100 Books Like Machines of Another Era

I can’t resist the combination of magic, music, and forests. Plus my mother grew up in Canada, and I’ve meandered along those berry- and bear-rich pebbly beaches. In this book, magic, fey-inhabited Wales crashes into modern Ottawa. De Lint’s setting and style seized my soul as a young adult reader. That yearning youngster is not only still part of me, but part of everyone, I hope.

This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight. 

As a speaker at a conference on Howard Gardner's work on the "Nature of Intelligence," I learned that drawing what you are learning can result in eight times faster and longer retention of the information.

This inspired me to use drawing for learning. Nancy Margullies' book on using diagram drawings, to remember information, was invaluable to me.

As I trained teachers in my drawing methods across the U.S. and Canada, they reported improved student learning and retention. They suggested integrating the method into other subjects, such as drawing parts of a flower during a science lesson, which led to increased comprehension and retention.

I applied Margullies' Mind Mapping system to conference information and shared it with my drawing students, who successfully used the technique for homework and school subjects.

Canadian immigration policy has always been a subject of fierce political and public debate and in this authoritative work Ninette Kelley and Michael Trebilcock examine the interests, ideas, institutions, and rhetoric that have shaped it. The authors begin their study in the pre-Confederation period and interpret major developments in the evolution of Canadian immigration policy. Among the shameful episodes they describe are the deportations of the First World War and Great Depression and the uprooting and internment of Japanese Canadians after Pearl Harbour.

To Speak for the Trees is one of my favorite books ever, partly because I love trees, and partly because of my own Celtic heritage from my maternal line. Diana Beresord-Kroeger, a scientist in biochemistry and botany, begins with her childhood in Ireland. After losing her parents at a young age, she is raised in the ancient Celtic nature wisdom and Druid beliefs by an entire community, and literally taught the language of trees: Ogham. Blending scientific discoveries about trees and the importance of forests to our species' survival, this book is a fast and delightful read that I won’t forget. I feel enriched from having been blessed to spend time with such a brilliant woman through the pages of her book. 

I loved this book because I loved the characters. Richards invested them with dignity even when they were flawed or endlessly frustrated by fate. They can go through life largely unnoticed except by their closest acquaintances and relatives. But they offer hope despite their failures and tragedies.

This was the first novel in Richards’ Miramichi Trilogy. It and the two subsequent novels, plus much of Richards’ later work, create a strong sense of the province of New Brunswick, even when the characters have a universal quality.

This collection of Canadian Jewish fiction gave me 33 different short fiction, personal essays, and poetry windows into the hearts and minds, longings, fears, and dreams of Canadian Jews.

I can’t think of another volume that captures so much life at the intersection of Jewish literary vitality and Canadian content–understood liberally. I think I was most moved by David Bezmozgis’ and Isa Milman’s contributions.

I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.

This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.

We all need rock stars to idolize, and mine is Alice Munro, a Canadian writer whose books are mostly short story collections about the quietly intense lives of farmers and townspeople in rural Canada.

I’m from a generation of writers who learned about writing through the stories of Alice Munro, Anton Chekhov, and Raymond Carver, among others. Choosing my favorite Munro book is a challenge—for decades I read them all over and over—but if I had to, I’d say it’s Dance of the Happy Shades.

No one understands better what it’s like to be an adolescent girl than Alice Munro, and no one is more gifted at portraying it, particularly in the stories “An Ounce of Cure” and “Red Dress—1946,” with such generous characterizations and courageous honesty.

I love this book’s choc-a-block presentation of actual archival fragments from Jewish life in the British colonies that would eventually become Canada.

I also like that the book’s husband-wife, antiquarian, author team aimed to fuse together two objectives in one book: on the one hand, to paint a relatable picture of what Jewish life looked like during this period when Upper Canada was still being formed, and on the other hand, to account for the step-by-step process of Jews gaining civil rights in the new world.

When I teach Canadian Jewish history, I not only read this book with my students but also bring them into the archives that contain Godfrey’s trove of archival fragments of early Jewish Canadiana, which they collected before and while writing the book.