Here are 100 books that Summerland fans have personally recommended if you like
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Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
Set in the height of the Cold War, The Men Who Stare at Goats is the story of the US Army’s psychic warfare unit, the First Earth Battalion. These self-declared “warrior monks” trained in remote viewing and aspired to psychic slay capra with the force of their concentration.
Unlike the rest of the books on my list, The Men Who Stare at Goats is non-fiction. The bulk of the material in these pages are interviews with people in the First Earth Battalion.
Reading this book made me question the reality of psychic phenomena. Is there something to it? Or was this the result of a Soviet PSYOP (psychological operation, not psychic operation) to make the American military-industrial complex waste a lot of money?
Often funny, sometimes chilling and always thought-provoking, journalist Jon Ronson's Sunday Times bestseller The Men Who Stare at Goats is a story so unbelievable it has to be true.
In 1979 a secret unit was established by the most gifted minds within the US Army. Defying all known military practice - and indeed the laws of physics - they believed that a soldier could adopt a cloak of invisibility, pass cleanly through walls, and, perhaps most chillingly, kill goats just by staring at them.
They were the First Earth Battalion. And they really weren't joking. What's more, they're back and…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
Tim Powers is my #1 role model. His secret history novels take a figure or incident from history that happens to be surrounded by unexplained weirdness, then explain all these strange, loose threads through the supernatural. His work scratches the itch for both history buffs and the (harmlessly) conspiracy-minded.
To call Three Days to Never a supernatural thriller would be reductionist. Powers casts a wide net when gathering story elements; Einstein’s fictional, time-traveling family is the centerpiece, but Mossad agents, a collective of magicians, and Charlie Chaplin’s legacy are all thrown into the mix. All are seeking the secret to time travel.
Powers writes free from the limitations of the genre. Breaking the boundaries imposed by marketing and showing the reader what’s possible when the imagination is unbound.
Three Days to Never by Tim Powers is a whip-smart scientific thriller cum fantasy novel that posits: what happened to Albert Enistein’s scientific discoveries that haven’t been unveiled? The answer lies in a old Charlie Chaplin movie, the Mossad, and an ancient European faction that will go to any lengths to keep past sins secret.
A young tween and her college professor father must quickly unveil the mystery of a potential weapon more deadly than an atomic bomb or our world—past, present, and future will be destroyed.
In this edition that includes additional insights from the author, background material, suggestions…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
I became aware of Mind MGMT during the first draft of my book. Its success affirmed that an audience for psychic thrillers did exist. But I put off reading this 6-volume comic series until I finished my novel. It’s good to feel encouraged, it’s another to feel beaten to the punch.
Super-hero tropes dominate the American comic medium. The story elements of weekly world salvation, good guys vs bad guys, stagnate character development, and the artistic choices; idealized anatomy, fine lines, and bright colors appeal to a younger male gaze.
By all these standards, Mind MGMT stands apart. In this morally ambiguous story of psychic spies, Matt Kindt’s illustrations are raw and sketchy, complimented by his choice to color the pages with watercolor rather than digital inks.
This globe-spanning tale of espionage explores the adventures of a journalist investigating the mystery of a commercial flight where everyone aboard loses their memories
Meru's obsession with Flight 815 leads her to a much bigger story of a top-secret government Mind MGMT program. Her ensuing journey involves weaponized psychics, hypnotic advertising, talking dolphins, and seemingly immortal pursuers, as she hunts down the flight's missing passenger, the man who was Mind MGMT's greatest success--and its most devastating failure. But in a world where people can rewrite reality itself, can she trust anything she sees? Collects the first two volumes of the…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
If you’re too young to remember The Gong Show, it was the American Idol of its day. Equally as fake, but upfront about its fraudulent nature.
Back on the subject of pushing genre boundaries, Confessions of a Dangerous Mind is Chuck Barris’ “unauthorized autobiography.” Get your head around that concept. Barris was the producer/host of both The Gong Show and The Dating Game. If that doesn’t sound like a full slate, Barris claims he was a CIA assassin during this time.
