Here are 100 books that Made in America fans have personally recommended if you like
Made in America.
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Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
It is a book that deep dives into a historical event, in this case, the 1893 World Columbian Exposition. Check. It is a nonfiction book that reads like a gripping thriller, in this case, the serial killer H.H. Holmes, who built a three-story building featuring secret rooms, torture chambers, and a crematorium. Check. Chicago leaps off the page. By the end of the book, I was able to envision the massive exposition, its hundreds of temporary buildings, all white colored, interlaced with ponds and canals.
Much like that exposition helped raise Chicago up from its Great Fire, so I could see a Chicago of the past, in a glorious triumph of industry and innovation. Oh, and yeah, a serial killer constructing a horrific murder building.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I adore historical fiction but find that it is often (like many things) still centered around male experiences. I love getting to read stories and recommend ones that bring to light women’s roles is moving society forward or the un-sung contributions women have made throughout history.
As an 80s kid, it pains a small part of me to recommend a historical fiction book that takes place in 1984, but this book goes into so much more than simply the tragic fire that destroyed part of the LA Central Library. While I found those aspects compelling, what really drew me in was the history of library sciences and how women played—and got pushed out of—the history of such beloved institutions.
There is also a nice bonus of humanity restored for all those who helped salvage as many books as they could after the tragedy. I found it to be a really gripping and informative read.
Susan Orlean’s bestseller and New York Times Notable Book is “a sheer delight…as rich in insight and as varied as the treasures contained on the shelves in any local library” (USA TODAY)—a dazzling love letter to a beloved institution and an investigation into one of its greatest mysteries. “Everybody who loves books should check out The Library Book” (The Washington Post).
On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. The fire was disastrous: it reached two thousand degrees and burned for more than seven hours. By the time it was extinguished,…
I’m not an expert on witchcraft or the Salem Witch Trials. However, I am a historian of women’s history and a writer of historical fiction. I’m particularly drawn to stories that try to explain the inexplicable, and these five books are written by people with a similar fascination. In my opinion, Nathaniel Hawthorne and Greg Houle wrote their stories as a way to understand themselves and their family history. Stacy Schiff looked for a factual explanation of the frenzy. Frances Hill and Lucretia Grindle wove facts into stories. And I think that their differing interpretations of the same events give readers a better understanding of the past.
Award-winning historian Stacy Schiff takes the reader back to 17th-century Salem village and the society that enabled the Salem witchcraft frenzy.
Without overwhelming the reader with facts, Schiff weaves the story of events with empathy. Good history is an accurate story told well, and Schiff’s extensive research and accessible writing style do just that.
This book is written specifically for family or primary care physicians who encounter substance abuse in their daily practice. A Clinical Guide to Drug and Alcohol Problems provides a comprehensive overview to help diagnose and treat these problems. The first five chapters provide basic information on historical and cultural issues, plus the pharmacology of all abused drugs the physician is likely to come into contact with and the epidemiology and etiology of substance abuse problems. The author then addresses the clinical manifestions and course of addiction; diagnostic techniques; principles of clinical management, treatment, and rehabilitation of addictive and other associated…
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
I write about magic, witches, and weirdness—and all of it is inspired by the strange and startlingly true stories that hide just below the simmering surface of America’s melting pot. As a former journalist, I learned that everyone has an interesting tale to tell. And as a fiction writer, I’ve learned that all of that truth can be spun into something even more fun and fantastical. Reality, after all, is relative.
Subtitled A Stranger Among the Pilgrims, this little gem details the unlikely story of Richard More, who arrived on our shores as a child on The Mayflower…then grew up, moved north to Salem Village, and watched one of his best friends die in the infamous witch trials. The author also happens to be More’s descendant, which brings an extra passion to the telling.
When David Lindsay started researching old records for details of the life of his ancestor, Richard More, what he found illuminated more than just More's own life. The tale that emerged painted a clear and satisfying picture of the way the first comers, saints and strangers alike, set off for the new land, suffered the voyage in the Mayflower, and put down their roots to thrive on our continent's north-eastern shore. From the story emerges the individual, Richard, a man of questionable morals, much enterprise, and a good deal of old-fashioned pluck - a combination that could get him into…
I get a fuzzy, euphoric feeling when I see a room full of books I can smell and touch. Thrillers, mysteries, epic fantasies, classics, romance… Ah, to find narratives with strong characters, amazing worlds, and thick plots that I can get lost in! A little spice is always nice, but please don’t violate me with explicit obscenities. My soul is not meant for these modern times. I’m especially impressed when writers have the ability to paint sensual scenes in a subtle, crafty way that leaves the details to a reader’s imagination. My happy place is reading in a treehouse library that overlooks my forest. One day I’ll go there.
First, I am always on the hunt for a great mystery series, and this is a wonderful time travel mystery that switches between the modern era and takes the main character female back to the year 1810. I really got into the book in the historical setting; the writer did a great job painting a picture of Victorian England.
One of the reasons I chose this book to read was because it weaves in my favorite kind of romance story: slow burn! Sans explicit sex scenes, which, in my opinion, when it comes to sex scenes, less is more to the imagination.
When a 21st century property developer meets a Regency gentleman- what could possibly go wrong?
