Here are 61 books that Luck in the Shadows fans have personally recommended if you like
Luck in the Shadows.
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While I wouldn’t go so far as to call myself a fan of horror, I have recently found myself drawn to darker books—especially at this time of the year with Halloween just around the corner. As a bisexual non-binary person, I love finding books with diverse LGBT+ rep in them, so these are just a few of the spookier LGBT+ books I think would make for great autumnal reading. Plus, my own book—My Name is Magic—features all kinds of mythological werebeasties and a race to save the day before the traditional Finnish Kekri festival, an equivalent of Halloween, although it involves less candy and more fire.
This YA novel is unquestionably one of my all time favourite reads. It’s about an asexual Apache girl with her ghost-dog sidekick in a world full of magic including faeries and vampires. The prose, the plot, the characters, the narrative structure—it was all brilliant and brought to life the story of a girl who can raise the ghosts of dead animals, a skill from her Lipan Apache family. A story that could’ve remained delightfully cute and sweet takes a decidedly darker turn when Elatsoe’s cousin is the picture-perfect town of Willowbee. As Elatsoe begins to investigate, she uncovers some seriously gruesome secrets in an alternate version of small-town America shaped by magic and monsters.
Imagine an America very similar to our own. It's got homework, best friends, and pistachio ice cream.
There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day.
Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I'm a queer guy who loves speculative fiction. That hasn't been easy. The Disney villains of my childhood were all some kind of horrible LGBTQIAP+ stereotype (Ursula from The Little Mermaidliterally modeled after a drag queen. Gaston, the muscle queen. Jafar, the effeminate manipulator...the list goes on and on). I recently watched the first season of Vox slack-jawed: the only queer representation was an effeminate, over-weight, makeup-ed, middle-aged queen lusting after a much younger straight character. Like many writers in the last few years, I'm trying to re-imagine speculative fiction with an array of LGBTQIAP+ characters in my upcoming contemporary epic fantasy YA book These Precious Stones.
This is one of those books where you’re like – the premise couldn’t possibly be as good as the execution. And yet it is. The dystopic world in which Sid has to take the punishment for all of Knox’s behavior is so rich and dark and delicious it resonates as a class critique of our own world without even having to try. It’s a knock-out debut, and I can’t wait to jump into London’s Black Wings Beating, whichis next on my Kindle.
Knox was born into one of the City's wealthiest families. A Patron, he has everything a boy could possibly want -the latest tech, the coolest clothes, and a Proxy to take all his punishments. When Knox breaks a vase, Syd is beaten. When Knox plays a practical joke, Syd is forced to haul rocks. And when Knox crashes a car, killing one of his friends, Syd is branded and sentenced to death. Syd is a Proxy. His life is not his own. Then again, neither is Knox's. Son to a master manipulator, Knox and Syd have more in common than…
Hi, my name is CT Phipps, and I am a crazy nerd from Ashland, Ky. I'm married with two dogs and love superheroes. I mean love. I used to wallpaper my bedroom wall with Spider-Man comics in their polybags. I've been a lifelong superhero fan and just love all the melodrama, hilarity, and weird science as well as magic that are the undercurrents of the genre. I've never lost my love of the characters and their stories, so when the MCU first came out, I ended up writing this book as well as its sequels. I’ve also written a bunch of other humorous sci-fi/fantasy books but this is the series closest to my heart.
Dreadnought is a fantastic story about a young trans girl who inherits the powers of the most powerful superhero in the world.
Like Captain Marvel, it bestows upon her the looks of her idealized form. Unfortunately, this goes over like a ton of bricks with her family that she hadn't revealed herself to. The coming-of-age drama doesn't take a back seat to the superheroics, though, and I absolutely love the characters created by the author.
An action-packed series-starter perfect for fans of The Heroine Complex and Not Your Sidekick.
"I didn't know how much I needed this brave, thrilling book until it rocked my world. Dreadnought is the superhero adventure we all need right now."-Charlie Jane Anders, author of All the Birds in the Sky
Danny Tozer has a problem: she just inherited the powers of Dreadnought, the world's greatest superhero. Until Dreadnought fell out of the sky and died right in front of her, Danny was trying to keep people from finding out she's transgender. But before he expired, Dreadnought passed his mantle to…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.
Like a lot of people, I read The Great Gatsby in high school. I really loved it, which is why I was thrilled when one of my favorite authors did her own fantasy re-imaging of this classic.
The Chosen and the Beautiful is set in an alternate universe where magic flows as easily as champagne. It centers on Jordan Baker, a side character in the original book, and reimagines her as a Vietnamese orphan who was adopted as a baby into a wealthy white family.
I loved how this book managed to take a classic and cast it in a totally new light: it makes you think about who and what gets left out of the history books.
An Instant National Bestseller! An Indie Next Pick!
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A Best of Summer Pick for TIME Magazine | CNN | Book Riot | The Daily Beast | Lambda Literary | The Milwaukee Journal Sentinel | Goodreads | Bustle | Veranda…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
I’ve always thought that this is one of the most brilliantly constructed plots in literature. First serialized in 1859-60, Collins’ story revolves around the mysterious figure of the Woman in White, who always induces a shiver of dread and pity, even on subsequent re-readings. And I don’t think I’ve ever encountered a more terrifyingly memorable mastermind villain than the one Collins gives us here.
