Here are 100 books that Medicine Woman fans have personally recommended if you like
Medicine Woman.
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Learning to live and work sustainably is the greatest challenge of our times. In an age of global climate change, natural resource depletion, plummeting biodiversity, and “failing states” that can no longer meet their people’s basic needs, the only way we can rescue civilization and preserve the natural environment is to live sustainably. Notwithstanding common misperceptions, sustainability is not simply about preservation. Rather, sustainability requires both preservation and change. To be effective in our conservation efforts, we must become ever more creative and adaptive. Practicing sustainability entails managing the scale and speed of change so we can preserve our core values and relationships, both in nature and society.
Daniel Quinn’s award-winning novel illuminates the historical roots of our consumer culture from the perspective of a gorilla who teaches a human the lessons of sustainability.
Before he died, Daniel would meet with my students to discuss sustainability and the lessons of Ishmael. His wisdom comes through clearly in this well-told tale of how Homo sapiens become a species of unsustainable “takers” and what the consequences are of a global consumer culture.
One of the most beloved and bestselling novels of spiritual adventure ever published, Ishmael has earned a passionate following. This special twenty-fifth anniversary edition features a new foreword and afterword by the author.
“A thoughtful, fearlessly low-key novel about the role of our species on the planet . . . laid out for us with an originality and a clarity that few would deny.”—The New York Times Book Review
Teacher Seeks Pupil. Must have an earnest desire to save the world. Apply in person.
It was just a three-line ad in the personals section, but it launched the adventure of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an LA-based author, sociologist, and cultural and political theorist who writes from beyond the surface. A seer since childhood, I have always challenged the official story (even when it got me in trouble), guided by my intuition and a refusal to accept injustice as inevitable. My writing is fueled by a deep curiosity to unravel society’s darkest puzzles—systems of control, violence, collective amnesia—and to imagine what could exist beyond them. Through storytelling, I invite readers to question what they’ve been taught and to see the world not only as it appears, but as it truly is, and reimagine what it could be.
This book came to me when I had survived so much up until that point and really began to realize the need to liberate myself and release social conditioning. I was like, “Goodness, this is the book I need to hold up anytime someone shames me using tropes about a ‘woman’s place’ in the world.”
I enjoyed how it invites you to question why powerful figures in traditional religious institutions have been rendered as men. She pushes us to go farther back in history, before Abrahamic religions, to trace the spread of disinformation about women as leaders, goddesses, and powerful beings.
I love this book because it is useful at any step of your journey to reclaiming personal power.
The landmark exploration of the ancient worship of the Great Goddess and the eventual supression of women's rites.
In the beginning, God was a woman...
How did the shift from matriarchy to patriarchy come about? In fascinating detail, Merlin Stone tells us the story of the Goddess who reigned supreme in the Near and Middle East. Under her reign, societal roles differed markedly from those in patriarchal Judeo-Christian cultures: women bought and sold property, traded in the marketplace, and inherited title and land from their mothers. Documenting the wholesale rewriting of myth and religious dogmas, Merlin Stone describes an ancient…
Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage.
In this book, author Neale Donald Walsch, at the lowest point of his life, picks up pen and paper one night and begins an interesting and quite intimate conversation with God.
The conversation becomes a daily routine and helps him get past his fears and challenges. Walsch asks questions I think many people, including myself, want to ask God, and God (the author’s higher consciousness) provides answers that really make you think and look at things through a different perspective.
This conversation ends up changing Walsh’s life, as well as the reader’s.
Conversations with God Book 1 began a series that has been changing millions of lives for more than ten years. Finally, the bestselling series is now a movie, starring Henry Czerny (The Pink Panther and Clear and Present Danger) and Ingrid Boulting (The Last Tycoon). Produced and directed by Stephen Simon (producer of Somewhere in Time and What Dreams May Come) and distributed by Samuel Goldwyn Films and Fox Home Entertainment, the theatrical release is set for October 27, 2006. The movie is the true account of Walsch (played by Cierny), who went from an unemployed homeless man to an…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage.
I love biographies of the lives of individuals who go through spiritual transformations.
Daughter of Fire is one of those books. It’s about a British woman who goes to India and meets a Sufi Master. He asks her to keep a diary, which she does for five years. The account of the guru/disciple relationship is deep, touching, and intriguing.
