89 Books Like Madwomen

Sappho was an Archaic Greek poet from the island of Lesbos. Best known for her lyric poetry, which was initially written to be sung while accompanied by a lyre. In ancient times, Sappho was widely regarded as one of the greatest poets and referred to as the "Tenth Muse" and "The Poetess". She also was among the canon of Nine Lyric Poets most highly esteemed by scholars of Hellenistic Alexandria.

Though most of her work has been lost, there are still new discoveries being found, giving us an incredible taste of her feelings, tenderness, simplicity, and her interpretation of life as we resonate with it presently, in this day and age. Way ahead of their time, her poems through their versatility give us a sense of her transcendental and emotional views on love in an unassuming yet impactful way. An artist whose themes extend beyond romance and myth, delving into… show more.

Sarojini, a Bengali born in Hyderabad, was an Indian political activist and poet. She was a poignant figure in India's struggle for independence from colonial rule. Naidu's work as a poetess earned her the sobriquet 'the Nightingale of India', or 'Bharat Kokila' by Mahatma Gandhi because of the colour, imagery, and lyrical quality of her poetry.

With these poems Sarojini captures the imagery of her everyday surroundings and gives it a life of its own. One can already picture her sitting in a shaded veranda, glimpsing out into the bustling street, where she sees people working on their chores/livelihood, yet she takes each character and builds on their story albeit her own interpretation of it. Her poetry ignites an aesthetic sense with its rich sensory images and allows the reader to partake in her cherished moments of joy, pain, and sadness.

One of the most significant Russian poets of the 20th century, Anna was shortlisted for the Nobel Prize in 1965. Her distinctive work ranging from short lyric poems to intricately structured pieces set her apart from her contemporaries. Her work deals heavily with the struggles of living and writing under the Stalinist era.

In this elegy, written over three decades, between 1935 and 1961, Anna relates details of her personal struggles together with the reflection of other voices during the "Great Purge". In an emotional call to help, she offers empathy to others faced with the same, dire predicament. Feel the gravity of suffering, pain, and mourning, ultimately teaching you one of the most important lessons in healing, which is acceptance and letting go. 

Yosano was a Japanese author, poet, pioneering feminist, pacifist, and social reformer, active in the late Meiji period as well as the Taishō and early Shōwa periods of Japan. She is one of the most noted, and most controversial, post-classical woman poets of Japan.

Akiko, an imaginative, creative soul, succeeded in turning traditional tanka poetry, which had gotten lifeless and boring, into an unexplored, uninhibited dimension of passion and never seen before seduction. Being a pioneer with her tempestuous poetry, she makes you see the rawness and beauty in mundane things we take for granted. Sensational, authentic poetry from one of the greatest women poets. This book inspired me to investigate haiku, tanka, and other forms of Japanese poetry for my next WIP.

Lemebel was a courageous and flamboyant activist during the dictatorship of Augusto Pinochet. Having lived in Chile myself, I think this book captures the erotic Chilean soul in all its humor, grief, and idealism at an important historical moment. The hopelessly romantic and delightfully ironic seamstress/protagonist Queen of the Corner lives on a rooftop in one of Santiago’s poorest barrios and hosts discussion groups by local leftist students who keep leaving behind really heavy boxes, ostensibly full of books, as they prepare a vague plan that will have enormous implications. The group’s ringleader Carlos is a charmer ala Che Guevara, and the Queen is soon head over heels in love as a friendship and a tender unrequited love affair begins. A story of remarkable humanism that mixes the erotic with revolution.

The 1973 coup in Chile violently destroyed the freely elected Marxist government of Salvador Allende and installed the brutal 17-year dictatorship of General Augusto Pinochet. For years afterward suspicions swirled that the U.S. was behind the event. But evidence was largely anecdotal. What is so impressive about this book is Kornbluh’s persistence deploying the Freedom of Information Act to obtain thousands of classified documents related to the coup. Kornbluh connects the dots and reveals the smoking guns. Through facsimiles of actual cables, telexes, and phone memos (many still highly redacted) this dossier allows you to draw your own conclusions about what really happened in Chile.

I’m also a playwright, so I really admire a full story told in propulsive first-person monologue. This novella is a confession of Father Urrutia from his deathbed, beginning with the line “I am dying now, but I still have many things to say.” As he speaks, the priest untangles the twisted, uncomfortable agreements between artists and institutions in Chile under Pinochet. I often recommend this book for people who have not yet read Bolaño and might feel intimated by the length of his major works. 

So many books about the Pinochet dictatorship in Chile focus on the particularities of violence during that awful period in the country’s history.

Yet, Bread, Justice, and Liberty looks at a longer trajectory of the struggle for human rights in the country that focuses on socioeconomic justice that began long before the coup of September 11, 1973, and also continued much further afterward.

It is a beautifully written monograph that focuses on shantytown communities’ experiences and activism and expands our understanding of Chilean politics and human rights. 

Craib’s Renegade uses a biographical approach to explore larger cultural and transnational politics—this time in early twentieth-century Chile. Again, migration—so crucial to the history of Latin American anarchism—plays a central role in understanding the multinational dimensions of anarchism in countries across the region. Craib uses the life and death of the anarchist poet Domingo Gómez Rojas, along with his friends and comrades, to explore the Chilean anarchists and their relations with student rebels. The book illustrates how anarchists in Chile created urban “transnational communities” of anarchists born in Santiago, anarchists who moved to the capital, and anarchists who immigrated to Chile. They then used their culture and multinational experiences to forge transnational connections beyond Chile.

You’ll never look at table grapes the same after reading Tinsman’s excellent Buying into the Regime. Her book takes a different approach from the texts above – instead of looking at a single movement, she focuses on a single industry (Chilean grapes) in multiple contexts: cultivation in Chile, Cold War consumption in the United States, and consumer activism and grape boycotts in both nations. The result is a remarkable transnational history that underscores how consumption itself is a “terrain of political struggle.” Tinsman’s expansive perspective, which engages a number of different fields, also offers lessons for activists in the age of globalization, notably that building transnational alliances is incredibly difficult work.