Threatened innocence, eerie encounters, dastardly deeds—this book has it all. But best of all is the character of Marian Halcombe, who breaks gender barriers to defend her sister. She is one of the models for my own intrepid Victorian detective, Esther Hardy.
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'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'
One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White'…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I am King George III Professor in British History at the Ohio State University. While later medieval England is my specialty, I approach it through a study of the legal record. Medieval people were highly litigious – the average person ended up in court far more often than we do today, making legal records the best means to unearth information about the lives of normal people from the era. Most of my research has been sparked by questions students have asked me in class, such as: did medieval women stay with their abusive husbands? Did medieval children have rights? What was it like to be a single woman in medieval England?
Because everyone loves a good rebel. Eleanor de Montfort was little known before Wilkinson’s fine book. She was the daughter of King John, the sister of King Henry III, and the aunt of King Edward I. She was also the wife of one of England’s most notorious rebels, Simon de Montfort, whose leadership during the period of baronial reform and rebellion (1258-67) saw him rise to become the de facto ruler of England and host of the first representative parliament. Eleanor was no shrinking violet in all of this; she actively supported her husband’s cause through recruitment of allies, strategic hospitality, caring for royal prisoners, and suing for the properties and rights of her sons and husband, even after her husband’s gruesome death and desecration at the Battle of Evesham turned her into an outlaw on the run from English authorities.
This book deals with the remarkable life of a powerful and fiery woman at the heart of the turbulent Barons' Wars. As sister of Henry III and aunt of the future Edward I, Eleanor de Montfort was at the heart of the bloody conflict between the Crown and the English barons. At Lewes in 1264 Simon de Montfort captured the king and secured control of royal government. A woman of fiery nature, Eleanor worked tirelessly in supporting her husband's cause. She assumed responsibility for the care of the royal prisoners and she regularly dispatched luxurious gifts to Henry III and…
I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.
Some might buck at describing Cloud of Sparrows as ‘premodern battle’ – after all, it describes events of the mid-19th Century! However, Takashi Matsuoka’s novel is a soulful retelling of the Bakumatsu, or the twilight of the Tokugawa shogunate as Japan was violently pushed into the age of gunpowder.
Cloud of Sparrows is richly detailed in combat amongst a fading samurai culture. Descriptions abound of the all-important Battle of Sekigahara, which had established the Tokugawa shogunate over two centuries prior. More immediate attention is paid to countless duels amongst the retainers of Genji, the Great Lord of Akaoka, who struggle to uphold antiquated notions of honor as Japan’s warrior class confronts gunpowder and cannon. Even the most experienced historical fiction writer will learn from Matsuoka’s descriptions of blades and bows.
Warrior clans nursing ancient grudges. Western missionaries brandishing pistols. Beautiful geishas who are deadly ninjas.
1861 - after two centuries of isolation Japan has been forced to open its doors. Now new influences are tearing apart the old order. Japan is as unprepared for outsiders as missionaries are for samurai assassins, executions and honour killings. Genji's life is at risk. He plans his escape to the Cloud of Sparrows but the road is long and there are many places along the way for brutal samurai to attack -The demons of the past, the treachery of the present, an uncertain future…
An avid reader when young, I made the transition from reading to writing relatively late in life. It happened unexpectedly, but once I started writing I found it impossible to stop and have had twenty-eight novels published so far. Fortunately I found a publisher within weeks of completing my first novel, which was shortlisted for several major awards. Currently I am writing the 20th novel in my Geraldine Steel detective series, which has sold over a million copies in the UK alone. As well as writing detective novels, I also support up and coming crime writers as chair of judges for the Crime Writers Association’s Debut Dagger Award.
Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.
Enter the world of Gormenghast...the vast crumbling castle to which the seventy-seventh Earl, Titus Groan, is Lord and heir. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder.
Gormenghast is more than a sequel to Titus Groan - it is an enrichment and deepening of that book.The fertility of incident, character and rich atmosphere combine in a tour de force that ranks as one of the twentieth century's most…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Danielle Thorne has researched, traveled, read, and written sweet stories about historical gentlemen, pirates, ladies, and not-so-distressed damsels from her home south of Atlanta for over half her life. A graduate of BYU-Idaho with an English minor, she also writes clean and wholesome contemporary romance for Harlequin's tasteful Love Inspired line. She is the author of over twenty-five family-friendly books in a variety of genres.
Courting Miss Lancaster is a perfect first novel for those new to Sarah Eden. She is the queen of beautiful and inspirational wholesome romance novels. This story is original, fun, witty, and so heartwarming you will be an instant fan. Well-researched, it brings the Regency era—and courtship—to life.
Harry Windover adores blonde, green-eyed Athena Lancaster, but alas, a penniless man like himself has no hope of winning a young noblewoman s hand. To add insult to injury, Athena s brother-in-law and guardian, the Duke of Kielder, has asked Harry to assist Athena in finding the gentleman of her dreams. But the lovesick Harry is cunning as well: as the weeks pass, he introduces Athena to suitors who are horrifically boring, alarmingly attached to their mothers, downright rude, astoundingly self-absorbed, and utterly ridiculous. Athena can't comprehend why she is having so little success meeting eligible and acceptable gentlemen. Indeed,…