It keeps you turning the pages through the 800+ pages of a soulful experience.
This diary spans five years, making up an amazing record of spiritual transformation: the agonies, the resistance, the long and frightening bouts with the purifying forces of Kundalini, the perseverance, the movements towards surrender, the longing, and finally, the all-consuming love.
I am an illustrator, author, and animator. When I write and draw, I hope to vividly bring characters and settings to life in the imaginations of readers. Mischievous dogs, mysterious old houses, and brilliant mathematicians are some of the subjects I’ve had the pleasure of putting on the pages of books. I love animals and art, so artistic picture books with animals at their heart, give me a lot of joy. Because the illustrations in a picture book tell stories, I look for artwork that expresses character, mood, and movement. The best picture books leave a mark
in visual memory that connects to the feeling of a story.
Black Bear, Red Fox is a board book introducing colours in both English and Cree using animals and plants. Julie Flett’s lush, vibrant illustrations highlight the colours so vividly they seem to pop off the page. Board books are associated with very young children, however, this one can be enjoyed by anyone who is interested in learning some words in Cree while enjoying some beautiful artwork. Arden Ogg of the Cree Literacy Network provides an interesting and informative introduction about the use of colour words in the Cree language. There is also a helpful pronunciation chart. If you are looking for colour, this book delivers! Each page is a gorgeous work of art and design.
There's almost nothing better than getting in a canoe, putting your paddle in the water, and pushing out into a current that will carry you away. As someone who grew up on the Mississippi River, and who has spent much of my life canoeing, I always love a good river journey. And when I can't take one myself. I love going vicariously with someone else, like with these books.
This book has inspired generations of paddlers, many of whom (including myself) didn't know that you could put a boat in the water at Minneapolis and paddle 2,250 miles north to Hudson Bay, where you have to watch out for polar bears.
That’s exactly what Eric Severaid and his friend Walter Port, both teenagers, did in 1930. Sevareid later went on to be a famous war correspondent, but this was his first big adventure.
In 1930 two novice paddlers—Eric Sevareid and Walter C. Port—launched a secondhand 18-foot canvas canoe into the Minnesota River at Fort Snelling for an ambitious summer-long journey from Minneapolis to Hudson Bay. Without benefit of radio, motor, or good maps, the teenagers made their way over 2,250 miles of rivers, lakes, and difficult portages. Nearly four months later, after shooting hundreds of sets of rapids and surviving exceedingly bad conditions and even worse advice, the ragged, hungry adventurers arrived in York Factory on Hudson Bay—with winter freeze-up on their heels. First published in 1935, Canoeing with the Cree is Sevareid's…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Nancy Bo Flood earned her Ph.D. in Experimental Psychology and Child Development at the University of Minnesota and has authored a variety of award-winning books. Walking Grandma Home came from her own experience as a child, as a counselor, and as a daughter. She has lived and taught on the Pacific island of Saipan, where she worked with teachers and parents to create resources and programs for students with disabilities, and for the past twenty years, she has taught in the Navajo Nation. With Native educators, she co-founded an early-literacy nonprofit, Read at Home, which encourages parents to read regularly with their children.
With few words and simple images, we journey with a child as she becomes friends with an elderly neighbor who also loves birds, nature, the changing seasons, and expressing that love through art. But as the change of seasons continues, the girl’s elderly friend becomes fragile in health and strength. Even with an ache in her heart, the child discovers the comfort of remembering special times together and gathering together the drawings they shared. At night, while watching the rising of the full round “frog moon,” the child bundles up close to her mother and “My hands feel warm, and the covers feel soft, and I think of my friend until I fall asleep.”
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Birdsong
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BEST BOOK OF THE YEAR: PUBLISHERS WEEKLY, SCHOOL LIBRARY JOURNAL, KIRKUS, HORN BOOK, QUILL & QUIRE, GLOBE AND MAIL
WINNER OF THE TD CANADIAN CHILDREN'S LITERATURE AWARD
FINALIST FOR THE GOVERNOR GENERAL'S AWARD
AN AMERICAN INDIAN YOUTH LITERATURE HONOR TITLE
A BOSTON GLOBE--HORN BOOK HONOR BOOK
When Katherena and her mother move to a small town, Katherena feels lonely and out of place. But when she meets an elderly woman artist who lives next door, named Agnes--her world starts to change.