A great deal, it turns out. When Natasha Rowlands steps through a door in the house that will be her home she finds herself in 1810 with not only a Regency gentleman, but also a murder victim on the premises. If it is a shock for her, it is equally disconcerting for Lord Halwell's steward, his natural son, but neither of them are prepared for a serial killer, the mystery of Lord Halwell's second wife or the growing attraction between them.
Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated.
A heterogeneous blend of class and culture collide in Suburban Chicago as detectives Marti MacAlister and her partner Vik Jessenovik rely on experience and their connection with the neighborhood to solve a 60-year-old mystery. I was born outside of Chicago and have family that moved there during the great migration of Black Americans from the South. Both Marti and her partner juggle complex jobs while caring for loved ones—an issue relevant to my present circumstances.
Chicago detective Marti MacAlister has her work cut out for her these days. First, during the filming of a big Hollywood movie on location in Lincoln Prairie, the body of one of the film's stars turns up dead, along the shores of the Des Plaines River. Then, the skeletal remains of another gunshot victim turn up in a hundred year old building that is being renovated. The closer Marti comes to piecing the clues of each case, the closer they come to understanding how the two cases are connected. But the longer it takes, the more dangerous the killer becomes.
This is not an insect book--it is a history book, but one that tells the history you didn't learn in school, or it tells the history in a way you never imagined. Five insects had a significant impact on human history. Silkworm moth, Oriental rat flea, human body louse, yellow…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landem’s In a Far-Off Landis anything butdidactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.
“Immersive, enchanting, and gripping, In A Far-Off Land is do-not-miss historical fiction.” —Patti Callahan, NYT Bestselling author of Becoming Mrs. Lewis
It’s 1931 in Hollywood, and Minerva Sinclaire is on the run for a murder she didn’t commit.
As the Great Depression hits the Midwest, Minerva Sinclaire runs away to Hollywood, determined to make it big and save the family farm. But beauty and moxie don’t pay the bills in Tinseltown, and she’s caught in a downward spiral of poverty, desperation, and compromise. Finally, she’s about to sign with a major studio and make up for it all. Instead, she…
I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
When I read this book, I was relieved—at long last, a book that underscored the behind-the-scenes contributions of working women in the 1930s and 1940s. J.E. Smyth’s fascinating study brings to light new dimensions to screen legends Bette Davis, Katharine Hepburn, and fashion designer Edith Head, but also women less known to the greater public—the intrepid editors like Barbara McLean and Margaret Booth, three-time Screenwriter Guild president Mary J. McCall, and producers like Joan Harrison and Virginia Van Upp.
I like how this book provides a counter-history to the male-dominated narratives of Hollywood. Smyth shows that women found other ways outside of directing to leave their mark on Hollywood in the twentieth century.
Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, two women supervised all studio feature output and could order retakes on any director's work, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and…
My interest in Golden Age Hollywood dates to my childhood of watching classic movies on television. It definitely inspired my career as an actress, which began when I was only ten and later expanded into tv and film. After the publication of twelve historical novels, I decided to write biographical fiction about actresses—famous and obscure—of the 1930s and 1940s. I regularly seek out Hollywood fiction for entertainment, and for research I rely on nonfiction (biographies, histories, sociological studies). I also collect ephemera, so at my author events I can share physical artifacts as well as Hollywood legend and lore!
So many Hollywood novels focus primarily on the marquee names—the movie stars. This one explores the tortured romantic relationship between gossip columnist Sheilah Graham and author F. Scott Fitzgerald, whose stint as a scriptwriter was financially sustaining and artistically demoralizing, deepening his descent into alcoholism and despair over his failing marriage to Zelda. Sheilah could have been his creation, with her Gatsby-esque concealment of her background and reinvention of herself. Though this is a work of fiction, it results from meticulous research into the lives and careers of its fascinating and legendary main characters. As a writer myself, who has produced newspaper columns as well as more than a dozen novels, I fully appreciate the literary aspects of this story.
“A stunning, utterly captivating read. Another Side of Paradise delivers an unforgettable portrait of F. Scott Fitzgerald and Sheilah Graham, a remarkable couple steeped in all the glamour, romance, and intrigue of old Hollywood. Their wild ride of a love affair is one for the ages!” — Kathleen Grissom, New York Times bestselling author of The Kitchen House and Glory Over Everything
A novel based on the true story of F. Scott Fitzgerald and his longtime mistress, Sheilah Graham—an unforgettable tale of love, celebrity, and Gatsby-esque self-creation in 1930s Hollywood.
In 1937 Hollywood, gossip columnist Sheilah Graham’s star is on…
The plan was insane. The trap seemed to snap shut on Bruce and Maggie Tate, an isolation forced on them by the pandemic and America's growing political factionalism. Something had to change.
Maggie's surprising answer: buy a boat, learn to pilot it, and embark on the Great Loop. With no…
Like many novelists – all the way back to F. Scott Fitzgerald -- writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”
This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.
When the disarmingly charming and ruthlessly domineering Geneva Holloway lets her star temperament get out of hand, Jimmy Hoy, a writer for the "Geneva Holloway Show," joins with the show's other writers in plotting the perfect revenge
