Books like Max and Moritz — picked by fans

When I saw this book, translated into English in 2009, I was very skeptical. I’d never enjoyed a graphic novel, and even though I’d enjoyed math in school, I couldn’t imagine reading an entire book devoted to the history of the philosophy of mathematics.

But somehow the sheer audacity of what they had attempted made it catnip to me, and before I knew it, I’d inhaled the whole thing and felt high on the feeling that anything was possible. If this could be a graphic novel, I thought feverishly, couldn’t my old obsession, Maria Lani? If only I could find an illustrator who felt the same way….

I bought this book when I first got into the field of data visualization. I wasn’t planning on learning how to create comics; I just wanted to see how someone from a different discipline—a comic artist—thought about position, color, meaning, and communicating a whole lot of things in a compact format.

All game designers struggle with what it means to be creative, and whether they are doing it properly. What It Is and its companion book, Picture This are very personal guides to what it means to be a creative person, and are full of inspirational stories and very practical tips to create your best work and not get in your own way. 

One of those books that tells you about a topic most people never think about - in this case, your trash. Partly semi-autobiographical about the time Backderf spent as a a trash collector but interspersed with general info about America's love of waste and where it all ends up. Backderf's hyper-exaggerated figures render everything fun to read, with a cynical but accurate eye towards human behavior. It's also painstakingly detailed, and the depictions of the gigantic dumps at the edges of towns cannot be unseen. We all know that trash smells terrible - and boy does this book manage to convey how much worse the smell of a whole canyon full of trash can be.

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

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A fantastic work of a surefooted wordsmith takes an equally talented translator to carry it across the linguistic barrier in a way that makes it a literary treat in its own right.

I’m envious of Breon Mitchell’s limpid linguistic manoeuvering that has rendered the German modern classic very enjoyable in English. The narration set in Nazi times as told by a dwarf – who is rather unlikeable by all counts – is an ingenious technique of stripping bad politics to its bare bones and laying out the nonsense that remains.

It is political without being political. There are signs galore in the book for metaphor hunters, but I simply revelled in the language of this remarkable debut work.           

One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.

It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.

I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.

This amazing narrative history of the invention of synthetic fertilizer is arguably a bit off topic, except that the subtitle could have ended: …That Fed the World, But Now Generates 10 Percent of Agricultural Emissions.

Nitrogen fertilizer was probably the most important invention of the 20th century, even more so than TV or the bomb; half the 8 billion people on Earth wouldn’t be here without it.

But the Haber-Bosch chemical process that literally converts fossil fuels into nutrition has created all kinds of environmental problems, including not only greenhouse gases but nitrate pollution that has created a dead zone the size of Connecticut in the Gulf of Mexico.

Now a new scientific race is on, because farmers will need to produce 50 percent more calories by 2050 to feed the growing world population, but they’ll have to do it with a lot less fertilizer pollution and other agricultural messes.

How do people react when a dictatorship forces them to make choices? To learn more, read this brilliant memoir by a journalist looking back on his life in 1930s Berlin. Happily focused on his legal training and circle of friends, Sebastian Haffner at first showed little interest in politics and rejected the Nazis out of instinct rather than principle. Disgusted but powerless, he was content to keep a low profile under the new regime. To his own lasting shame, however, he one day answered “yes” when an SA stormtrooper demanded to know if he was “Aryan.” But Haffner’s friendships and liaisons with Jews, and his belief in the rule of law, ultimately made him realize that he couldn’t live in Nazi Germany. His final choice? Exile in Britain.   

The story of Sophie Scholl and the student resistance group, the White Rose, never fails to being me to tears.

Sophie, her brother Hans, and friends in Munich printed and distributed thousands of anti-Nazi leaflets, which describe a post-war need for international cooperation. She believed that it was wrong for anyone to side with their own nation if they knew that nation was doing wrong.

She and her friends paid the price for their resistance but remained defiant to the end. Sophie wrote one word on the back of the indictment against her: ‘Freedom’.

Never has her story been more inspiringly told than by McDonough.