Books like Summerland — picked by fans

Set in the height of the Cold War, The Men Who Stare at Goats is the story of the US Army’s psychic warfare unit, the First Earth Battalion. These self-declared “warrior monks” trained in remote viewing and aspired to psychic slay capra with the force of their concentration.

Unlike the rest of the books on my list, The Men Who Stare at Goats is non-fiction. The bulk of the material in these pages are interviews with people in the First Earth Battalion.

Reading this book made me question the reality of psychic phenomena. Is there something to it? Or was this the result of a Soviet PSYOP (psychological operation, not psychic operation) to make the American military-industrial complex waste a lot of money?

Tim Powers is my #1 role model. His secret history novels take a figure or incident from history that happens to be surrounded by unexplained weirdness, then explain all these strange, loose threads through the supernatural. His work scratches the itch for both history buffs and the (harmlessly) conspiracy-minded.

To call Three Days to Never a supernatural thriller would be reductionist. Powers casts a wide net when gathering story elements; Einstein’s fictional, time-traveling family is the centerpiece, but Mossad agents, a collective of magicians, and Charlie Chaplin’s legacy are all thrown into the mix. All are seeking the secret to time travel.

Powers writes free from the limitations of the genre. Breaking the boundaries imposed by marketing and showing the reader what’s possible when the imagination is unbound.

I became aware of Mind MGMT during the first draft of my book. Its success affirmed that an audience for psychic thrillers did exist. But I put off reading this 6-volume comic series until I finished my novel. It’s good to feel encouraged, it’s another to feel beaten to the punch.

Super-hero tropes dominate the American comic medium. The story elements of weekly world salvation, good guys vs bad guys, stagnate character development, and the artistic choices; idealized anatomy, fine lines, and bright colors appeal to a younger male gaze.

By all these standards, Mind MGMT stands apart. In this morally ambiguous story of psychic spies, Matt Kindt’s illustrations are raw and sketchy, complimented by his choice to color the pages with watercolor rather than digital inks.

If you’re too young to remember The Gong Show, it was the American Idol of its day. Equally as fake, but upfront about its fraudulent nature.

Back on the subject of pushing genre boundaries, Confessions of a Dangerous Mind is Chuck Barris’ “unauthorized autobiography.” Get your head around that concept. Barris was the producer/host of both The Gong Show and The Dating Game. If that doesn’t sound like a full slate, Barris claims he was a CIA assassin during this time.

Say you wrote an autobiography, but it lacks in the excitement department. Say you also wrote a spy novel, but it came in at half the length a publisher’s looking for. A great solution for both problems; mash them together!

Along with Le Carre Adam Hall was my magical touchstone to understanding what being an exceptional thriller writer meant.

This book, the second in a long distinguished series, continued the crises dealt with by the British spy named Quiller. Hall had an idiosyncratic way of writing that taught me that style was as important as plot in a thriller – perhaps even more. For me, style is what grabs my attention as a reader.

Today, style is what draws me along, both as a reader and as a writer of thrillers. Style is the thread on which is built both plot and characters. It is also imperative when setting scenes in faraway places.

In 1953, a working-class Jewish couple from Brooklyn was executed for allegedly selling nuclear secrets to the Soviet Union. Their two young children were orphaned. E. L. Doctorow’s novel about the Rosenbergs is an excruciating examination of these events from the fictionalized perspective of one of those children. Daniel’s point of view—naïve, angry, traumatized—brilliantly illustrates the absurdity and cruelty of American culture when it turns against those who, for reasons of class, race, or religion, have never been fully included in it. I’ve read it a dozen times and still find myself sobbing at the realization of how all the country’s history, all its dreams and delusions about itself and its destiny, were stacked up against this poor pair of nobodies. Their real crime lay in demanding that the United States live up to its ideals, something it has never been able to do.

Sandy Grimes and Jeanne Verterfeuille were part of the CIA team that identified Aldrich Ames, perhaps the most damaging spy in the agency’s history. Not only is the book a riveting account of the detective work that went into Ames’ arrest, it provides a wealth of information about the valuable agents and operations that he betrayed, and the incalculable damage he caused, including the loss of GRU General Dmitriy Polyakov, the highest-ranking spy run by the U.S. during the Cold War.

The first person to ever catch a hacker wasn’t an FBI or CIA agent. It was an astronomer, and his name was Clifford Stoll. This book is a biographical account of how he took on a German hacker who was selling secrets to the KGB in the 1980s. I love this book because it shows how anyone can play a role in cybersecurity.

As a kid, I watched the TV adaptation of the book for PBS’s NOVA program and went into cybersecurity in large part because of Stoll. Because cybersecurity wasn’t a profession at the time, Stoll created his own innovative techniques, like building the first computer honeypot to help catch the hacker in action. When his book was made into a PBS documentary, as a thank you for putting up with him and all the crazy things he had to do to track the hacker, he had all of… show more.

This is the first of a series of novels based on the Queen & Country comic book, created and written by Rucka and originally inspired by the Sandbaggers British TV series. I love the main character, Tara Chace, and I also love how her stories don’t pull punches when it comes to portraying the politics and bureaucracy that sit on top of the actual operations she’s asked to perform.

The world is complicated, but sometimes, if we can focus on solving one single problem, we can make everything just a little bit better—for a while, anyway. The work never ends, and that’s the real job: to persist despite all horrors.

Spies, lies, love, coups, what more do you want? In the book we encounter Marie Mitchell, now under threat of assassination, but previously a CIA spy who had fallen in love with–and collaborated in the downfall of–Thomas Sankara.

For Marie, the transition to the CIA is a way of escaping the stifling and misogynistic FBI of the 1980s. For the CIA, a black, attractive woman is ideal to snoop in and undermine a charismatic leader. The book, told by Marie as a letter to her children, moves back and forward between her spying missions and her (self)exile in Martinique.

It is fast-paced, realistic, and able to portray the daring aspects, the bureaucratic obstacles, and the moral compromises of spying for the CIA.