69 Books Like Melissa and The Vicar

I have been a lover of histories and mysteries for as long as I can remember. Equal parts museum junkie and Dateline addict, I cannot get enough of history and whodunnits. From Poirot and Conan Doyle to Bernard Cornwall and Ken Follett, I love them all. As a kid, reading with a flashlight under the covers was a favorite pastime, and I wore out my library card. As an adult, I head to the true crime section of the bookstore first. I love that there are books that blend my two passions so well, and I hope you enjoy this list of historical mysteries as much as I do.

I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?

I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.

Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.

I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.

I am the bestselling author of more than 46 romance novels. I love history, enjoy research, and am always looking for little-known facts to make my stories more authentic. Some of those facts have revealed that women in the 19th century often took on occupations, hobbies, or causes that challenged them and sometimes placed them in danger. Although seldom acknowledged as such, women in the 19th century were a force to be reckoned with, although their contributions were often overlooked. But through reading personal accounts, letters of the time, biographies, and nonfiction accounts about various women’s roles, I have gained a greater appreciation for how daring women have been throughout history.

As a child, I fell in love with horses. As a teen, I fell in love with a cowboy. That’s how I became the wife and mother of professional rodeo bullfighters and wrote for rodeo magazines. Today I write historical cowboy romances. The Western way of life is down-to-earth, honest, and God-fearing—even in our contemporary world, and I’ve written several of those stories as well. But my favorite challenge takes me back to the 1800s when life was simpler. Not easier, just simpler even though people faced the same emotional challenges we face today. I love writing about their journeys and encouraging readers that there is hope.

I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.

Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.

I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.