Here are 100 books that Maeve Fly fans have personally recommended if you like
Maeve Fly.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
In college, I studied Literature with a capital L: those timeless classics the professors worship and revere. Then a woman in a used book store in Seattle handed me a copy of Jim Thompson's Pop. 1280 and said, "Read this." I was hooked. The pulp fiction of the 1950s is visceral and raw. Like Greek tragedy, it examines the darker drives of human nature--greed, lust, loneliness, anger--and their consequences. Pulp writers were paid by the word to crank out lurid thrills. But like Shakespeare writing for the groundlings, some of them just couldn't help going above and beyond. Their work remains in print because it hits on universal truths that still resonate today.
When news editor Earl Janoth murders his mistress, there's only one witness who can tie him to the crime scene. Janoth doesn't know who the witness is, but he knows everywhere the man went in the 24 hours before the murder, because the murder victim told him before he killed her.
Janoth is determined to find and silence him. He assigns reporter George Stroud to track the man down, not knowing that Stroud himself is the man he's looking for. Stroud is forced to assemble a team to hunt himself, knowing that when he's found, he'll be killed.
This is the best-plotted book I've ever read, both in concept and execution. Little details sprinkled through early chapters of the book keep coming back to have major significance as the noose tightens around Stroud.
George Stroud, executive editor at Crimeways magazine, is involved with the wrong woman - his boss's. When Janoth, the boss, kills her in an argument, he tries to pin the crime on a man seen outside her home just before the murder. He assigns his best investigative reporter - Stroud - to find the man. Trouble is, the man was Stroud himself ...An audacious and ironic novel of terror and high tension.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As an investigative journalist, I’ve spent my career interviewing and trying to understand the worst of humanity: murderers, child molesters and rapists. They are all predators, but rape is personal for me. I was a young journalist starting my career when a serial rapist assaulted my neighbor. He entered many things uninvited—homes, bedrooms, and my mind. For twenty years, I was obsessed—learning everything I could about him and sexual assault. I read these books to understand why the justice system and society sometimes fail survivors. Yet these remarkable survivors still manage to heal their trauma–at least, that’s what I found in each of these books.
I don’t know about you, but I’ve often fantasized about revenge. I think anyone who suffers some sort of trauma thinks about righting the wrong. In cases of rape, the punishment often does not fit the crime. And many women never get justice at all—if the rapist is not caught.
But in this book, that’s not the case. It could be argued that justice comes in the form of revenge when three women strike back at their abusers. Elizabeth Flock’s intimate narrative stems from her own experience as a young woman who was drugged and raped while in Europe in her twenties.
This beautifully investigated book forces you to contemplate the true meaning of justice.
'An arresting, deeply reported new book' Washington Post
'This gripping, inflaming book, itself an act of fury, shows how revenge can transmute into politics or be crushed by it' Larissa MacFarquhar
'Flock has a novelist's knack for creating suspense . . . This one will stick with readers' Publishers Weekly
-----------------------------------------------
In this profoundly moving book, Emmy-winning journalist Elizabeth Flock explores the stories of three women living in deeply patriarchal places with destructive cultures of honour, places in which institutions - government, police, courts - failed to protect women from violence, leaving them no option but to stand up and…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Rebecca and Russell Dobash had studied men's violence against their female partners for decades and were already heroes of the women's movement when they began interviewing incarcerated killers in Britain. Two fine books have resulted, one focused on men who killed women, the other on men who killed men. It is the former, especially the section on intimate partner homicide, that I find most captivating. The Dobashes skilfully blend national statistics with the self-serving testimony of their interviewees, who minimize their lethal acts as things that "happened" rather than things that they did, and apparently believe themselves to be the victims. These insights are essential.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man, and it is far rarer when a woman is killed by another woman. Unfortunately, this is not a very well understood phenomenon. Most books on the topic discuss serial killings, but those only make up 2% of sexual murder-a sensationalist subset of a subset. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women.
Dobash and Dobash, two seasoned researchers and longtime collaborators in the study of violence…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
From Lehr’s prize-winning fiction to her viral New York Times Modern Love essay, exploring the challenges facing contemporary women has been Lehr’s life-long passion. A Boob’s Life, her first project since breast cancer treatment, continues this mission, taking all who will join her on a wildly informative, deeply personal, and utterly relatable journey. And that’s exactly the kind of books she likes to read – the ones that make her laugh, nod in recognition, and understand a little more about life. She recommends these five books to everyone who asks.
You’d think the subtitle says it all, but nope. Chocano loved reading bedtime stories to her daughter, but when even Alice and Wonderland proved problematic, she peered through the looking glass to see why. She explores the challenges of raising a female in a world of Disney Princesses, Playboy bunnies, and popular TV shows and movies. She even takes aim at the female manifesto, Eat Pray Love, bless her heart. I met Chocano at a reading of this book when I was nervously submitting A Boob’s Life to publishers. I was thrilled to find overlap with such a kindred spirit. You’ll find Chocana’s byline in major magazines featuring celebrity interviews, but without the snark. Personally, I love the snark - it makes the facts more fun.
We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become?
Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s,…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
No list would be complete without the writer who changed my life. It was Jason’s blog (now turned into this book) that opened a whole new world of feminist history to me.
