Books like Marcovaldo — picked by fans

I have been researching the changes in the workplace for 40 years now. The steady move over that time has been away from a situation where employers controlled the development of their “talent” and managed it carefully, especially for white-collar workers, toward arrangements that are much more arms-length where employees are on their own to develop their skills and manage their career. Most employees now see at least some management practices that just don’t make sense even for their own employer–casual approaches to hiring, using “leased employees” and contractors, who are paid more, to do the same work as employees, leaving vacancies open, and so forth.

The last story in my collection is a 13,000-word contemplation about laziness (titled "Indolence: Notebooks"). Of course, paradoxically, to write about laziness (or read about it) is to succumb to it. Diligence is often paired with "virtue" or determination. But I've been fascinated with the flip side; what are the positive aspects of inaction, procrastination, or daydreaming? Some people always try to look and stay busy, while others avoid work shamelessly at all costs.

True Story: after an exhausting day teaching classes at an overseas college, I looked out my window and saw two shepherds seated comfortably against a tree, yawning as they watched their sheep grazing in the field. Ahh, what price civilization!? 

The first story I ever wrote was set among warehouse pickers and stockers; the second, a bridge maintenance crew; the third and fifth, office workers, and the sixth, cops on the beat. I’m fascinated by the drama of work. For most people the workplace is a highly structured environment—you can’t wear what you want, you can’t say what you want, you can’t avoid that guy who drives you nuts. Who-You-Really-Are and Who-You-Are-At-Work are not always in harmony, and the tension between those two identities is richly revelatory. I live and write in Moscow, Idaho, and have taught creative writing at the University of Idaho, Stanford University, and the Iowa Writer’s Workshop.

I’m an Irish novelist and occasional screenwriter. My latest book, Duffy and Son, is my sixth. I can be drawn in by any well-told tale, of course, but I’ve always had the strongest reaction to stories with at least some element of comedy. I don’t know, I just find books in which no one says anything funny to be deeply unrealistic. It infuriates me when any piece of fiction is viewed as ‘lesser’ because there’s a chance it might make you smile. The books listed here will definitely make you smile. If you give them a chance, I hope you find them as worthy of your time as I did.

I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.  

I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.

I lived in the former Soviet Union for ten years, primarily in Moscow, the home of many a brutal tyrant. My obsession with dictator literature began after I discovered that Saddam Hussein had written a romance novel, following which I spent many years reading the literary output of all of the 20th century’s most terrible tyrants, from Mussolini to Stalin to the Ayatollah Khomeini. This monumental act of self-torture resulted in my critically acclaimed book The Infernal Library: On Dictators, the Books They Wrote, And Other Catastrophes of Literacy. 

I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction. I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.

Doing the research for The Italian Party meant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.

We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.