100 Books Like Made in America

Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.

I adore historical fiction but find that it is often (like many things) still centered around male experiences. I love getting to read stories and recommend ones that bring to light women’s roles is moving society forward or the un-sung contributions women have made throughout history. 

I’m not an expert on witchcraft or the Salem Witch Trials. However, I am a historian of women’s history and a writer of historical fiction. I’m particularly drawn to stories that try to explain the inexplicable, and these five books are written by people with a similar fascination. In my opinion, Nathaniel Hawthorne and Greg Houle wrote their stories as a way to understand themselves and their family history. Stacy Schiff looked for a factual explanation of the frenzy. Frances Hill and Lucretia Grindle wove facts into stories. And I think that their differing interpretations of the same events give readers a better understanding of the past.

I write about magic, witches, and weirdness—and all of it is inspired by the strange and startlingly true stories that hide just below the simmering surface of America’s melting pot. As a former journalist, I learned that everyone has an interesting tale to tell. And as a fiction writer, I’ve learned that all of that truth can be spun into something even more fun and fantastical. Reality, after all, is relative. 

I get a fuzzy, euphoric feeling when I see a room full of books I can smell and touch. Thrillers, mysteries, epic fantasies, classics, romance… Ah, to find narratives with strong characters, amazing worlds, and thick plots that I can get lost in! A little spice is always nice, but please don’t violate me with explicit obscenities. My soul is not meant for these modern times. I’m especially impressed when writers have the ability to paint sensual scenes in a subtle, crafty way that leaves the details to a reader’s imagination. My happy place is reading in a treehouse library that overlooks my forest. One day I’ll go there.

Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated. 

Having been a Hollywood writer for thirty years, and now written a novel that although satirical still accurately describes the creation of a TV series, I’ve long been amazed at how many Hollywood stories – including films made in Hollywood – offer fantasies that have even less to do with the reality of love and work in film and television than Game of Thrones does with the real Middle Ages. I’ve written fantasy myself, but for people fascinated by Hollywood, or who want to work in film and TV, there’s a reason too to read books that capture the reality, especially when like the books listed here, they do so astonishingly well.

I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.

I am the author of four books of interviews with filmmakers: Smoking in Bed: Conversations with Bruce Robinson (a Guardian Book of the Year), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (an Observer Book of the Year), and The Art of Screen Adaptation: Top Writers Reveal Their Craft. I have written original and adapted screenplays and stageplays, on spec and to commission; contributed film interviews and reviews to UK magazines and newspapers; chaired Q&A events at book and screenwriting festivals; and recently published my first novel, The Vetting Officer. My next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.

Like many novelists – all the way back to F. Scott Fitzgerald --  writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”