Here are 100 books that Mason & Dixon fans have personally recommended if you like
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I’ve always been drawn to the moments when things shift—when what once made sense stops making sense, and you have to find your way through. As a designer and leader, I’ve spent years learning to read change instead of resisting it. I’m passionate about this space because it’s where growth actually happens. These books remind me that clarity doesn’t come all at once; it arrives through attention, through relationship, and through the slow, often messy work of becoming.
I love this book because it changes the way I see the world every single time.
Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.
The Overstory humbles me, and because humility, to me, is where clarity begins.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
Usually, when I think of the Romantic Age, I think of the art and literature of the time. But I love how this book depicts its science as a wide-open activity, full of the wonder, false starts, pleasures, and pitfalls of any creative activity.
I think every scientist in this book also wrote poetry; the vast majority of them took as a given the fact that aliens lived on other planets; scientific lectures were a form of popular entertainment, as were many discoveries: e.g., laughing gas, the first anesthesia, was used at parties to get high before it was used in medicine.
I love to think of the discoveries of the past in the context of today, as when the race between England and France to develop a steerable hot-air balloon was, in effect, the first “space race.”
Shortlisted for the Samuel Johnson Prize and winner of the Royal Society Prize for Science Books, Richard Holmes's dazzling portrait of the age of great scientific discovery is a groundbreaking achievement.
The book opens with Joseph Banks, botanist on Captain Cook's first Endeavour voyage, who stepped onto a Tahitian beach in 1769 fully expecting to have located Paradise. Back in Britain, the same Romantic revolution that had inspired Banks was spurring other great thinkers on to their own voyages of artistic and scientific discovery - astronomical, chemical, poetical, philosophical - that together made up the 'age of wonder'.
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
Only separated by two years, I think Proulx’s Barkskins and Powers’s Overstory can be thought of as companions to one another. I like how the pun of Powers’s title refers to both the tree canopy that towers over the landscape and the overarching story that all of his sub-stories form as they come together, while I think of Proulx’s Barkskins as the meaty understory.
It opens in Canada’s colonial past when the continent was a vast carpet of old-growth forest. Explorers arrived, shortly followed by French settlers and indentured servants contracted into a kind of slavery to clear-cut the forests. I like how she leads us from this pristine beginning, through the exploitation of the forest and its indigenous dwellers, to the global distribution of lumber. In some ways Overstory picks up where the epic that is Barkskins leaves off.
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017
NOW A MAJOR TELEVISION SERIES
From Annie Proulx, the Pulitzer Prize-winning author of The Shipping News and Brokeback Mountain, comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world's forests.
In the late seventeenth century two penniless young Frenchmen, Rene Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a "seigneur," for three years in exchange for land, they become wood-cutters - barkskins. Rene suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
I loved this book for the way it explained things hiding in plain sight about the direction science took and the shape that America has today—doing so through the biography of Alexander von Humboldt.
Though I live near Humboldt Park in Chicago, I had no idea that he was so important in the Americas that the U.S. was going to name a state after him (it was instead named Nevada). I learned that he was the most important and famous scientist of the age for his attempt to unite all the sciences as different aspects of one cosmic whole: an approach that fell into obscurity after Darwin and the modern specialization that followed.
Humboldt and his approach to nature has since had a revival, but I believe this book to be the source of most books that followed.
Explorer, scientist, writer, and humanist, Alexander von Humboldt was the most famous intellectual of the age that began with Napoleon and ended with Darwin. With "Cosmos", the book that crowned his career, Humboldt offered to the world his vision of humans and nature as integrated halves of a single whole. In it, Humboldt espoused the idea that, while the universe of nature exists apart from human purpose, its beauty and order, the very idea of the whole it composes, are human achievements: cosmos comes into being in the dance of world and mind, subject and object, science and poetry. Laura…
I am a Dutch astronomer and historian of maritime navigation who somehow landed a coveted academic job in Sydney, Australia. I spend much of my free time on weekends at the Australian National Maritime Museum as a guide on our vessels, as a speaker, as a consultant on matters related to the historical determination of longitude at sea, and as a deckhand on our historic tall ships. I’ve written 2 history of science books, including a biography of William Dawes, the astronomer on the ‘First Fleet’ from England to Australia (1787–1788). In addition to this, I enjoy writing about the history of medicine and diseases during the Age of Sail.
In early times, during the European colonisation of the East Indies (the Spice Islands), the various East India companies would closely follow the African shoreline on their way north and east from the Cape of Good Hope. This turned out to be slow going, and so when the Dutch discovered the ‘Brouwer route,’ following the roaring forties before turning north some distance before hitting the Australian coast, their passage could be shortened by at least a month. The main problem of those early navigators was to decide when to turn north before running into the Western Australian coast. Many ships, and many Dutch ships in particular, misjudged their longitude and so ran into coastal shallows and shipwrecked.
