Books like Markmaker — picked by fans

Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.

I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.

Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.

Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love. 

I’m passionate about reading books in which three-dimensional female heroines are put into situations where they are challenged to reach their full potential, along with being capable of looking after themselves and facing their fears. A great, suspenseful thriller allows me to delve into that dangerous part of the world, which is frightening but strangely enticing.

Growing up during the Cold War, I became interested in Communism early. I read about how the Communist International worked to spread the world revolution. Despite its Eurocentrism, Communism appealed to people in Asia, Latin America, and Africa. However, it failed to make meaningful inroads in the Middle East. I wanted to know why. When I trained to become a historian, my curiosity turned towards the Arab world. I decided to combine my two interests and research the history of Arab Communist movements. I discovered a fascinating world of firebrand activists struggling against the tide of nationalism, fascism, and religious bigotry. I hope you find these books as gripping as I did.

As a kid, I was consistently described as one who had her head in the clouds. I was far away imagining all sorts of fantastical things; dragons soaring in the sky, a witch blasting a fireball in the grocery store, a werewolf coming to eat the gym teacher, the coffee barista is actually a vampire, etc. There is something alluring about supernatural beings existing in our often mundane world; whether they are being subjected to the same life we are or are wreaking havoc for any reason.

I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.

I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did. 

I grew up with a graveyard in my backyard: the historic Schenck-Covenhoven Graveyard in Penns Neck, New Jersey, just outside Princeton. This small square plot, filled with the 18th- and 19th-century graves of local families, served as the perfect playground for hide-and-seek and cops-and-robbers with my friends. Working as a tour guide and volunteer at Laurel Hill Cemetery for nearly thirty years, I fell in love with its rich history and its architectural and horticultural beauty. As I grow older, I have come to value cemeteries for their role as both a meeting place and a mediator between the living and the dead.