The book is a collection of true stories of women from history who were probably a little too wild, too sketchy, or too murderous to make the Disney Princess cut. Each story is illustrated gorgeously and researched meticulously. It’s perfect for adults and also a great gift for any teenagers who you’d like to get more into history (because what teen doesn’t love the story of teen hell-raisers from the past?).
Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved ...Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries,…
DeAnne Blanton retired from the National Archives in Washington, DC after 31 years of service as a reference archivist specializing in 18th and 19th century U.S. Army records. She was recognized within the National Archives as well as in the historical and genealogical communities as a leading authority on the American Civil War; 19th century women’s history; and the history of American women in the military.
When Lauren Cook and I published They Fought Like Demons, we knew that our book, although groundbreaking, was only the tip of the iceberg in the story of women soldiers in the Civil War, and we always hoped that another scholar would pick up the torch and move the story forward. Shelby Harriel has done just that. Behind the Rifle is a meticulously researched and ably written account of the distaff soldiers who hailed from Mississippi, or found themselves there. Citing previously unknown sources along with revealing newly-located photographs, Harriel’s contribution to the history of women soldiers is remarkable.
During the Civil War, Mississippi's strategic location bordering the Mississippi River and the state's system of railroads drew the attention of opposing forces who clashed in major battles for control over these resources. The names of these engagements-Vicksburg, Jackson, Port Gibson, Corinth, Iuka, Tupelo, and Brice's Crossroads-along with the narratives of the men who fought there resonate in Civil War literature. However, Mississippi's chronicle of military involvement in the Civil War is not one of men alone. Surprisingly, there were a number of female soldiers disguised as males who stood shoulder to shoulder with them on the firing lines across…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
If you’re looking for a balanced and warm-hearted ‘cradle to grave’ survey of women’s lives in the past, I think this is the best.
The authors describe the experiences shared by all women, and explain the huge gulf in other areas of life between the worlds of rich and poor. As well as the obvious themes of childhood, courtship, marriage, parenting, and old age, they explore women’s work (both paid and unpaid), their friendships and cultural lives, and their involvement with politics and religion.
And I love the fifty well-chosen illustrations that bring each of these topics to life.
This is an original, accessible, and comprehensive survey of life as it was experienced by most Englishwomen during the sixteenth and seventeenth centuries. The authors examine virtually all aspects of women's lives: female life-stages from birth to death; the separate culture of women, including female friendship and feminist consciousness; the diverse roles of women in the religious and political movements of the day; and the effect of prevailing perceptions of gender differences. Comparisons are made between the makeshift economy of poor women and the occupational identities, and preoccupations, of the middling and elite classes. This fascinating and well-illustrated book reconstructs…
I write women in dystopia. I live in the North West of the UK and I also write psychological thrillers and women’s fiction – I am currently writing my 9th book. I love books set in the near future and in alternate dystopian worlds – I recently discussed this with my brother and we settled on ‘mind-bending’ as our go-to for this genre. I have a PhD in narrative and storytelling and my mission as a writer was to write fiction about issues that affect women, and what better way than to place them in hypothetical but possible situations to explore that reality?
I read The End of Men recently during the pandemic. Without giving the plot away, this book is about a pandemic written before the actual pandemic. The thing I love about this book is the deep feelings it invoked. It is written from many viewpoints and I really cared about the characters – if a book can resonate so deeply that it makes you wonder how your life would be in the same circumstances, the author has succeeded. The women in the book face an almost unimaginable struggle and I rooted for them all the way.
GLASGOW, 2025. Dr Amanda Maclean is called to treat a young man with a mild fever. Within three hours he dies. The mysterious illness sweeps through the…
I love the Marines. After spending 12 years trying to join the Corps, with numerous rejections, I graduated from Parris Island at 31. As much as I love the Marines, I love reading and writing more. Reading and writing foster deep thought and wisdom in ways that coding, calculating, and puzzle-solving can’t. Having worked as a newspaper reporter, a military analyst, and a Marine, I couldn’t help but loathe the foolish ideas that made the wars on terror so frustrating. I have faith in the Marine Corps (“Semper Fidelis”), and I believe reading thoughtful books can make Marines wiser.
I love the part in this book when Germano is preparing to go to the Marine Corps Birthday Ball, and many guys are stunned to learn she will wear her uniform, not a dress. These male Marines believe a woman should attend the November gala dressed not like the Marine she is but as a civilian.
I’ve witnessed this attitude elsewhere. I was a freshman at Washington & Lee University when the school, which has been around since 1749, finally admitted women. The old guard wasn’t happy to see them, but doubling the brain pool made the school smarter. Women are about 10 percent of the Marine Corps these days, so I kept thinking about Washington & Lee as I read Germano’s book.
One woman's professional battle against systemic gender bias in the Marines and the lessons it holds for all of us.
The Marine Corps continues to be the only service where men and women train separately in boot camp or basic training. This segregation negatively affects interaction with male marines later on, and, lower expectations of female recruits are actively maintained and encouraged. But Lieutenant Colonel Kate Germano arrived at the Fourth Recruit Training Battalion at Parris Island--which exclusively trains female recruits--convinced that if she expected more of the women just coming into Corps, she could raise historically low standards for…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.