Books like Luck in the Shadows

This YA novel is unquestionably one of my all time favourite reads. It’s about an asexual Apache girl with her ghost-dog sidekick in a world full of magic including faeries and vampires. The prose, the plot, the characters, the narrative structure—it was all brilliant and brought to life the story of a girl who can raise the ghosts of dead animals, a skill from her Lipan Apache family. A story that could’ve remained delightfully cute and sweet takes a decidedly darker turn when Elatsoe’s cousin is the picture-perfect town of Willowbee. As Elatsoe begins to investigate, she uncovers some seriously gruesome secrets in an alternate version of small-town America shaped by magic and monsters.

This is one of those books where you’re like – the premise couldn’t possibly be as good as the execution. And yet it is. The dystopic world in which Sid has to take the punishment for all of Knox’s behavior is so rich and dark and delicious it resonates as a class critique of our own world without even having to try. It’s a knock-out debut, and I can’t wait to jump into London’s Black Wings Beating, which is next on my Kindle.

Dreadnought is a fantastic story about a young trans girl who inherits the powers of the most powerful superhero in the world.

Like Captain Marvel, it bestows upon her the looks of her idealized form. Unfortunately, this goes over like a ton of bricks with her family that she hadn't revealed herself to. The coming-of-age drama doesn't take a back seat to the superheroics, though, and I absolutely love the characters created by the author. 

Like a lot of people, I read The Great Gatsby in high school. I really loved it, which is why I was thrilled when one of my favorite authors did her own fantasy re-imaging of this classic.

The Chosen and the Beautiful is set in an alternate universe where magic flows as easily as champagne. It centers on Jordan Baker, a side character in the original book, and reimagines her as a Vietnamese orphan who was adopted as a baby into a wealthy white family.

I loved how this book managed to take a classic and cast it in a totally new light: it makes you think about who and what gets left out of the history books.   

Perfect for horror readers who enjoy a narrative that is easy to settle into (the pages fly by), enjoy elements of dark fantasy with rich, opulent settings, and anything to do with blood, not necessarily vampires, but vampire-like activity.

The “rags-to-riches” storyline is so satisfying, I was physically dying for the MC to get to her new home, take a bath, get a makeover, and sink into a pretty & comfy bed. I loved this book so much; it delivered on everything, including my infatuation with reading about female friendships, toxicity, jealousy, and rivalry. Also, quite a bit of sapphic romance, which is a breath of fresh air in horror, filled with stale same-sex relationships or no romance at all.

While this novel moves effortlessly between three narrators, I loved that one of them is plucked straight from the dusty pages of history. While Lucrezia Borgia typically gets plenty of press, her contemporary Giulia Farnese was the beautiful young woman who didn’t have a choice in becoming the mistress of Cardinal Borgia, who became Pope Alexander VI. Here we see her learning to wade through Italian politics at the height of Borgia treachery.

Because everyone loves a good rebel. Eleanor de Montfort was little known before Wilkinson’s fine book. She was the daughter of King John, the sister of King Henry III, and the aunt of King Edward I. She was also the wife of one of England’s most notorious rebels, Simon de Montfort, whose leadership during the period of baronial reform and rebellion (1258-67) saw him rise to become the de facto ruler of England and host of the first representative parliament. Eleanor was no shrinking violet in all of this; she actively supported her husband’s cause through recruitment of allies, strategic hospitality, caring for royal prisoners, and suing for the properties and rights of her sons and husband, even after her husband’s gruesome death and desecration at the Battle of Evesham turned her into an outlaw on the run from English authorities.

Wilkinson’s book is a pleasure to read, as she… show more.

This book tells the story of the wars of the Roses through the lens of one family – the Pastons. This family left an extraordinary archive of letters, and it included many fascinating characters, especially women. The Paston women fought off sieges on their houses, wrote Valentine letters to their husbands, ran off with servants, and managed complicated household finances. As a family, the Pastons were social climbers, who tried to get on at court and to improve their position. Through them, we hear about high politics, but also about the domestic life and loves of the gentry in the fifteenth century. In this book, Helen Castor writes a kind of family biography, expansive, gripping, and detailed. It is both first-class research and a great story.

I have always been impressed by this Gothic masterpiece set in the giant, crumbling castle of Gormenghast, a community of traditions and strict rules enforced by a Master of Ritual.

The birth of Titus shakes the community and reawakens divisions of entitlement and hierarchy and prompts the rise to influence of Steerpike, an ambitious kitchen boy who aspires to become Master of Ritual.

The story, whose weirdness is underlined by character names including Lord Sepulchrave, Fuchsia Groan, Sourdust and Prunesquallor, works through multiple conspiracies to achieve their aims. The book absorbs the reader into its strange, unique world through its strange cast and language.

Who knew that an account of a disappeared medieval world could be so gripping?

I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.

Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.