (specialty: literary-historical). I seek out literary historical novels, novels with distinctive style, artful plotting, engaging characterization, and historical fidelity.
In an ancient Roman Britain garrison town, Roman army physician, Ruso, and his native wife, Tilla, investigate a series of murders. Worse, Emperor Hadrian is coming. Ratcheting tension. The central issue in Semper Fidelis is the rivalry between Roman legionaries and Briton conscripts. The crime is solved, but the story doesn’t end. Briton conscripts riot, and, Hadrian absent, his empress, Sabina, must intercede.
The empress Vibia Sabina (posthumously deified), is my favorite character. Neglected, bored, sarcastic, calculating, duplicitous, funny, she is the perfect spoiled patrician matron. What I like best is how everybody lies to everybody in Semper Fidelis, a tour-de-force of mendacity. An interesting, different, more-than-just-murder-mystery historical novel.
When Ruso rejoins his unit in the remote outpost of the Roman Empire known as Britannia, he finds that all is not well with the Twentieth Legion. As they keep a suspicious eye on the barbarians to the north, the legionaries appear to have found trouble even closer to home-among the native recruits to Britannia's imperial army.
A young soldier has jumped off a roof, killing himself. Why? Mysterious injuries, and even deaths, begin to pile up in Ruso's medical ledgers, and it soon becomes clear that this suicide is not an isolated incident. Can the men really be under…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could.
I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.
With extraordinary narrative power, New York Times bestselling author Colleen McCullough sweeps the reader into a whirlpool of pageantry and passion, bringing to vivid life the most glorious epoch in human history.
When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural "upstart" Marius, and Sulla, penniless and debauched but of aristocratic birth. Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes. Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
A great read that will take you through the whole story of Carthage from its Phoenician beginnings to the destruction by Rome and beyond. Context and details on the whole story of Hannibal and also the history of one of the most important cities from the Ancient Mediterranean.
The first full-scale history of Hannibal's Carthage in decades and "a convincing and enthralling narrative." (The Economist )
Drawing on a wealth of new research, archaeologist, historian, and master storyteller Richard Miles resurrects the civilization that ancient Rome struggled so mightily to expunge. This monumental work charts the entirety of Carthage's history, from its origins among the Phoenician settlements of Lebanon to its apotheosis as a Mediterranean empire whose epic land-and-sea clash with Rome made a legend of Hannibal and shaped the course of Western history. Carthage Must Be Destroyed reintroduces readers to the ancient glory of a lost people…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
Mentions of the historical Arthur—a war duke, not a king—date him to the late 5th and early 6th centuries. Merlin’s dates are fuzzier. Whyte sets this tale of Merlin’s origins in Roman Britain, consistent with the historical Arthur, as the withdrawal of Rome’s legions leaves the colony subject to invasion and insurrection. Young Publius, nicknamed Merlin, is a soldier and a blacksmith. He and his cousin Uther battle to keep Britannia from crumbling around them as Roman society is beset by external marauders and internal strife. Through it all, Merlin is intrigued by stories of a stone that fell from the sky—an iron-rich meteorite that has rendered steel, and which Merlin can forge into an incredible sword. In this richly developed story, Merlin is not a druid or a sorcerer, but a smith.
In a time preceding King Arthur and Camelot, two Roman men, Publius Varrus and Caius Britannicus, Arthur's great-grandfathers, try to preserve the best of Roman life and build a new culture out of the wreckage of the old and, in doing so, create a legend, in a new edition of the first volume in the