Say you wrote an autobiography, but it lacks in the excitement department. Say you also wrote a spy novel, but it came in at half the length a publisher’s looking for. A great solution for both problems; mash them together!
Suspense, excess, danger and exuberant fun come together in Chuck Barris' unlikely autobiography - the tale of a wildly flamboyant 1970s television producer, better known as the infamous host of The Gong Show. What most people don't know is that Barris allegedly spent close to two decades as a decorated covert assassin for the CIA.
Barris, who achieved tremendous success as the creator and producer of hit TV game shows such as The Dating Game and The Newlywed Game, claims to have joined the CIA as an agent in the early 1960s, infiltrated the Civil Rights Movement, met with militant…
I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outsideof society.
Along with Le Carre Adam Hall was my magical touchstone to understanding what being an exceptional thriller writer meant.
This book, the second in a long distinguished series, continued the crises dealt with by the British spy named Quiller. Hall had an idiosyncratic way of writing that taught me that style was as important as plot in a thriller – perhaps even more. For me, style is what grabs my attention as a reader.
Today, style is what draws me along, both as a reader and as a writer of thrillers. Style is the thread on which is built both plot and characters. It is also imperative when setting scenes in faraway places.
Quiller, known only by his codename, is the British government's #1 intelligence agent. Darkly exotic Bangkok is center stage for a master assassin's plan. The target: a visitor so important he is only called "The Person". As the clock ticks away in the final hours, Quiller becomes the bait to stop the killer.
I'm a British-born American historian, currently residing in Long Beach, California. I’ve published four books on the CIA and lectured about it for the Great Courses. Why spies? I’ve always loved spy novels and movies but my historical interest was piqued years ago when I stumbled across the weird story of how the CIA secretly funded various American artists and writers in the so-called Cultural Cold War. Decades on, I’m still fascinated by the subject: there’s so much human drama involved, and it’s a great lens through which to examine recent American and world history.
The history of the CIA features many fascinating personalities and there are several excellent spy biographies, Thomas Powers on Richard Helms, for example, or Randall Woods on William Colby. But the most complex and compelling of all figures in the Agency’s past must surely be the legendary head of counterintelligence, James Angleton. Again, there are numerous works on Angleton and his obsessive hunt for a top-level Soviet agent in the CIA, but I enjoyed and benefited most from Tom Mangold’s Cold Warrior, an astonishingly detailed and penetrating portrayal of America’s real-life George Smiley.
As a child I found the history and biography books in our school library, and was enthralled. When I got older and discovered historical archives, the tension between public history in books and the secret or forgotten histories tucked away was irresistible. Writing books has taken me to five continents on journeys into everything from medicinal black markets to the traces of a wartime commercial spy network. For my latest book, digging through classified OSS files showed me what amazing stories still lie waiting for us.
This is a sort of origin story for Breuer's characters, centered more tightly on a mid-1930s Nazi ring uncovered by the FBI's best investigator, Leon Turrou, and splashed across American newspapers’ front pages in 1938. Jeffreys-Jones' book, released in 2020, also shows why multi-stranded nonfiction has become a popular form.
In the mid-1930s, just as the United States was embarking on a policy of neutrality, Nazi Germany launched a program of espionage against the unwary nation. Rhodri Jeffreys-Jones's fascinating history provides the first full account of Nazi spies in 1930s America and how they were exposed in a high-profile FBI case that became a national sensation.
I spent over two decades on the front lines of counterterrorism and counterinsurgency, working for many organisations and agencies around the globe. Having survived shootings, bombings, double agents, and kidnap attempts, I now prefer to write about such things rather than experience them! I grew up reading spy thrillers from the likes of Gerald Seymour and Frederick Forsyth and retain a passion for the genre. And there’s nothing better than reading a new novel, getting lost in the plot, and appreciating the realism or authenticity the author brings to the story. I hope you enjoy the books I’ve recommended that were written by real-life spies.
