Here are 99 books that Maybe We'll Make It fans have personally recommended if you like
Maybe We'll Make It.
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I’m a journalist whose work is often heard on NPR's national news magazines, and read in publications such as The New York Times, New York Magazine’s Vulture, BBC Culture, Wired, and Bandcamp. I'm most interested in stories about people, communities, and scenes that have been overlooked, forgotten, seen through a distorted lens, or perhaps never seen at all. I’m on a mission to get to a deeper understanding of what’s at stake in the way we see music and art- and the way we see ourselves.
Daphne A. Brooks’ book is a revolutionary work, centering more than a century of innovations by Black women in popular music who have been marginalized, overlooked, or erased.
Situating Zora Neale Hurston as a sound archivist and performer and Lorraine Hansberry as a cultural critic alongside blues pioneers such as Bessie Smith and Mamie Smith and contemporary artists like Janelle Monáe and Valerie June, Brooks doesn’t merely fill in blind spots.
She exposes how those blind spots reflect the partial, subjective view of white male critics and historians.
Showing us a different way of seeing and listening to culture, Brooks has informed and inspired my thinking, and some of the best work I’ve done as a journalist, including this piece about Elizabeth Cotten, whose music fueled the 1960s folk revival.
Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Rolling Stone Best Music Book of the Year A Pitchfork Best Music Book of the Year
"Brooks traces all kinds of lines, finding unexpected points of connection...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening by tracing lineages and calling for more space." -New York Times
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyonce.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a journalist whose work is often heard on NPR's national news magazines, and read in publications such as The New York Times, New York Magazine’s Vulture, BBC Culture, Wired, and Bandcamp. I'm most interested in stories about people, communities, and scenes that have been overlooked, forgotten, seen through a distorted lens, or perhaps never seen at all. I’m on a mission to get to a deeper understanding of what’s at stake in the way we see music and art- and the way we see ourselves.
With amazing illustrations by Rachelle Baker, the journalist Clover Hope spotlights dozens of women who have played an integral role in hip-hop’s story, from legends such as Roxanne Shanté and Lil’ Kim to less often celebrated trailblazers like Bytches with Problems.
Documenting women's often unrecognized influence, Hope leaves you with a sense of how deeply they have nevertheless left their mark, and keeps their legacy alive for future generations of music-makers.
An illustrated highlight reel of more than 100 women in rap who have helped shape the genre and eschewed gender norms in the process
The Motherlode highlights more than 100 women who have shaped the power, scope, and reach of rap music, including pioneers like Roxanne Shante, game changers like Lauryn Hill and Missy Elliott, and current reigning queens like Nicki Minaj, Cardi B, and Lizzo-as well as everyone who came before, after, and in between. Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their…
I’ve curated a list of music memoirs that resonate deeply with me, particularly because they strip away the polished veneer of fame and expose the raw, imperfect humanity of their subjects. My book, Asshole, explores similar territory, delving into the complexities and contradictions that make us who we are.
These memoirs, much like my book, aren't about celebrating flawless heroes. Instead, they offer unflinching accounts of individuals—whether artists, managers, or those behind the scenes—navigating the extraordinary and often turbulent landscape of the music industry. These stories delve into the imperfections, challenges, and moments of accountability— sometimes even outright acts that might be considered, well, asshole-ish—that shape these fascinating lives, leaving a lasting impression.
This book is a powerful and often heartbreakingly honest memoir from an artist who was frequently misunderstood throughout her career.
Before her untimely passing, Sinéad offered her own perspective on her life, her activism, and the numerous challenges she faced within the music industry and in her personal life.
One of the most compelling parts of the book for me was understanding how Sinéad saw herself and the fallout from the infamous Saturday Night Live incident, where she tore up a photo of the Pope. This act significantly impacted her career. Her account of Prince, who penned one of her biggest hits, is also quite memorable, though not particularly flattering to him.
Ultimately, it's a sad story of a fiercely independent and deeply emotional individual who often seemed unfairly castigated, and I truly appreciated her raw energy and unfiltered perspective in the book. Her loss is a significant one.
From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song.
Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world famous—living a rock star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a journalist whose work is often heard on NPR's national news magazines, and read in publications such as The New York Times, New York Magazine’s Vulture, BBC Culture, Wired, and Bandcamp. I'm most interested in stories about people, communities, and scenes that have been overlooked, forgotten, seen through a distorted lens, or perhaps never seen at all. I’m on a mission to get to a deeper understanding of what’s at stake in the way we see music and art- and the way we see ourselves.
Living Colour enjoyed an all too brief moment of superstardom at the same time as Sinéad O’Connor.
Grappling with issues such as racism, classism, and police brutality, it fused different musical styles. Yet white critics often saw the all-Black band as a rock anomaly- which was ironic considering that Little Richard and the saxophonist Maceo Parker (who played with James Brown) were among Living Colour's key collaborators!
