Here are 100 books that Markmaker fans have personally recommended if you like
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Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
One of the main characters in this book, the love interest actually, is on a quest to make the perfect chicken broth. Not art, exactly, but an act of creation. The multiple iterations and the constant tweaking of the recipe comprise a deep dive into an artist’s process as they strive to make the most perfect version of the thing in their head. That thing could be a painting, or a novel, or in this case, broth. This isn’t the main storyline, but it’s a significant side story and an indication of the author’s off-kilter take on space opera. All set in an imaginative world and the creative crucible of a high-end restaurant. Bonus points for the found family and community elements.
The Sol Majestic is a big-hearted and delightful intergalactic hopepunk adventure for fans of Becky Chambers and The Good Place
"A feast of a book.”—Hugo Award-winning author Seanan McGuire
Kenna, an aspirational teen guru, wanders destitute across the stars as he tries to achieve his parents' ambition to advise the celestial elite.
Everything changes when Kenna wins a free dinner at The Sol Majestic, the galaxy's most renowned restaurant, giving him access to the cosmos's one-percent. His dream is jeopardized, however, when he learns his highly-publicized "free meal" risks putting The Sol Majestic into financial ruin. Kenna and a motley…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
None of us had any choice about where or when we were born, nor under what circumstances. Marie Antoinette could have just as easily been born the illegitimate daughter of a scullery maid as the archduchess of Austria that she was. That’s why the whole servant-employer dynamic has always intrigued me. Servants are, in fact, real people, always have been. Though they’re often treated as little more than sticks of furniture, servants have been overhearing, observing, revealing, and plotting a lot of fascinating things throughout all time.
Wellborn Margaret Macy is not used to hard work, so when she falls on hard times and disguises herself as a maid in a gentleman’s palatial home, she’s going to have difficulties. However, it’s not just a matter of getting the silver shiny as she also has to remain undetected by her employer…who tried to court her not so very long ago.
Regency Romance and Mystery from Bestselling Author Julie Klassen
Pampered Margaret Macy flees London in disguise to escape pressure to marry a dishonorable man. With no money and nowhere else to go, she takes a position as a housemaid in the home of Nathaniel Upchurch, a suitor she once rejected in hopes of winning his dashing brother. Praying no one will recognize her, Margaret fumbles through the first real work of her life. If she can last until her next birthday, she will gain an inheritance from a spinster aunt--and sweet independence. But can she remain hidden as a servant…
I love YA dystopian as a genre because the stakes are always high, and we get more action and tragedy in a survivalist, future-fantasy setting. There are usually mutants, zombies, or even superhuman powers involved, which raises the tension and keeps things moving. The subtle social commentary and epic, poignant twists make them much more than simple teenage novels. My own dystopian series explores these themes, but with aliens, time travel, vampires, floating kingdoms, or technology. As an adventure junkie from Oregon, I love the rich, ruined dystopian landscapes of decay and natural overgrowth; and as a philosophy major I enjoy stories that grapple with humanity’s purpose.
The Selection is based on reality TV shows like The Bachelor – only he’s a prince and girls compete to be selected into a life of royal privilege.
Just one problem for America Singer, she’s already in love with someone from a lower class and isn’t interested in crowns or jewels…until she meets the prince and realizes not everything is as it appears.
Fated or chosen mate relationships aren’t just a YA dystopian trope; finding the perfect partner is something most of us aspire to, and it’s always thrilling to read about a heroine who refuses her destined path and challenges the social status quo; throwing away a happily ever after in favor of freedom and adventure strikes a chord I can relate to.
It's the chance of a lifetime and 17-year-old America Singer should feel lucky. She has been chosen for The Selection, a reality TV lottery in which the special few compete for gorgeous Prince Maxon's love.
Swept up in a world of elaborate gowns, glittering jewels and decadent feasts, America is living a new and glamorous life. And the prince takes a special interest in her, much to the outrage of the others.
Rivalry within The Selection is fierce and not all of the girls are prepared to play by the rules.…
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
Ok, I cheated (already). This is not really about art, but it is about politics. There are some essays on art, but all of it is about how badly we have screwed up how we think about politics, especially in the United States.
We think and talk—incessantly, endlessly—about disparities between groups. What this book shows, from every angle, is that this way of talking and thinking is how exploiters want us to talk and think. Sounds counterintuitive, I know.
The point is to stop talking about disparities and disproportionalities of awfulness and start talking about class inequality. The point is also to say that addressing class inequality is addressing disparities, but not vice versa.
Denouncing racism and celebrating diversity have become central to progressive politics. For many on the left, it seems, social justice would consist of an equitable distribution of wealth, power and esteem among racial groups. But as Adolph Reed Jr. and Walter Benn Michaels argue in this incisive collection of essays, the emphasis here is tragically misplaced. Not only can a fixation with racial disparities distract from the pervasive influence of class, it can actually end up legitimising economic inequality. As Reed and Michaels put it, “racism is real and anti-racism is both admirable and necessary, but extant racism isn’t what…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.
One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.
William Makepeace Thackeray's Vanity Fair depicts the anarchic anti-heroine Beky Sharpe cutting a swathe through the eligible young men of Europe, set against a lucid backdrop of war and international chaos. This Penguin Classics edition is edited with an introduction and notes by John Carey.