You’re a CIA analyst, well respected and regarded by your employer, married for ten years and a mother of four children.
At work one day, you are directed to hack a Russian criminal’s computer. It’s not an easy task but you eventually succeed and are stunned to find details and photographs of 5 deep-cover Russian spies living in America looking back at you. One of which is your husband.
This is a great start to a novel that races along with our main character thrown into a maelstrom of lies, loyalty, and impossible choices.
Married for ten years. Four children. She thought she knew her husband better than anyone. She was wrong.
'Heart-poundingly suspenseful and heart-wrenchingly insightful' J.P.Delaney, author of The Girl Before
'This compulsive, clever thriller will have you reading long into the night' Red
****
You get to work. Make a coffee. Turn on your computer.
Your task: break into a Russian criminal's laptop and find proof that he's concealing five deep-cover agents - seemingly normal people living in plain sight.
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
It’s Berlin, 1949. The second world war has ended but the geopolitical intrigue hasn’t. Russia, the U. S., Great Britain, and France engage in cold war espionage as disparate citizens of the German city struggle to survive. A young Jewish writer who fled the Nazis for America is caught up in Joseph McCarthy’s communist witch hunt. For the sake of his family and to keep from being deported, he agrees to help the CIA by returning to Berlin for a secret assignment. Kidnapping, murder, and more ensue, as he’s forced to keep tabs on the woman he left behind. Then he himself becomes the hunted. After returning to a city trying to rise from the ashes, this expat may or may not wind up ever being able to leave Berlin.
* Don't miss THE ACCOMPLICE, the next heart-pounding and intelligent espionage novel from 'master of the genre' (The Washington Post), Joseph Kanon *
'Up there with the very best . . . Kanon writes beautifully, superbly . . . He is the master of the shadows of the era' The Times
From the author of The Good German (made into a film starring George Clooney), Leaving Berlin is a sweeping post-war story and an international bestseller.
Berlin is still in ruins almost four years after the war, caught between political idealism and the harsh realities of Soviet occupation. Alex Meier…
The executions of Julius and Ethel Rosenberg seem so distant that it is jarring for me to contemplate that I was born in 1960, only seven years after their deaths. Growing up Jewish, I often heard the Rosenberg case invoked as an example of anti-Semitism. But it was not until I was an undergraduate history major that I read the scholarly literature about the Rosenbergs and subscribed to the newsletter of the Committee to Reopen the Rosenberg Case. My ongoing interest in the case helps me remind students about two crucial points: ongoing historical scholarship gets us closer to the “truth” but we may never know what “actually” happened. Which is OK.
This 2021 book, the latest in the Rosenberg oeuvre, not only recounts the history of what happened to the Rosenbergs but chronicles past historical accounts. One of the most important legacies of this literature is to remind us how all events are historically grounded. The Schneirs wrote that the Rosenberg trial “was a product of its times, displaying in microcosm many of the prevalent sociopolitical assumptions and preoccupations of the day.” The same could be said of the books by the Schneirs, the Meeropols, and Doctorow, which viewed the Rosenbergs through the sympathetic prism of American progressivism of the 1960s and 1970s.
Sebba also explores the enduring mystery of the “single-minded” Ethel Rosenberg, a “tragic figure” who herself committed no espionage but orphaned her sons rather than naming names or implicating her husband.
'A heart-piercingly brilliant book about a woman whose personal life put her in the cross-hairs of history' HADLEY FREEMAN 'Totally riveting. I couldn't put it down' VICTORIA HISLOP 'Ethel sings out for all women who have been misunderstood and wronged, and refuse to bow down' NICHOLAS SHAKESPEARE 'A shocking tale of betrayal, naivety, misogyny and judicial failure' SONIA PURNELL 'A historic miscarriage of justice laid bare for our times' PHILIPPE SANDS
Ethel Rosenberg was a supportive wife, loving mother to two small children and courageous idealist who grew up during the Depression with aspirations to become an opera singer.