The waters just off the Western Australian coast cover numerous early shipwrecks, with Dutch shipwrecks being particularly well represented. As an avid maritime history enthusiast with Dutch roots, this book is right up…
My favorite place to be is on salt water, in a sailboat. When that’s not possible, I either write about sailing or seek out stories that take me out to sea. I was first on a sailboat at ten days old, and as a lifelong sailor and Olympian, I speak sailing. So, I really appreciate other authors who write about my passion in a truly knowledgeable voice. I’m so glad I took the time to put this list together because it reminded me of some old favorites I'm going to put back on my TBR list.
I loved this book because it fictionalized a “real” sailboat race around the world: what was then called The Whitbread, rebranded as the Volvo Ocean Race and now known as The Ocean Race.
The characters are true to life and the sailing details are both right and thrilling. I would not want to race around the world (or even across my local waters) with any of them, but their quirks and willingness to push the boundaries make for a rollicking story.
For climbers there is Everest. For sailors there is the Great Circle - a race round the world from Portsmouth, UK, leaving the Cape of Good Hope and Cape Horn to port.
In the Great Circle, men and women pit their wits against each other - and against the big, cold, violent sea.
Ed, UK, is racing for his reputation. Art, USA, is racing for his job. Tubes, Australia, is racing for the hell of it. Harriet is racing for love. And Emily is racing towards oblivion. For all of them and the rest of the crews, crossing the finish…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.
I’m not a great Wilbur Smith fan, but I read this story because it involves trade with India in the age of sail and the monsoon, and it has stayed with me. There is a sweeping plot taking an 18th Century Englishman on a perilous voyage around the Cape of Good Hope to the Indian Ocean, memorable characters, victims of greed and perpetrators of evil, and some brilliantly described action scenes. If you want some edge-of-your-seat armchair travel, this novel will take you on a real adventure to far-away places.
BOOK 10 IN THE EPIC HISTORICAL SAGA OF THE COURTNEY FAMILY, FROM INTERNATIONAL BESTSELLER WILBUR SMITH
'Smith will take you on an exciting, taut and thrilling journey you will never forget' - The Sun
'With Wilbur Smith the action is never further than the turn of a page' - The Independent
'No one does adventure quite like Smith' - Daily Mirror
THEY LEAVE AS BROTHERS. THEY RETURN AS MEN.
The East India Trading Company is under attack from pirates. Under orders from the King himself, famed sailor Hal Courtney makes the dangerous journey to Madagascar with his young sons, charged…
Similar to many other men and women, when I was younger and more naïve, I had the romantic dream of sailing around the world, exploring and experiencing new times in exotic places. Like many others who turned that dream into reality, I quickly learned the new and exotic moments were far out-shadowed by the life-threatening, dream-ending, nightmare realities of ocean sailing. Fortunately, I ended the voyage before I killed myself. I wanted to share my dream and nightmare experiences with those who dream.
I like this book because it was the first book I read as a child about sailing around the world. It filled me with a sense of adventure that ignited in me a desire to do the same while also filling me with a sense of dread.
Unfortunately, I focused more on the romance of the story than on the reality.
"The classic of its kind." —Travel World "One of the most readable books in the whole library of adventure." —Sports Illustrated "The finest single-handed adventure story yet written." —Seafarer Challenged by an expert who said it couldn't be done, Joshua Slocum, an indomitable New England sea captain, set out in April of 1895 to prove that a man could sail alone around the world. 46,000 miles and a little over 3 years later, the proof was complete: Captain Slocum had performed the epic "first" single-handedly in a trusty 34-foot sloop called the "Spray." This is Slocum's own account of his…
As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.
This is a less sophisticated mystery than the other four but doesn’t suffer for that reason.
Mickie Mckinney is a schoolboy detective and the setting is a school. I like the conceit that his office is in a cupboard under the stairs. The crimes are not sophisticated, which will suit some readers, and the humour is good.
In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century.
The late Roy Porter wanted to show that England did not lag behind Scotland in promoting Enlightenment, and assembled a huge quantity of material to show not just the theoretical but also the practical effects of Enlightenment. Ranging widely, he dwells on practical projects like the building of roads and canals, on the beginnings of industry (e.g. Wedgwood’s pottery factory at Etruria), and on reform of the criminal law. A distinguished historian of science, he says much about medical experiments, scientific research, and the increasingly humane treatment of mental disorders.
It is almost impossible to encapsulate briefly the range and variety contained in Roy Porter's major new book. For generations the focus for those wishing to understand the roots of the modern world has been France on the eve of the Revolution. Porter certainly acknowledges France's importance, but makes an overwhelming, fascinating case for considering Britain the "true" home of modernity - a country driven by an exuberance, diversity and power of invention comparable only to 20th-century America. Porter immerses the reader in a society which, recovering from the horrors of the Civil War and decisively reinvigorated by the revolution…