Books like Tripwire — picked by fans

In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.

Parker’s Spenser is a reliable tough guy with a good heart. A former soldier and heavyweight boxer, he tends to make short work of anyone foolish enough to fight him. But in Small Vices, he is shot by the villainous Gray Man and left for dead. After he’s discharged from the hospital, Spenser has to readjust to a gravely weakened body as he struggles to physically and mentally recover from his wounds.

This journey brings a new level of emotional depth to the series and lends added resonance to round two with the Gray Man, during which Spenser describes himself as Lazarus, “back from the grave to tell all.”

This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.

Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging. 

Simmons’ battered PI, Joe Kurtz, is released from a ten-year stint in Attica and storms through this novel to borrow a line from the late, great Roger Ebert, “like a violent unmade bed.”

Hardcase is uncompromising, terse, drenched in noir, and not for the squeamish. Kurtz is matched up against several worthy foes, including a couple of the most memorable heavies I’ve ever read about. And the ending, well, it more than justifies the title.

I love the setting and atmosphere of the book, first and foremost. New York City in 1932, just before the end of Prohibition, so there are still bootleggers and gangsters and all that jazz (literally).

I love the characters of Nick and Nora Charles – witty, sophisticated, glamorous, and living a life I can only dream of (literally – I was born 50 years too late!). While it has its humorous elements, this is a hardboiled detective story.

I love the contrast between Nick and Nora and the underworld characters that they encounter, as well as the strong undertone of cynicism that runs through it. It feels more like real life than many other detective stories, where everything is resolved by the end. 

This is how good Mosley is: I couldn’t escape the feeling that I knew his protagonist the whole time I was reading this. I swear I had met the guy somewhere. I walked those same Brooklyn streets, and Mosley’s portrait of them was strong enough and real enough to make me miss the place, even though Brooklyn is overrun with lawyers and stock brokers these days.

And Mosley’s secondary characters are just as real, and if you screw up, you just might meet some of them. One last thing: when Mosley writes about race, he does it in lowercase. That way, the story sneaks under your defenses and hits you much harder than if it was all in caps. Walter Mosley is not just a writer; he’s an artist.

You know what I like about Donald Strachey? His boyfriend. I’m kidding—Strachey’s fine.

He’s a smart, tough detective in the hard-boiled tradition so of course I like him, but do you ever think way more of someone because they had the good taste to pick the partner they did? Timothy Callahan is a Jesuit-educated political aide, former Peace Corps volunteer and one of those characters who gets called a “moral centre” because they are one.

I was half in love with him before he (accurately) dissed Mother Teresa but I adored him after that. I came to the Strachey books for canny, realistic and never twee gay detective fiction but I’ve stayed for Timmy. He’s a soothing, reaffirming, hilarious wonder and you never know—he might smack-talk Gandhi next.

I love every one of M. C. Beaton’s books, including her witty, wry humor and observations of an abusive ex-husband and her move to a small village. I love her flaws and that she is an unapologetic smoker and has two cats she loves. I love that she is relatable with a hardscrabble life, coming from an impoverished childhood and finally making it. Albeit with all the insecurities that come from her past. Every book is a treat. 

Every so often, I meet a charming, humane fictional character who seems like someone I would very much like to have a long conversation with. The gentlemanly amateur detective Charles Lenox is just such a man. And, in fact, he does seem to spend an awful lot of time having tea with his friends in this novel, set in 1865 London.

But that doesn’t stop Mr. Lenox from using his impressive wits to solve the murder of a housemaid, who is dead in an apparent suicide. I love this series by author Charles Finch and eagerly await each new installment.

I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.

This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.