Books like Map Addict — picked by fans

How can travel help us find the good life? The Art of Travel asks this question of artists such as Edward Hopper and Vincent van Gogh, with profound and amusing results. Why can anticipating travel be more pleasant than actually going away? What is the lure of the Bahamas, of the ‘exotic’, of open deserts? Throughout, De Botton invites us to pay better attention to the world around us. I especially enjoy his musings on the profundities of travel—on waiting at Heathrow airport, circling ring-roads, and dried ketchup of motorway service stations.

This entertaining book treats travellers who were also liars - people who went abroad, but ‘embellished’ their journeys on returning home. It includes the tale of John Byron “Foul-Weather Jack”, who circumnavigated the globe and reported meeting nine-foot giants in 1776 Argentina. In the 1690s, traveller Louis Hennepin’s lies dramatically altered the topography of New Mexico, introducing false rivers and land masses that appeared on maps for 250 years. In the 1560s, sailor David Ingram claimed to have trekked America—describing giant cities, ruby-adorned kings, and rivers flowing the wrong way. Adams thoughtfully reflects on why these travellers lied, and why people at home believed them. The answers lie in the goods and powers associated with travel: prestige, fame, money, and the difficulty of assessing claims about the faraway.

I was gifted this book recently and it is the gift that keeps on giving.

I am an avid walker and the way the author interspersed poignant life stories with his own on walking was lovingly poetic. This quote “the walker is king, and the earth is his domain” is the one that defines the entire message of the book. I’ve been on many pilgrimages in life and witnessed many a transformation but none like the ones these philosophers uncover.

It was a joy to read the profound messages in staying present while walking as exercise. Grab a friend and enjoy walking together as you put one foot in front of the other and have meaningful conversation. 

Spinsters Abroad set out to celebrate Victorian women traveller such as Mary Kingsley, Amelia Edwards, and Isabella Bird. However, Birkett quickly discovered that these women were not straightforward role models. Yes, they travelled Africa, the Middle East, and Asia, braving hardship, and making all kinds of discoveries along the way. But it turns out, they managed that because their whiteness trumped their gender. Spinsters Abroad reveals the complexity of these women’s travels, and their lives and worlds. It reflects on their motivations for travel, as well as how Victorians conceived gender and race. The book is also jam-packed with anecdotes. Here is Edwards complaining about flies interrupting her watercolour painting of Egyptian ruins: ‘Nothing disagrees with them; nothing poisons them - not even olive-green’.

To my mind, the British Ordnance Survey Maps are the gold standard: these super-detailed maps are my most highly treasured souvenirs of a research trip in my graduate school days.

From the map I recognized every hillock and bend in the road I passed on my Hadrian’s Wall hike. With an Ordnance Survey Map, you know exactly where you are in the UK. Hewitt nimbly relates that story, weaving together history and science, nationalism, and cartography.

Besides this being an important and underappreciated slice of cartographic history, the book is simply a joy to read. When I look at my Ordnance Survey Maps now, I don’t just see marks on a two-dimensional surface, I see the faces of those creative and visionary men and recognize their Herculean efforts. 

This facsimile of the original A-Z shows London before huge swathes of the city were destroyed by enemy bombing in the Second World War. It is invaluable when searching for old addresses and presents a picture of areas that had not changed much since Victorian times but would soon be altered beyond recognition.

This is the true story of Phyllis Pearsall who (amongst other adventures in a remarkable life that was also filled with personal tragedy) decided to chart and map the geographical districts of London – a project which eventually tuned into the A-Z map. Over a year Pearsall walked 23,000 London streets to achieve this remarkable feat and set up the Geographers’ Map Company. Pearsall is complex and flawed and Hartley wasn’t always able to separate fact from the fiction (Mrs P was a wonderful storyteller but sometimes contradicted herself). Ultimately Hartley concludes ‘If there is a scene, or a word, or a character, you believe to be too fantastical, it is likely they are real.’ Mrs P did have an extraordinary life.

If you draw a map, you have many choices of symbols, colors, types of lines, sizes of characters, and so on. We may think these are just arbitrary choices perpetuated by tradition, but MacEachren successfully shows that we better conceive of those items as solutions to communication problems in a subtle dialogue with the Gestalt requirements of visual perception. Not any symbol will do. The symbols must be fit for minds like ours.

I learned a lot from this visual approach to maps.

I was drawn to this book because it explains a broad range of cartographic conventions straightforwardly. Unlike the other books on my list, this book is probably the most academic. Yet I was impressed by Ashworth’s ability to  engagingly and informatively discuss seemingly dry topics, like latitude and longitude, legends, scale, and map symbology. 

I enjoyed the wide range of illustrations featuring a mixture of historical and contemporary maps, which helped me understand the longer-term pedigree of modern map conventions and their advantages and limitations.

I was struck by this book’s unusual topic and perspective, namely focusing on maps in fantasy, children’s and science fiction literature, movies, and television. I really appreciated that the book is a collection of essays in which writers and cartographers reflect on the maps of imaginary places that featured in their works and the maps, real or imagined, that inspired their creations.

That really gives the essays a personal feeling, and you get to know a little about the creation of maps like the Marauder’s Map from the Harry Potter franchise or the various maps of Middle Earth featured in The Hobbit series. I like that the essays are conversational, and with over 200 illustrations, I was anxious to turn to the next page.