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia Sedley, however, longs only for the caddish soldier George. As the two heroines make their way through the tawdry glamour…
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
I have a deep passion for the psychology of revolution because my family has experienced revolution in our country of birth, and I have expertise on this topic because, as a psychologist, I have extensively studied revolutions for decades. This is a topic seldom studied by modern psychologists, perhaps because most research psychologists live in Western countries and have not experienced revolutions. Western psychologists have no experience with revolutions. The last book published with the title of my book, The Psychology of Revolution, came out in 1894! I am very enthusiastic about putting together this diverse reading list, which is made up of research books, novels, and a poetry collection.
I include Robert Putnam’s book because, in a sense, it is about continuity rather than change, so it is about how things stay the same in some ways rather than revolutions that change things. What I particularly like about this book is Putnam’s discussion of inheritance, which he sees as being about far more than monetary wealth. Inheritance includes all the social networks, friends, connections, social knowledge, and everything else of value that your family passes on to you. Many inherited things are intangibles–like what you learn while sitting around as a child with your family, listening to grown-ups speak.
Because inheritance is so vast, kids who are ‘poor’ are not just poor materially; they are poor because they lack the vast social knowledge and informal networks that rich kids inherit. This makes it far more difficult for poor kids to move up and make a success of themselves–so there…
A New York Times bestseller and "a passionate, urgent" (The New Yorker) examination of the growing inequality gap from the bestselling author of Bowling Alone: why fewer Americans today have the opportunity for upward mobility. Central to the very idea of America is the principle that we are a nation of opportunity. But over the last quarter century we have seen a disturbing "opportunity gap" emerge. We Americans have always believed that those who have talent and try hard will succeed, but this central tenet of the American Dream seems no longer true or at the least, much less true…
I’m passionate about reading books in which three-dimensional female heroines are put into situations where they are challenged to reach their full potential, along with being capable of looking after themselves and facing their fears. A great, suspenseful thriller allows me to delve into that dangerous part of the world, which is frightening but strangely enticing.
I loved this book because it reminded me of how brutally the Suffragettes were treated, even by their own families.
I loved the history behind the story, which included World War I and how women looked after their families in a time of great poverty.
At times, I was angry for the heroine, but I loved how her fortitude and resilience to survive made me feel empowered. In the end, it was an uplifting story of hope and love.
Eveline's father believes a woman's place is in the home...
But when she is accidentally caught up in a suffragette march, it changes her life forever.
She finds friendships, and even the possibility of love too in the form of the gentlemanly Laurence Jones-Fairbrook. But will she be forced to choose between her family and friends... between duty and love?
(Note: previously published as Give Me Tomorrow by Elizabeth Lord)
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
I’ve often thought that discrimination against poor people is the last socially acceptable prejudice. Kahlenberg proves me correct.
While racial segregation has declined, economic segregation has increased exponentially. Kahlenberg exposes the myths and false arguments that justify economic discrimination. He shows that excluding the poor is most common in liberal communities on the two coasts.
Research demonstrates that where we grow up has a powerful effect on our ability to succeed in school and the job market, demolishing the idea that we are a meritocracy and that rich people deserve to live behind invisible walls in privileged communities.
The last, acceptable form of prejudice in America is based on class and executed through state-sponsored economic discrimination, which is hard to see because it is much more subtle than raw racism.
While the American meritocracy officially denounces prejudice based on race and gender, it has spawned a new form of bias against those with less education and income. Millions of working-class Americans have their opportunity blocked by exclusionary snob zoning. These government policies make housing unaffordable, frustrate the goals of the civil rights movement, and lock in inequality in our urban and suburban landscapes.
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
I’m an avid reader of speculative fiction: fantasy, science fiction, horror, “what-if” stories of our world with a twist... you name it, I’m in. But what really sells a spec-fic story for me is the characters that populate the world – the relationships that form the heart of the otherworldly story – and I’ve always found sisterhood, in particular, extremely compelling. I’ve actually written two speculative books featuring sisters myself, and have another sisters-driven adventure coming out next year! I’m also one of three sisters, and growing up, these relationships served as the basis of so many memories, as well as informed so much of who I am.
Kate Elliott’s young adult series feels a bit like Game of Thrones meets Little Women (both of which I loved, so Elliott’s concept was a dream mash-up for me!). The protagonist, Jessamy, lives in a fantasy world divided by class, a domain where laudable competitors compete in a series of various trials and tribulations called the Fives. As a writer, I found Elliott’s world so well thought out and executed, but it was the Little Women elements of this series that most claimed my reader heart. I treasured the quieter moments between Jessamy and her sisters, who are all memorable, fully rendered, and compelling, and the relationships between them, complex and real.
Now available in paperback, World Fantasy Award finalist Kate Elliott's first young adult novel was praised by Kirkus for its "gripping, original plot; vivid, complicated characters; and layered, convincingly detailed world building."
Jessamy's life is a balance between acting like an upper-class Patron and dreaming of the freedom of the Commoners. But away from her family she can be whomever she wants when she sneaks out to train for The Fives, an intricate, multilevel athletic competition that offers a chance for glory to the kingdom's best contenders.
Then Jes meets Kalliarkos, and an improbably friendship between two Fives competitors--one of…
