Here are 100 books that Machines of Another Era fans have personally recommended if you like
Machines of Another Era.
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I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.
Journalist, author, and retired United Church minister, Kenneth Bagnell has written a vivid account of the thousands of slum children (not all of them were orphans) who were dispatched to Canada from 1869 to the late 1930s by well-meaning philanthropists, philanthropic rescue homes, and parish workhouse schools. At the time, this seemed to be the ideal solution to a two-pronged problem: what to do with the tens of thousands of children from the slums of Britain who faced a bleak future there and how to meet the soaring demand for cheap labour on Canadian farms.
The Little Immigrants is a tale of compassion and courage and a vivid account of a deep and moving part of Canadian heritage. In the early years after Confederation, the rising nation needed workers that could take advantage of the abundant resources. Until the time of the Depression, 100,000 impoverished children from the British Isles were sent overseas by well-meaning philanthropists to solve the colony's farm-labour shortage.
They were known as the "home children," and they were lonely and frightened youngsters to whom a new life in Canada meant only hardship and abuse. This is an extraordinary but almost forgotten…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The discovery of artefacts from a Viking grave in northern Ontario in 1936 was a sensation, and their subsequent display in the Royal Ontario Museum added a new dimension to the colonial history of Canada. The exposure of the discovery as a hoax in 1956 damaged the reputation of the Museum and its director. Hunter’s account, which is securely anchored in archival evidence, is skillfully assembled as an unfolding drama. In this book, the Beardmore hoax has received its definitive treatment by a scholar who writes brilliantly for a general audience.
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources,…
I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.
During the colonial period, women from Europe were shipped to Canada to marry military men, explorers, and fur traders. This story is about the Filles du Roi, sent by King Louis XIV of France, to populate the new colony.
In reading this story, I was given a taste of what life must have been like for these women who left a more modern society to marry a complete stranger and live in the rough, cold wilderness of 1660s Canada. They had to be strong if they were to adapt and survive, which many did not.
Transporting readers from cosmopolitan seventeenth-century Paris to the Canadian frontier, this vibrant debut tells of the struggle to survive in a brutal time and place. Laure Beausejour has been taken from her destitute family and raised in an infamous orphanage to be trained as a lace maker. Striking and willful, she dreams of becoming a seamstress and catching the eye of a nobleman. But after complaining about her living conditions, she is sent to Canada as a fille du roi, expected to marry a French farmer there. Laure is shocked by the primitive state of the colony and the mingling…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I wholeheartedly believe that embracing your geeky side is an important part of life and self-discovery. When romance novels incorporate nerdiness, it gives characters (and therefore readers) the ability to understand themselves and what they want on another level, and to gain the courage to pursue what they want. I know that my own forays into TTRPGs, LARPing, Ren Faires, and other such interests have helped shape me as a person. I’m more confident and embodied because I embrace my inner geek, and I want that for my characters and my readers, too. That’s why I want to read and write as many of these stories as possible!
This rom-com is as lighthearted and fun as it gets, but it maintains the nerdy bent we’re all here for. I love LARPing, and this book paints it in the most exciting light! I loved how Daisy used her alter ego, Lade Alenthaea, on her journey to growth, and how this story kept the agency around her personal growth firmly in Daisy’s own hands.
She's no damsel in distress, and he's certainly not wearing shining armour. But one knight can change everything...
Daisy Hastings has always thought she was born in the wrong era. So when she bags a summer job at the Tower of London helping to run their Knight school, it feels like a step in the right direction.
Theodore 'Teddy' Fairfax is a loose cannon. A disgraced distant relative of the royal family, he's tall, dark and now (begrudgingly) helping with the Tower of London's summer programme - and there's nowhere he'd like to be less.
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight.
A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. It is an insightful, sensitive and poetic book of discovery.
Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.
The title, A Map to the Door of No Return, refers to both a place in imagination and…
I grew up during the civil rights movement in the US, and my ancestors—the lucky ones—escaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, don’t know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
Before I read this book, in the 1990s, I had never heard of Canada’s residential school system for Indigenous children. I was horrified, and also ashamed to have been so ignorant. Over the years, I have heard many Indigenous authors speak and have read many books on the subject, and have come to realize that the residential school tragedy is parallel to the Holocaust for Jews—my family’s story. This is the book that opened my eyes.
Her name was Seepeetza when she was at home with her family. But now that she's living at the Indian residential school her name is Martha Stone, and everything else about her life has changed as well. Told in the honest voice of a sixth grader, this is the story of a young Native girl forced to live in a world governed by strict nuns, arbitrary rules, and a policy against talking in her own dialect, even with her family. Seepeetza finds bright spots, but most of all she looks forward to summers and holidays at home.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I loved this book because I loved the characters. Richards invested them with dignity even when they were flawed or endlessly frustrated by fate. They can go through life largely unnoticed except by their closest acquaintances and relatives. But they offer hope despite their failures and tragedies.
This was the first novel in Richards’ MiramichiTrilogy. It and the two subsequent novels, plus much of Richards’ later work, create a strong sense of the province of New Brunswick, even when the characters have a universal quality.
David Adams Richards’ Governor General’s Award-winning novel is a powerful tale of resignation and struggle, fierce loyalties and compassion. This book is the first in Richards’ acclaimed Miramichi trilogy. Set in a small mill town in northern New Brunswick, it draws us into the lives of a community of people who live there, including: Joe Walsh, isolated and strong in the face of a drinking problem; his wife, Rita, willing to believe the best about people; and their teenage daughter Adele, whose nature is rebellious and wise, and whose love for her father wars with her desire for independence. Richards’…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
This collection of Canadian Jewish fiction gave me 33 different short fiction, personal essays, and poetry windows into the hearts and minds, longings, fears, and dreams of Canadian Jews.
I can’t think of another volume that captures so much life at the intersection of Jewish literary vitality and Canadian content–understood liberally. I think I was most moved by David Bezmozgis’ and Isa Milman’s contributions.
The New Spice Box includes short fiction, personal essays, and poetry by Jewish writers from a broad range of cultural backgrounds. Fresh and relevant, profound and lasting, this anthology features works by acclaimed short story writers David Bezmozgis, Mireille Silcoff, and Ayelet Tsabari; groundbreaking memoirists Bernice Eisenstein and Alison Pick; and award-winning poets Isa Milman, Jacob Scheier, and Adam Sol.
The driving force behind The New Spice Box is the desire to uncover the twin touchstones of original expression and writerly craft, and to balance the representation of genres, styles, and authorial perspectives. Here, authors summon the past as they…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
In my life, I have always loved visiting the unsung places: villages rather than cities, places where I am the only tourist. In both reading and writing, I’m drawn to the quietly dramatic times, the moments before important events, or the aftermaths. I want to see how real characters live in real places dealing with real problems, even if all three are invented. I spent most of my childhood getting lost in books, emerging only long enough to return to the library to discover more places and times where I could snuggle between the covers of a story. As a writer, I hope I can do this for other readers.
We all need rock stars to idolize, and mine is Alice Munro, a Canadian writer whose books are mostly short story collections about the quietly intense lives of farmers and townspeople in rural Canada.
I’m from a generation of writers who learned about writing through the stories of Alice Munro, Anton Chekhov, and Raymond Carver, among others. Choosing my favorite Munro book is a challenge—for decades I read them all over and over—but if I had to, I’d say it’s Dance of the Happy Shades.
No one understands better what it’s like to be an adolescent girl than Alice Munro, and no one is more gifted at portraying it, particularly in the stories “An Ounce of Cure” and “Red Dress—1946,” with such generous characterizations and courageous honesty.
In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives.
"Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit…
