100 Books Like Memoirs of an Invisible Man

This book is one of my all-time favorites, because even though I knew it was fiction, it felt like nonfiction as I was reading it. It was that authentic, and that alive. I truly felt like I was reading an actual history book about an event from my own world. 

The narrative structure was also amazing, telling the entire story through interviews with survivors of the zombie war, and I was riveted by those stories. They showed me what it was like to face that zombie horror, which made me desperate to know what happened, how they survived, and how they managed. Although I was reading, it felt like I was watching actual people tell their tales.

I‘ve always been fascinated by the dividing line between human and monster. Because, what is a monster?

I know, this kind of question will usually get a quick answer, but I have been thinking about this particular question for quite some time now. I am Legend revolves around this question, and I love it for that. I also love it for the somewhat unexpected twist in the end, and that one can be interpreted as an answer.

Anyway, for me, this book got me thinking about morale and ethics and other stuff. I just like it when a book gets me to that point where I think: wait a moment, but what if…?

Superheroes and zombies seem like a terrible combination, but Peter Clines makes a fascinating story of zombies destroying the Earth but for a collection of superhero guarded survivors.

It's a bit like The Walking Dead combined with the Justice League, though the power level of the people involved is closer to Marvel's street level. The first book has some crass jokes that get dropped from the sequels but not enough that I didn't enjoy it. I have to say my favorite characters are Saint George (a Superman analog) and Stealth (a female Batman).

Werewolf stories are pretty straightforward, usually only varying as to whether or not the human can control their wolf-half. Not so with Howling Mad. David weaves a unique tale, not of a man cursed so that the full moon turns him into a wolf, but of a wolf cursed so that the full moon turns him into a man. As a comic book writer and novelist, David is known for his wit—and Howling Mad has plenty of that—but the highlight is David’s adroit examination of this trope reversal, from how the new man-wolf deals with suddenly having opposable thumbs to the effects of “civilized” society on the beast’s basic nature. I was so struck by the clever premise that it influenced some of my own supernatural tales.

Sandy Grimes and Jeanne Verterfeuille were part of the CIA team that identified Aldrich Ames, perhaps the most damaging spy in the agency’s history. Not only is the book a riveting account of the detective work that went into Ames’ arrest, it provides a wealth of information about the valuable agents and operations that he betrayed, and the incalculable damage he caused, including the loss of GRU General Dmitriy Polyakov, the highest-ranking spy run by the U.S. during the Cold War.

It’s Berlin, 1949. The second world war has ended but the geopolitical intrigue hasn’t. Russia, the U. S., Great Britain, and France engage in cold war espionage as disparate citizens of the German city struggle to survive. A young Jewish writer who fled the Nazis for America is caught up in Joseph McCarthy’s communist witch hunt. For the sake of his family and to keep from being deported, he agrees to help the CIA by returning to Berlin for a secret assignment. Kidnapping, murder, and more ensue, as he’s forced to keep tabs on the woman he left behind. Then he himself becomes the hunted. After returning to a city trying to rise from the ashes, this expat may or may not wind up ever being able to leave Berlin. 

This is a sort of origin story for Breuer's characters, centered more tightly on a mid-1930s Nazi ring uncovered by the FBI's best investigator, Leon Turrou, and splashed across American newspapers’ front pages in 1938. Jeffreys-Jones' book, released in 2020, also shows why multi-stranded nonfiction has become a popular form.

In 1953, a working-class Jewish couple from Brooklyn was executed for allegedly selling nuclear secrets to the Soviet Union. Their two young children were orphaned. E. L. Doctorow’s novel about the Rosenbergs is an excruciating examination of these events from the fictionalized perspective of one of those children. Daniel’s point of view—naïve, angry, traumatized—brilliantly illustrates the absurdity and cruelty of American culture when it turns against those who, for reasons of class, race, or religion, have never been fully included in it. I’ve read it a dozen times and still find myself sobbing at the realization of how all the country’s history, all its dreams and delusions about itself and its destiny, were stacked up against this poor pair of nobodies. Their real crime lay in demanding that the United States live up to its ideals, something it has never been able to do.

Ever since I heard the words how a long knife had ‘skewered’ Scudder to the floor, I was hooked on Buchan’s classic story and became a devote of Richard Hannay. When I say I heard it, it is because a teacher read it to us at school when they used to do things like that. The chase around the Highlands of Scotland remains one of the greatest pieces of spy writing. You can feel the ingenuity and sheer effort Hannay has to put into his quest to avoid capture and find the 39 Steps.

I have read the book many times since, and it has stood the test of time with flying colors. In many respects, it should be the starting point for the aspiring espionage writer.

If you’ve chafed at the limitations of scale by these suggestions, this is the book for you.

All the stories on this list, including my own, take pains to couch the supernatural in such a way that the political, social, and economical natural orders are not threatened by the introduction of speculative elements. Not in Summerland.

Their pseudo-science real, Victorian spiritualists find a way to the afterlife and back. Within decades the strange, alien city on the other side is flooded with the principles of industry, commerce, and espionage.

Taking place between the World Wars, the existence of Summerland, and the technologies that unfold from its discovery change the landscape of pre-World War II Europe, but not the inevitability of human nature.