Through interviews with the band and key players in the production and reception of its bold, experimental 1990 album, Time’s Up, Mack shows why Living Colour was (and is) musically and politically powerful, and why it remains influential.
For me what makes this book really shine is her presence in the story as a Black girl growing up loving rock, then later as a scholar reclaiming it.
The iconic Black rock band Living Colour's Time's Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid. Time's Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don't immediately fit. The confrontational hardcore-thrash metal - complete with Glover's apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh's human beat box on "Tag…
Like many others, I had an early fascination for pop music, which moved on to rock music as I grew older. I would love to know more about the artists or music figures who made such emotional and stunning music that made the world better and more exciting. British rock and roll music has made a massive impact on the Western life that we all know and love. These five books are the best ones for me, and while all are unique, they have humor and interesting details and let me gain knowledge about these iconic figures.
Morrissey was the singer and icon from the British band The Smiths, who had a major influence on me and thousands of other Brits growing up in the 1980s. His wit is legendary, and he uses it to good effect in this story of the band. At times, he is painfully cruel about many music world figures, including his ex-bandmates, but it makes for an entertaining, humorous, and raw account of his life.
Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades.
Achieving twelve Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others.
An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.
Umm Kuthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her popularity in a society which discouraged women from public performance. The text examines the careful construction of Kulthum's popularity; from childhood her mentors honed her abilities to accord with Arab and Muslim practice, but ultimately, she created her own idiom from local precedents and traditions, and developed original song styles from both populist and neo-classical traditions. Danielson seeks to show how Umm Kulthum's music and public…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
When my son was a rocking toddler, he needed everything just so—a twisted guitar strap could ruin his gig. We both drew inspiration from Elizabeth Cotten, who managed to play guitar despite being left-handed and teaching herself upside down and backwards. By the age of 11, Cotten had written “Freight Train,” one of the most famous folk songs of the last century. Take that, perfectionism.
Elisabeth Cotten was only a little girl when she picked up a guitar for the first time. It wasn't hers-it was her big brother's-and it wasn't strung right-she was left-handed. But she flipped that guitar upside down and backwards and taught herself how to play it anyway. By eleven, she'd written "Freight Train," one of the most famous folk songs. And by the end of her life, everyone from the California beaches to the rolling hills of England knew her music.
This lyrical, loving book from acclaimed singer-songwriter Laura Veirs and debut illustrator Tatyana Fazlalizadeh tells the story of the…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
This enduring LGBTQ icon might have been famously enigmatic, but O’Brien presents the story of the cool queen of blue-eyed soul with depth, precision, and humanity, qualities present in all of O’Brien’s books. Dusty’s tale is multi-faceted, often troubled, and tremendously relatable, but her profound strength comes through in this meticulously researched book, which also features an array of interviews with contemporaries and colleagues such as Tom Jones, Lulu, and Jerry Wexler.
FULLY REVISED AND UPDATED, THE STORY OF DUSTY SPRINGFIELD TWENTY YEARS ON.
'Provocative and deadly accurate' - Time Out
Dusty Springfield was one of our greatest pop singers. From 60s hits like 'I Only Want To Be With You', 'Son of a Preacher Man' and 'You Don't Have To Say You Love Me' to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female…
I’ve always loved stories about the anti-heroines–messy, brash women who do things in print that I would never dream of doing in real life. I’ve tried to honor the difficult women in my own books, by showing that a heroine’s flaws do not have to be adorable to carry a narrative. My first career was as a reporter for small-town newspapers, during which time I enjoyed confounding my sources who underestimated a petite, baby-faced young woman. Journalism may have been an awkward fit at times for a person raised to be a nice girl (a literal Girl Scout) but it certainly gave me opportunities to practice being an unapologetic woman!
I became a Brandi Carlile fan through her memoir, first. Various bookish people had been excited about it, and I love a memoir in audiobook, especially from a creative person. She sings! In the audiobook! Coming of age as an openly gay young person in the 1990s Pacific Northwest who loved country music wasn’t the easiest way to fit in. (I saw her in concert recently, and she joked about performing three-part harmony in Seattle at the height of grunge.) But she has always embraced her inner misfit. For example, some of her early performance costumes were inspired by the outlandish outfits of ‘70s Elton John…who is now a personal friend. “The Joke”, one of her most beautiful songs, is all about the misfits winning out in the end, and I love her for this stubborn faith.
#1 NEW YORK TIMES BESTSELLER • The critically acclaimed singer-songwriter, producer, and six-time Grammy winner opens up about faith, sexuality, parenthood, and a life shaped by music in “one of the great memoirs of our time” (Glennon Doyle, author of Untamed).
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND AUTOSTRADDLE • “The best-written, most engaging rock autobiography since her childhood hero, Elton John, published Me.”—Variety
Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.
The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.”
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history.
This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss.
For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania…
