Books like Maeve Fly — picked by fans

When news editor Earl Janoth murders his mistress, there's only one witness who can tie him to the crime scene. Janoth doesn't know who the witness is, but he knows everywhere the man went in the 24 hours before the murder, because the murder victim told him before he killed her.

Janoth is determined to find and silence him. He assigns reporter George Stroud to track the man down, not knowing that Stroud himself is the man he's looking for. Stroud is forced to assemble a team to hunt himself, knowing that when he's found, he'll be killed.

This is the best-plotted book I've ever read, both in concept and execution. Little details sprinkled through early chapters of the book keep coming back to have major significance as the noose tightens around Stroud.

I don’t know about you, but I’ve often fantasized about revenge. I think anyone who suffers some sort of trauma thinks about righting the wrong. In cases of rape, the punishment often does not fit the crime. And many women never get justice at all—if the rapist is not caught.

But in this book, that’s not the case. It could be argued that justice comes in the form of revenge when three women strike back at their abusers. Elizabeth Flock’s intimate narrative stems from her own experience as a young woman who was drugged and raped while in Europe in her twenties.

This beautifully investigated book forces you to contemplate the true meaning of justice. 

Rebecca and Russell Dobash had studied men's violence against their female partners for decades and were already heroes of the women's movement when they began interviewing incarcerated killers in Britain. Two fine books have resulted, one focused on men who killed women, the other on men who killed men. It is the former, especially the section on intimate partner homicide, that I find most captivating. The Dobashes skilfully blend national statistics with the self-serving testimony of their interviewees, who minimize their lethal acts as things that "happened" rather than things that they did, and apparently believe themselves to be the victims. These insights are essential.    

You’d think the subtitle says it all, but nope. Chocano loved reading bedtime stories to her daughter, but when even Alice and Wonderland proved problematic, she peered through the looking glass to see why. She explores the challenges of raising a female in a world of Disney Princesses, Playboy bunnies, and popular TV shows and movies. She even takes aim at the female manifesto, Eat Pray Love, bless her heart. I met Chocano at a reading of this book when I was nervously submitting A Boob’s Life to publishers. I was thrilled to find overlap with such a kindred spirit. You’ll find Chocana’s byline in major magazines featuring celebrity interviews, but without the snark. Personally, I love the snark - it makes the facts more fun.

No list would be complete without the writer who changed my life. It was Jason’s blog (now turned into this book) that opened a whole new world of feminist history to me. 

The book is a collection of true stories of women from history who were probably a little too wild, too sketchy, or too murderous to make the Disney Princess cut. Each story is illustrated gorgeously and researched meticulously. It’s perfect for adults and also a great gift for any teenagers who you’d like to get more into history (because what teen doesn’t love the story of teen hell-raisers from the past?). 

This book provides outstanding biographies of the female luminaries of the Civil War, such as Clara Barton, Harriet Tubman, and Dr. Mary Walker, while also introducing readers to lesser-known women who made an impact during the great sectional conflict.  Beautifully written and full of rare photographs, Women of the Civil War is captivating.

I read The End of Men recently during the pandemic. Without giving the plot away, this book is about a pandemic written before the actual pandemic. The thing I love about this book is the deep feelings it invoked. It is written from many viewpoints and I really cared about the characters – if a book can resonate so deeply that it makes you wonder how your life would be in the same circumstances, the author has succeeded. The women in the book face an almost unimaginable struggle and I rooted for them all the way.

I love the part in this book when Germano is preparing to go to the Marine Corps Birthday Ball, and many guys are stunned to learn she will wear her uniform, not a dress. These male Marines believe a woman should attend the November gala dressed not like the Marine she is but as a civilian.

I’ve witnessed this attitude elsewhere. I was a freshman at Washington & Lee University when the school, which has been around since 1749, finally admitted women. The old guard wasn’t happy to see them, but doubling the brain pool made the school smarter. Women are about 10 percent of the Marine Corps these days, so I kept thinking about Washington & Lee as I read Germano’s book.

I slid into the grandeur and opulence of The Savoy with my imaginary suitcase in hand. Set in the 1920s and featuring London’s heyday after the devastation of WWI, it is easy to escape with this novel.

I roamed the city streets in my mind’s eye and watched with anticipation as Dolly set her sights on a life in the theatre. I love a good mystery, and this one had me dashing, right alongside Dolly, as she tried to outrun her past and make a future for herself with only her dreams to fuel her. I adore Hazel Gaynor’s novels, and this book did not disappoint.

I loved diving into this novel about mother-daughter artists and the devotion, love, and competition that binds them together. Personally, I have no skill or passion for painting or photography—the gifts granted the characters in this book—but as I immersed myself in Bensley’s world, I began seeing the world as visual artists do. That was an unexpected bonus to an already compelling intergenerational story. As I hungrily turned pages, eager to discover what would happen to the characters next, I loved learning about art, the sexism of the art world, and the compelling need to create regardless of external validation.