Katherena and Agnes share the same passions for arts and crafts, birds, and nature. But as the seasons change,…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This 4-volume serialized graphic novel tells the story of an Indigenous family across centuries and generations, stretching from Indigenous history before colonialism to ongoing colonial violence in Residential Schools until the present world of a Cree youth in existential crisis as he attempts to take his own life. His mother then guides him on a path of personal healing from his intergenerational trauma through stories about their history and traditions; Edwin’s journey takes him into the heart of ceremony and connection with his culture and history. He discovers his own strength to heal and then offers his father the opportunity to find his own healing path.
In this graphic novel, we are educated about Indigenous history through stories of struggle, resilience, and resurgence across the centuries. As Edwin, guided by his mother, meets with Elders, embraces his Cree identity, and pursues a path of healing through traditional teachings and practices,…
Illustrated in vivid colour, 7 Generations: A Plains Cree Saga is an epic story that follows one Indigenous family over three centuries and seven generations. This compiled edition was originally published as a series of four graphic novels: Stone, Scars, Ends/Begins, and The Pact.
Stone introduces Edwin, a young man who must discover his family's past if he is to have any future. Edwin learns of his ancestor, Stone, a Plains Cree warrior who came of age in the early 19th century. When Stone's older brother is tragically killed during a Blackfoot raid, he must overcome his grief to avenge…
I really am passionate about children and education. Reading to children is such a joy especially when they snuggle in and get absorbed in the story. Education is the only way to achieve some sort of equity in our world. The world I knew as a child is no more and that is a good thing. Cruel biases and intolerance hurt so many. Today there is more freedom and the potential to live true to yourself whatever that may be. I like books that show the diversity of our humanity, that can be read to children to broaden their understanding, acceptance, and tolerance of family which may be very different from their own.
This book is a conversation between a grandchild and their grandma who is a residential school survivor. With childlike simplicity, grandma explains why her colourful clothes, long hair, and treasured time with her brother are a reaction to being taken “from community” and being sent “far far away”. Grandma talks about students forced to wear uniforms, cut their hair, forbidden from speaking Cree, and separation from her brother.
This is a book I would probably have steered clear of “not wanting to frighten my children” when I was parenting, David Roberson does a masterful job of gently laying out facts without explanation or accusation. The book opens the door to further questions and conversations that have to be had but are very difficult to start. This is a great start.
A young girl notices things about her grandmother that make her curious. Why does her grandmother have long, braided hair and beautifully coloured clothing? Why does she speak Cree and spend so much time with her family? As she asks questions, her grandmother shares her experiences in a residential school, when all of these things were taken away.
Also available in a bilingual Swampy Cree/English edition.
When We Were Alone won the 2017 Governor General's Literary Award in the Young People's Literature (Illustrated Books) category, and was nominated for the TD Canadian's Children's Literature Award.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
School Library Journal invited Sandra, three other authors and myself to participate in their May 18th SLJ Day of Dialog to present our upcoming books centered around belonging. My first discovery of Sandra's book, We Belong to the Drum was through this event and collaboration.
Sandra's son is the star of the story, starting in the womb before Nikosis was born. The story centers around his Ancestral connection to the drum and the community found in gatherings and powwows. When Nikosis starts daycare he has separation anxiety and feels lonely in this new environment. Nikosis's mom has the brilliant idea to bring their Cree identity through music and drumming into the classroom which empowered both Nikosis and his peers.
It is a beautiful book of proudly walking in one's identity and communities welcoming that identity.
The drum represents the heartbeat of Mother Earth. We all belong to the earth and we all belong to the drum.
Nikosis grew up going to powwows with his family, happily immersed in music, dance and the sounds of the drum. But when he starts going to daycare, he doesn’t feel like he belongs. Nikosis cries every time his mother leaves him in the unfamiliar environment until, one day, she and the teachers use drums to help Nikosis find connection and comfort.
Inspired by her son’s experience―and her family's love of powwow music and dance―Indigenous educator and champion hoop dancer…